All Was Revealed - Eef Barzelay of Clem Snide

Better To... Podcast with D. M. Needom

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Eef Barzelay stops by the show to discuss his latest release, 'Oh Smokey', as well as life, death, and so much more.

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Eef Barzelay of CLEM SNIDE, some what cheekily. For Eef, the intersection of hope and resignation is the genesis of his tenth album OH SMOKEY

and a focal point of his upcoming tour. “I know fans like the older songs and the covers I've done, so it's really an ever-evolving mishmash... based on my blood sugar level and or deeply-rooted childhood traumas.”

Clem Snide has been aiming to include unique locations in an effort to bring music back to his fans for a much more intimate and tangible experience. “I like to sing in unexpected places whenever I can,” he explains, “Mennonite churches, abandoned hospitals, houseboats taking on water...I've done 'em all!” These spec shows aren’t usually private affairs. In fact, they’re open to fans everywhere, travel, of course, permitting. “Mostly though I play living rooms,” he clarifies. “Just sign the mailing list and I'll come to your house!”

His new album Oh Smokey, has been called “a gorgeous listen with lots of food for thought” by Americana UK, this album finds Eef combining forces with producer and devout Clem Snide fan Josh Kaufman(Bonny Light Horseman, Craig Finn, Hiss Golden Messenger) for a pastoral exploration of the human condition and finding hope when you’re knee deep in existential mud. (Of note, the previous album, 2020’s Forever Just Beyond was produced by fellow devout Clem Snide fan, Scot Avett of Avett Brothers).

“It's a collection of songs I've had for some years now,” he describes. “The inspiration was more just getting to work with Josh Kaufman and keeping the dream alive.” Written during a pivotal and highly - emotionally charged point in his life, the origins of Oh Smokey saw Eef going through a painful divorce, his life thrown into upheaval with his move out of Nashville, and parting ways with his longtime manager. “There's, for sure, a soon-to-be-divorced energy in some of the themes,” he continues. “But mostly, I like to think of the songs as clumsy, well-meaning attempts at prayer by a lapsed Atheist raised by godless Jews.”

Contemplative and meditative, Eef and band’s need for melodic lushness is never lost. From the stunning and jaunty acoustic opener, “Free” (“’Free’ plays around with the idea of a post- death reunification with our eternal selves”) to the sensitive strums of “Air Show Disaster ” to the electric guitar roll of the regret-fueled “Smokey” that feels almost like an outtake from Neil Young’s Harvest Moon, Oh Smokey is a deeply personal album that explores his current worldview.

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