Scene Workshop: Hook Your Readers In Chapter One With Cathryn DeVries Your Next Draft podcast

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Alice Sudlow에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Alice Sudlow 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

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Uncuffed

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1
S4, E1 - Day One 7:38

5 weeks 전7:38

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나중에 재생

7:38

Last summer, something monumental happened. One of Uncuffed's founding producers, Greg Eskridge, came home after more than 30 years in prison. In this episode we’ll bring you back to that emotional day last summer when he walked out of the San Quentin gates, free at last. Our work in prisons is supported by the California Arts Council, the California Department of Corrections and Rehabilitation, independent foundations, and donations from listeners like you. Learn more, sign up for Uncuffed news, and support the program at www.weareuncuffed.org Follow us @WeAreUncuffed on Instagram and Facebook Transcripts are available within a week of the episode coming out at www.kalw.org/podcast/uncuffed…

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Scene Workshop: Hook Your Readers in Chapter One with Cathryn deVries

약 1년 전 1:38:37

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Alice Sudlow에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Alice Sudlow 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

You get one shot to grab their attention. Don’t waste it with characters staring off into space.
You've put all this work into uncovering your character's internal arc. You know them SO WELL.
When you step into a scene, you're giving your absolute all to uncovering the deep meaning and purpose behind it, the profound arc of character transformation that's happening in even the smallest moments.
Yet in doing all that . . . you've lost the plot. You've crafted complex inner worlds for your characters, but all they're literally doing is staring off into space.
And you're worried that in the times when you most want to hook your readers—like your absolutely critical opening pages—you're boring them instead.
Bored readers put books down.
So what do you do? Throw in some discord and explosions to create external chaos? Cut the scene and start the story at a different point entirely?
Or is there a way to use what you know of your character's internal arc to find the perfect external action that will hook your readers and keep them turning pages?
This is exactly the challenge Cathryn deVries encountered in the first chapter of her novel. So we workshopped it together—and in this episode, you'll hear how we solved it, and how you can hook your readers, too.
Links mentioned in the episode:

Notes to Novel with Savannah Gilbo
Read Cathryn’s scene: alicesudlow.com/76
Read When a Slave Falls, Cathryn’s award-winning short story
Read Lightning Hunter, a story set in the same world as the scene we workshopped
Find Cathryn on her website, Facebook, Instagram, and LinkedIn

Send me a Text Message!

Support the show

Rate, Review, & Follow on Apple Podcasts

"I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode!

Loving the show? Show your support with a monthly contribution »

… continue reading

79 에피소드

#Books #Arts #Alice Sudlow #Podcasting Education

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Scene Workshop: Hook Your Readers in Chapter One with Cathryn deVries

Your Next Draft

published 약 1년 전

공유

MP3•에피소드 홈

Alice Sudlow에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Alice Sudlow 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

You get one shot to grab their attention. Don’t waste it with characters staring off into space.
You've put all this work into uncovering your character's internal arc. You know them SO WELL.
When you step into a scene, you're giving your absolute all to uncovering the deep meaning and purpose behind it, the profound arc of character transformation that's happening in even the smallest moments.
Yet in doing all that . . . you've lost the plot. You've crafted complex inner worlds for your characters, but all they're literally doing is staring off into space.
And you're worried that in the times when you most want to hook your readers—like your absolutely critical opening pages—you're boring them instead.
Bored readers put books down.
So what do you do? Throw in some discord and explosions to create external chaos? Cut the scene and start the story at a different point entirely?
Or is there a way to use what you know of your character's internal arc to find the perfect external action that will hook your readers and keep them turning pages?
This is exactly the challenge Cathryn deVries encountered in the first chapter of her novel. So we workshopped it together—and in this episode, you'll hear how we solved it, and how you can hook your readers, too.
Links mentioned in the episode:

Notes to Novel with Savannah Gilbo
Read Cathryn’s scene: alicesudlow.com/76
Read When a Slave Falls, Cathryn’s award-winning short story
Read Lightning Hunter, a story set in the same world as the scene we workshopped
Find Cathryn on her website, Facebook, Instagram, and LinkedIn

Send me a Text Message!

Support the show

Rate, Review, & Follow on Apple Podcasts

"I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode!

Loving the show? Show your support with a monthly contribution »

… continue reading

79 에피소드

#Books #Arts #Alice Sudlow #Podcasting Education

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1
How Multiple Layers of Editing Combine to Perfect Your Story (with Cathryn deVries and Kim Kessler) 1:32:05

14일 전1:32:05

나중에 재생

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1:32:05

The best novels combine rock-solid story structure with scenes that are unputdownable on every page. Here’s how one writer and two editors polished a story at every level. If you want to move your reader in every moment, keep them hooked on every page, you need to refine your scenes until each one is unputdownable. And that refinement? It’s SUCH a joy. It’s my favorite thing to do and it will transform your entire story. But in order to make every scene matter, you first need to make sure you have all the right scenes in all the right places. The big-picture story structure can’t be kinda-sorta-maybe working. It needs to be locked in, watertight. Otherwise, all those beautiful scenes won’t build to anything. They might be pretty on their own. But they won’t create compelling narrative drive, an irresistible build to the cathartic payoff your readers can’t get enough of. So how do you do it? How do you get your macro storytelling crystal clear and refine every scene into its most powerful form? In this episode, I want to share with you the story of how one writer did just that. You’ll hear how Cathryn leveraged multiple revision passes to transform her manuscript from a massive pile of words that made her cringe to a story she’s immeasurably proud of. It’s also a tale of two editors—because Cathryn worked with both me and my colleague Kim to make her story shine on every level. Most of all, it’s a story of mastering two storytelling skills—the micro and the macro—and all the story magic you can unlock when you do. Links mentioned in the episode: Read Cathryn’s stories » Join Kim’s Novel Hotline Live » Work with Kim and me together » Further listening: Ep. 76: Scene Workshop: Hook Your Readers in Chapter One with Cathryn deVries Ep. 42: The 6 Essential Elements of Every Novel, Act, and Scene Ep. 60: The Most Joyful Editing Feedback I Ever Give Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

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What Is a Manuscript Evaluation? (And Do You Need One?) 32:34

28일 전32:34

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32:34

It’s the most common developmental editing service you’ll see. Know what to look for and when (or if) you need one. If you google “developmental editor” and start looking through editors’ websites, you’ll see a common service appear again and again: A manuscript evaluation. (Or assessment, or diagnostic, or critique. A rose by any other name, etc.) Typically, in a manuscript evaluation, an editor will offer to read your manuscript and tell you what’s working and what to focus on next to make it even better. It sounds like the dream, right? Someone who will read the book you’ve spent months and months writing, tell you what they think of it, and give you a to-do list. And manuscript evaluations sell like hotcakes because what they’re offering is exactly what writers want. Or at least— what writers think they want. But when you don’t know what you really need , you risk wasting hundreds or thousands of dollars on a service that leaves you disappointed, stuck in the same spot, or even feeling false confidence that your story’s problems have all been solved when they’re not . What if you don’t need someone else’s to-do list for your story? What if you have access to all the evaluation you need right now , without paying a single cent? And if you don’t need someone else’s to-do list, what do you need instead? In this episode, I’m giving you a crash course on manuscript evaluations. You’ll hear: What they are, When they work, Why they go wrong , And the rare occasion when I will agree to do one. Here’s the thing: there are no regulations in the author services industry. That means it’s up to YOU to vet every professional you work with. I’m equipping you with everything you need to know to make the most of manuscript evaluations—or find the service you need instead. Links mentioned in the episode: See what I do inside Story Clarity ( instead of doing manuscript evaluations) Hear author John Green read from editor Julie Strauss-Gabel’s editorial letter for The Fault in Our Stars Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

1
Scene Workshop: Hook Your Readers in Chapter One with Cathryn deVries 1:38:37

6 weeks 전1:38:37

나중에 재생

나중에 재생

1:38:37

You get one shot to grab their attention. Don’t waste it with characters staring off into space. You've put all this work into uncovering your character's internal arc. You know them SO WELL. When you step into a scene, you're giving your absolute all to uncovering the deep meaning and purpose behind it, the profound arc of character transformation that's happening in even the smallest moments. Yet in doing all that . . . you've lost the plot. You've crafted complex inner worlds for your characters, but all they're literally doing is staring off into space. And you're worried that in the times when you most want to hook your readers—like your absolutely critical opening pages—you're boring them instead. Bored readers put books down. So what do you do? Throw in some discord and explosions to create external chaos? Cut the scene and start the story at a different point entirely? Or is there a way to use what you know of your character's internal arc to find the perfect external action that will hook your readers and keep them turning pages? This is exactly the challenge Cathryn deVries encountered in the first chapter of her novel. So we workshopped it together—and in this episode, you'll hear how we solved it, and how you can hook your readers, too. Links mentioned in the episode: Notes to Novel with Savannah Gilbo Read Cathryn’s scene: alicesudlow.com/76 Read When a Slave Falls , Cathryn’s award-winning short story Read Lightning Hunter , a story set in the same world as the scene we workshopped Find Cathryn on her website , Facebook , Instagram , and LinkedIn Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

1
The Unskippable Process to Create Unputdownable Books 25:57

8 weeks 전25:57

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25:57

It’s unpopular, but essential if you’re aiming to craft your best work. Picture this: one year from now, you’re holding your book in your hands. You see the gorgeous cover art, feel the slight resistance when you open the cover for the first time, run your hands over the soft, smooth paper, flip the pages and smell that delicious new book smell. Does that sound amazing? Holding your book in your hands just one year from now? Being done soon is so tempting. But just being done soon won’t lead to a book you’re proud of, a book you love , a book that accomplishes everything you know it can be. Does it sound amazing to imagine holding your book in your hands six months from now . . . and still not feel creatively fulfilled? To flip the pages and know that there’s more you could still fix? To skim the lines and cringe just a little? To picture the glorious story vivid in your imagination and wonder what your readers will miss because you couldn’t quite capture it on the page? No, that doesn’t sound delightful? I didn’t think so. The book world is filled with services promising to help you finish your book fast . If your dream is to hold your book in your hands this year, there are tons of people out there who can help you make that happen. But after years of helping writers who seek to craft their very best books, the ones they’re truly proud of, I’ve found that speed is not what you need to get there. In this episode, I’ll show you: What the true work of revising a novel really is, Why trying to speed through it will actually hold you back, And what to do instead—so that when you finish, the book you share with the world is one you’re immeasurably proud of. It’s not the popular path. But it’s the only path I know to craft the books you’re truly capable of writing. Links mentioned in the episode: Edit your novel with me: alicesudlow.com/contact See if I’m the right editor for your book: alicesudlow.com/waitlist Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

1
How to Edit Your Novel When Disaster Strikes 17:28

27 weeks 전17:28

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17:28

Your book is important. But sometimes, worthy interruptions will delay it for a while. For the last few months, this podcast feed has been quiet. It went dark with no notice in mid-June. I didn’t mean to disappear on you. In fact, I didn’t plan to pause the podcast at all. But a family emergency struck, and all my best-laid plans for summer 2024 changed in a matter of hours. This summer, I learned what it takes to edit when your world is in crisis. Happily, for me and my family, the crisis is over. But emergencies are bound to happen to everyone at some point. And so in today’s episode, I’m sharing my best advice for you and your editing should a crisis come to you. In it, you’ll hear: What in the world happened to the podcast (and me) this summer, 5 tips for editing when you’re in crisis mode, And what you’ll hear on Your Next Draft this fall. I hope you don’t need these tips for a long time. But if you do find your world falling apart around you, I hope these tips help you find a way forward for your story and yourself. Links mentioned in the episode: When the crisis hit, I couldn’t keep up with the podcast, but I did share updates with my email newsletter subscribers. Want to get all the episodes of Your Next Draft, plus editing tips that you won’t hear on the podcast? Subscribe to my newsletter: alicesudlow.com/sceneworksheet Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

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How Taylor Jenkins Reid Crafts an Exceptional Opening Scene 30:24

37 weeks 전30:24

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30:24

Your reader experiences your story one scene at a time. Make every scene un-put-down-able. Great stories are made of great scenes. Sure, your novel has a clever plot with twists and turns from the first page to the last. But the way your readers will experience that plot is . . . . . . one scene at a time. Which means if you want your readers to fall in love with your novel, you need to captivate them with scenes they can’t put down. How do you do it? I’ll show you in this episode. I’m analyzing a scene from The Seven Husbands of Evelyn Hugo to show you how and why it works— —and how you can create the same magic with your own scenes. You’ll learn: The timeless structure behind this modern scene How every single detail in the scene enhances that structure What Taylor Jenkins Reid shares through exposition—and what she leaves out How to draw inspiration from this scene to craft an exceptional scene of your own And more! This episode is a sneak peek inside my upcoming Scene Mastery Workshop . In fact, this is the first scene we’ll study in the workshop. Then, we’ll dig into seven more scenes from other great novels. So if you enjoy this episode, you’ll love the workshop. Want to master editing scenes this summer? Click here to get all the details and apply » Links mentioned in the episode: Apply to join the Scene Mastery Workshop: alicesudlow.com/workshop Ep. 27: Value Shifts: How to Craft Compelling Change in Every Story Ep. 42: The 6 Essential Elements of Every Novel, Act, and Scene Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

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2 “Showing” and "Telling" Ways to Convey Time Passing in Your Novel 16:34

39 weeks 전16:34

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16:34

Show and tell your readers why time matters to your characters. Time matters. When you look up and it’s dark outside, time matters to you. When your characters look around and summer is turning into fall, time matters to them. When your readers are reading a novel and they can’t figure out how time is passing? Well, time matters to them, too—mostly because they’re confused. In this episode, I’m sharing two ways to make time matter to your readers the way it matters to your characters . That is, how to make time matter because it impacts your characters’ lives . (And not because your readers can’t get a grip on what’s happening in your story.) You’ll learn: How to blend showing and telling (it’s a spectrum, not a binary) 2 techniques to convey time passing using showing and telling How to choose which calendars to use in your story And more! Your readers want to understand why time matters to your characters. Show and tell them, and they’ll feel it passing just as your characters do. Links mentioned in this episode: Ep. 70: Why You Must Show Time Passing in Your Novel Ep. 71: 3 “Telling” Ways to Convey Time Passing in Your Novel Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

1
3 “Telling” Ways to Convey Time Passing in Your Novel 27:30

41 weeks 전27:30

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27:30

Don’t lose your readers. Just tell them what time it is. The passage of time seems intuitive. It just happens, right? (Like, whether you want it to or not. Time and tide wait for no man, etc.) Here’s the thing, though. If you don’t tell your readers that time is passing in your novel . . . . . . they won’t know. It seems wild, I know. It feels like time passing should be obvious. But I promise you, it’s not. Luckily, conveying the passage of time to your readers is simple (and it doesn’t take a lot of words to do it!). And in this episode, I’ll tell you exactly how it’s done. You’ll learn: Why you need to both show and tell time passing in your story 2 ways your readers understand that time is passing 3 techniques to “tell” your readers time is passing And more! This is one of those elements of storytelling that feels tiny, inconsequential, like your readers will catch on without you needing to think too hard about it. But trust me, it makes a big difference. I’ve read so many manuscripts that are missing any indicators of time passing. And they make me as a reader feel completely lost. Don’t lose your readers. Just tell them what time it is. Links mentioned in the episode: Ep. 70: Why You Must Show Time Passing in Your Novel Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

1
Why You Must Show Time Passing in Your Novel 16:04

43 weeks 전16:04

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16:04

This is often overlooked, but it’s essential for great stories. How do you make time pass? Well, when you’re living your regular life in the real world, you don’t have to do anything. Time is constantly passing, no matter what you do. And when a timer goes off, or you look outside and see the sun’s gone down, or you feel your stomach growl with hunger, you notice time has passed. You hardly have to think about it. It’s just happening, all around you, all the time. In your novel, though—well, there, you are responsible for charting the passage of time. You are the filter who determines how time passes. More than that, you are responsible for telling your readers how much time is going by. It’s an essential part of storytelling, and yet it’s often overlooked. So in this episode, we’re talking about time. You’ll learn: Why writers often forget to mention time passing 3 ways you can use time passing to enhance your story What happens when you don’t show how time is passing in your story 2 kinds of tension you can create using time And more! I’ve read so many manuscripts where I lose track of time and have to ask the writer, “Wait, when does this happen?” Check out this episode and save yourself from this common oversight. Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

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When Should You Practice, and When Should You Publish? 18:28

45 weeks 전18:28

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18:28

Write your best stories—and know when to let go and publish them. In order to write great books, you first have to learn how to write great books. But when it comes to writing, there’s always something more to learn. So how do you know when to practice your writing skills—and more importantly, when to publish the stories you’re creating? That’s what I’m talking about in this episode. In it, you’ll learn: 2 benefits and 1 danger of spending focused time learning new writing skills The joy—and risk!—of publishing using the skills you already have How to leverage the benefits of both learning and publishing in your writing A self-assessment quiz to see what you should focus on next And more! So are you practicing or publishing? There’s no right or wrong answer. It’s just a question of which approach is best for you , right now . Check out the episode and find out! Links mentioned in the episode: Ep. 68: You Can't Skip Learning How to Write a Novel. Here's Why Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

1
You Can't Skip Learning How to Write a Novel. Here's Why 20:51

47 weeks 전20:51

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20:51

Before you can master writing great stories, you have to learn to craft great stories. When I was fifteen, I got my learner’s permit and began learning how to drive a car. This made me very unhappy. See, I wanted to know how to drive a car. I didn’t want to learn to drive a car. Knowing how to drive a car was fun, freeing, and exciting. Learning to drive a car was dangerous, tedious, dangerous, difficult, and also dangerous. Writers, I find, feel the same way about writing great books. Writers want to write great books . They don’t want to learn how to write great books . The stakes aren’t life or death. But the sentiment is the same. And just like fifteen-year-old me, writers face an uncomfortable truth: You can’t skip the learning stage of skill development. If you want to write great books, you have to spend time learning to write great books. In this episode, I’m digging into what it really takes to learn the skill of writing great books—and how to know when you’ve mastered it. You’ll learn: The 2 stages of skill development I see in writers Why you just can’t skip the learning stage (no matter how much we all want to!) 3 features of the learning stage (yes, features, not bugs!) And more! The amazing book you want to craft is on the other side of the learning stage. Check out the episode and build the skills that empower you to write it. Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

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4 Tips for Your First Time Working With an Editor 20:05

49 weeks 전20:05

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나중에 재생

20:05

Because working with an editor should be delightful, not scary. Let's be honest. When you start working with an editor for the first time, it can feel a little scary. You’re sharing your manuscript, the project you’ve worked so hard on, with a stranger on the internet. You’re inviting another person into a process that up until now has been entirely solo. And you’re entering an industry of professionals that’s probably entirely new to you. What should you expect? And what’s expected of you? In this episode, I’m demystifying what it’s like to work with an editor. I’m sharing four tips to help you make the most of your time with your editor—even (or especially!) if you’ve never worked with an editor before. You’ll learn: What NOT to do while you wait for your editor’s feedback 10+ things you CAN (and maybe should!) do while you wait What to do AFTER you get your feedback to move forward with clarity and confidence And more! Your work with your developmental editor can be one of the most rewarding creative partnerships you’ll ever experience. That may sound hyperbolic, but it’s 100% true. The first step is simply knowing what to expect. And that’s what you’ll learn in this episode. Links mentioned in the episode: Check out my manuscript wishlist: alicesudlow.com/wishlist Want me to edit your book? Tell me about your book here: alicesudlow.com/contact Ep. 66: 4 Tips to Find the Right Editor for Your Novel Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

1
4 Tips to Find the Right Editor for Your Novel 12:34

51 weeks 전12:34

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나중에 재생

12:34

What you need to know BEFORE you start working with an editor—and how to tell if they’re the right fit for your novel. Working with a developmental editor can be the most rewarding part of your editing process. But if you’ve never worked with an editor before, it can also be . . . intimidating. Confusing. Scary. After all, you’ve got to hand your manuscript that you’ve worked so hard on to a stranger on the internet and hope their feedback will be helpful and not soul-crushing. If you’ve ever wondered how to find the right editor for your book— —or maybe you’ve worked with an editor before, and it wasn’t a great experience— —then this episode is for you. In it, I’m sharing my top tips to find the right editor for your novel. You’ll learn: What you should know BEFORE you start looking for an editor 6 criteria to vet editors to see whether they’re the right fit for you 5 questions to ask to make sure you and your editor are on the same page And more! When you find the right editor for your book, the developmental editing process can be so incredibly rewarding. My coaching clients often tell me that the hour we spend together on calls is their favorite hour of the week. But if you don’t know how any of this works, you might feel a little lost. So let’s make it a little clearer and easier, shall we? And if you’d like to see if I’m the right editor for your novel, let’s talk! Go here to check out my manuscript wishlist and see whether I’m a good fit for your story. And go here to reach out and tell me about your book! Links mentioned in the episode: Check out my manuscript wishlist: alicesudlow.com/wishlist Work with me: alicesudlow.com/contact Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

1
Why Writers Resist Measuring Their Craft (And Why You Shouldn’t) 23:57

1 year 전23:57

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나중에 재생

23:57

What we get wrong about creativity—and the truth that will make your writing and editing so much more effective. Do you know how great stories work? Scratch that. Let’s start with an easier question. Do you know how your stories work? Not all writers do. Even published authors often struggle to articulate how they created the books their readers love. They rely on intuition, following gut feelings to shape their stories. But while your intuition can guide you to create a commercially successful novel . . . . . . I believe there’s a better way. An easier way. A less confusing and chaotic, more reliable and repeatable way. And that’s what this episode is all about. In it, you’ll learn: What we get wrong about our own creativity The truth about writing and art that exceptionally successful writers (probably) don’t want you to know What I find most amazing about traditional publishing (seriously, I think this is bonkers) And more! Your intuition is a powerful storytelling tool. But it’s not your only tool. And in this episode, I’ll show you why that’s such wonderful news. Links mentioned in the episode: Ep. 36: Your Story Has Deep Meaning. Do You Know What It Is? Ep. 42: The 6 Essential Elements of Every Novel, Act, and Scene P.S. What do you get when an editor and a nuclear physicist walk into a swing dance? Powerful truths about jazz music and storytelling, it turns out. Check out the episode to see what I mean. Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

1
The Pros and Cons of Group Coaching for Writers 21:26

1 year 전21:26

나중에 재생

나중에 재생

21:26

Why group coaching might be the perfect way to get feedback on your writing. When I was first getting started, I pictured editing like this: A writer writes a manuscript and sends it to their editor. The editor writes feedback and sends it back. The writer takes that feedback and uses it to edit their manuscript. That’s the classic form of editing. But it’s far from the only form of editing. Editing doesn’t even have to be one-on-one. In fact, sometimes group coaching can be exactly what you need! In this episode, I’m breaking down the pros and cons of group coaching for writers. You’ll learn: How group coaching combines the best features of critique groups + one-on-one editing What you CAN’T learn one-on-one (but you can learn in a group!) One group coaching caveat to watch out for And more! Group coaching isn’t better than one-on-one editing, or vice versa. It’s just different—a different experience that can meet different needs in your writing in a different way. In fact, you might decide to try both group and one-on-one editing at different points in your writing career. So it’s great to know what your options are! Links mentioned in the episode: Join the Scene Mastery Workshop waitlist: alicesudlow.com/workshop Send me a Text Message! Support the show Rate, Review, & Follow on Apple Podcasts "I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here , scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode! Loving the show? Show your support with a monthly contribution »…

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