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Why Are People Into That?! and Tina Horn에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Why Are People Into That?! and Tina Horn 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Shine Louise Houston: BLM + 15 yrs of Crash Pad Series

53:33
 
공유
 

Manage episode 265382958 series 61284
Why Are People Into That?! and Tina Horn에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Why Are People Into That?! and Tina Horn 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

On May 11th, I recorded an episode remotely with Shine, about 15 years of Crash Pad Series, and a second part about voyeurism. On June 24th, I called her back to get her perspective on the Movement for Black Lives. This is part one, including our talks about BLM and CPS. Voyeurism coming soon. //

“If you tell professionals what to do they won’t riff. If you tell amateurs what to do they ignore you. What I found was that the more I took myself out, the more organic the scene could be… The only thing I needed to control was the cameras…” //

In which I call Crash Pad Series the Law and Order of Queer P*rn, Shine explains the origin story of the CPS themes and production values, and her take on the narratives of a sex scene. //

Shine Louise Houston is the founding producer and director of Pink and White Productions (CrashPadSeries.com, PinkLabel.tv). During a five-year position at the women-owned sx toy purveyor Good Vibrations, Shine recognized an underserved demand for an alternative to mainstream p*rnography. In 2005, she quit her day job to form a p*rn company, kickstarting a renaissance in queer-made p*rn. A graduate from the San Francisco Arts Institute with a Bachelors in Fine Art Film, Shine has always had a unique vision for adult cinema. Her work has been recognized for its craft and cultural contribution to LGBTQ communities around the world.

Support this show http://supporter.acast.com/yapit.

Support this show http://supporter.acast.com/yapit.


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

172 에피소드

Artwork
icon공유
 
Manage episode 265382958 series 61284
Why Are People Into That?! and Tina Horn에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Why Are People Into That?! and Tina Horn 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

On May 11th, I recorded an episode remotely with Shine, about 15 years of Crash Pad Series, and a second part about voyeurism. On June 24th, I called her back to get her perspective on the Movement for Black Lives. This is part one, including our talks about BLM and CPS. Voyeurism coming soon. //

“If you tell professionals what to do they won’t riff. If you tell amateurs what to do they ignore you. What I found was that the more I took myself out, the more organic the scene could be… The only thing I needed to control was the cameras…” //

In which I call Crash Pad Series the Law and Order of Queer P*rn, Shine explains the origin story of the CPS themes and production values, and her take on the narratives of a sex scene. //

Shine Louise Houston is the founding producer and director of Pink and White Productions (CrashPadSeries.com, PinkLabel.tv). During a five-year position at the women-owned sx toy purveyor Good Vibrations, Shine recognized an underserved demand for an alternative to mainstream p*rnography. In 2005, she quit her day job to form a p*rn company, kickstarting a renaissance in queer-made p*rn. A graduate from the San Francisco Arts Institute with a Bachelors in Fine Art Film, Shine has always had a unique vision for adult cinema. Her work has been recognized for its craft and cultural contribution to LGBTQ communities around the world.

Support this show http://supporter.acast.com/yapit.

Support this show http://supporter.acast.com/yapit.


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

172 에피소드

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