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Rebecca L. Weber에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Rebecca L. Weber 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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WCP146 Archives Vol. V, Coming attractions

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Manage episode 303310410 series 2440178
Rebecca L. Weber에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Rebecca L. Weber 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

We’re all willing to watch a short trailer for a new movie or series—IF it’s any good. In a minute or so, we usually know if we’re in (“Ooh, I want to see that one!”) or if it’s a hard no.

A sample of one scene and we have a handle on the genre, the plot, the actors, the look and feel. It’s all show, no tell.

What we don’t see is the screenwriter, director, or a critic talking to the camera and telling us what the film is about, what they think of it, how much we’ll enjoy it, etc. Not from the studio who wants us to quickly decide to spend our time and money watching the film.

And yet writers do the equivalent in their pitches for articles all the time—telling us about a topic rather than showing us a story.

What happens in the ones that do get us interested?

YOU MIGHT ALSO LIKE: Bonus episode: Freelance Writer Bootcamp alumni discuss what the program’s really like

WORK WITH ME: JOIN THE FREELANCE WRITER BOOTCAMP WAITLIST

Join the waitlist for the next session of my small group coaching program, Freelance Writer Bootcamp. You’ll be the first to hear when applications open AND get special access to an early bird bonus: www.FreelanceWriterBootcamp.com

Break into your dream publications and get paid well while covering stories that matter. Alumni of my small group coaching program have used these proven pitching processes to break into the New York Times, the Guardian, Bustle, Fodor’s, Condé Nast Traveler, Al Jazeera, the BBC, and many more.

We cover all the external skills to improve your pitch acceptance rate, and the internal mindset work to keep you from getting in your own way.

Writers on the waitlist will be the first to hear when Bootcamp applications open up for early bird enrollment in the next session.

Click here to join the small group waitlist: www.FreelanceWriterBootcamp.com

More info and complete show notes: www.rebeccalweber.com/podcast146

  continue reading

292 에피소드

Artwork
icon공유
 
Manage episode 303310410 series 2440178
Rebecca L. Weber에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Rebecca L. Weber 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

We’re all willing to watch a short trailer for a new movie or series—IF it’s any good. In a minute or so, we usually know if we’re in (“Ooh, I want to see that one!”) or if it’s a hard no.

A sample of one scene and we have a handle on the genre, the plot, the actors, the look and feel. It’s all show, no tell.

What we don’t see is the screenwriter, director, or a critic talking to the camera and telling us what the film is about, what they think of it, how much we’ll enjoy it, etc. Not from the studio who wants us to quickly decide to spend our time and money watching the film.

And yet writers do the equivalent in their pitches for articles all the time—telling us about a topic rather than showing us a story.

What happens in the ones that do get us interested?

YOU MIGHT ALSO LIKE: Bonus episode: Freelance Writer Bootcamp alumni discuss what the program’s really like

WORK WITH ME: JOIN THE FREELANCE WRITER BOOTCAMP WAITLIST

Join the waitlist for the next session of my small group coaching program, Freelance Writer Bootcamp. You’ll be the first to hear when applications open AND get special access to an early bird bonus: www.FreelanceWriterBootcamp.com

Break into your dream publications and get paid well while covering stories that matter. Alumni of my small group coaching program have used these proven pitching processes to break into the New York Times, the Guardian, Bustle, Fodor’s, Condé Nast Traveler, Al Jazeera, the BBC, and many more.

We cover all the external skills to improve your pitch acceptance rate, and the internal mindset work to keep you from getting in your own way.

Writers on the waitlist will be the first to hear when Bootcamp applications open up for early bird enrollment in the next session.

Click here to join the small group waitlist: www.FreelanceWriterBootcamp.com

More info and complete show notes: www.rebeccalweber.com/podcast146

  continue reading

292 에피소드

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