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Stuart Willis and Chas Fisher에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Stuart Willis and Chas Fisher 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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DZ-97: Ensembles 2 - Servicing Characters

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Manage episode 356535078 series 40948
Stuart Willis and Chas Fisher에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Stuart Willis and Chas Fisher 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

How do you give your audience access to a lot of characters?

In Part 2 of our exploration into ensemble stories, Stu, Chas and Mel examine films whose plot and genre require a lot of characters. Thus we tackle a team sports film (PITCH PERFECT), a murder mystery (GLASS ONION), a slasher (SCREAM 2022) and a family holiday flick (THE FAMILY STONE).

By looking at these films, we discover tools for writers to service characters and give them more dimension. These tools include: shifting group dynamics; the spectrum of private to public behaviour; breaking POV, and quintessential group introductions.

As always: SPOILERS ABOUND

Thanks to Chris Walker for editing this episode.

CHAPTERS

  • 00:00:00 - Cold Open
  • 00:01:46 - Intro: Servicing Characters
  • 00:14:40 - Pitch Perfect
  • 00:37:54 - Glass Onion
  • 01:09:20 - Scream 5
  • 01:32:17 - The Family Stone
  • 02:13:22 - Key Learnings & Wrap Up

RELATED EPISODES

This episode brought to you by (drum roll):

ScriptUp: https://www.scriptupstudio.com – use promo code DZ10 to get 10% off; and

ArcStudio: go to https://www.arcstudiopro.com/draftzero for $30 off a pro subscription!

And how can we forget our awesome Patreons? Especially Casimir, Eduardo, Jennifer, Garrett, Randy, Jesse, Sandra, Theis, Alex and Khrob. You rule!

Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, @chasffisher and @mehlsbells on twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.

BUY DRAFT ZERO MERCH via TeePublic

  continue reading

114 에피소드

Artwork
icon공유
 
Manage episode 356535078 series 40948
Stuart Willis and Chas Fisher에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Stuart Willis and Chas Fisher 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

How do you give your audience access to a lot of characters?

In Part 2 of our exploration into ensemble stories, Stu, Chas and Mel examine films whose plot and genre require a lot of characters. Thus we tackle a team sports film (PITCH PERFECT), a murder mystery (GLASS ONION), a slasher (SCREAM 2022) and a family holiday flick (THE FAMILY STONE).

By looking at these films, we discover tools for writers to service characters and give them more dimension. These tools include: shifting group dynamics; the spectrum of private to public behaviour; breaking POV, and quintessential group introductions.

As always: SPOILERS ABOUND

Thanks to Chris Walker for editing this episode.

CHAPTERS

  • 00:00:00 - Cold Open
  • 00:01:46 - Intro: Servicing Characters
  • 00:14:40 - Pitch Perfect
  • 00:37:54 - Glass Onion
  • 01:09:20 - Scream 5
  • 01:32:17 - The Family Stone
  • 02:13:22 - Key Learnings & Wrap Up

RELATED EPISODES

This episode brought to you by (drum roll):

ScriptUp: https://www.scriptupstudio.com – use promo code DZ10 to get 10% off; and

ArcStudio: go to https://www.arcstudiopro.com/draftzero for $30 off a pro subscription!

And how can we forget our awesome Patreons? Especially Casimir, Eduardo, Jennifer, Garrett, Randy, Jesse, Sandra, Theis, Alex and Khrob. You rule!

Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis, @chasffisher and @mehlsbells on twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.

BUY DRAFT ZERO MERCH via TeePublic

  continue reading

114 에피소드

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