Chapter 139: Lewis Mallard valorizes visionary vandalism

3 Books With Neil Pasricha

I was at a coffee shop on College Street when the barista Tony yelled “Hey! There’s that duck!” I turned and, sure enough, out the front window was a… duck. A giant pixelated-looking green-headed Mallard set atop a rubber-tire-sized body on top of orange-stockinged legs and a pair of orange Converse. And he was just … walking by. Like some kind of interdimensional tumbleweed. Uh, what … was this? Some gimmick from the local radio station? An ad campaign for a boot company? I ran outside with my friend Ateqah and was puzzled that … she seemed to know him! “Hiiiiiii Lewis,” she cooed. “You’re looking great, Lewis! How’s your day going, Lewis?” He just … quacked at her. I had so many questions: “Who are you? What are you doing? What is the meaning of this?” But, of course, he just … quacked. Ducks can’t talk! Then he turned and did a 1920s-pauper-finding-a-penny-style heel-click a good three feet in the air and I was left standing on the sidewalk, stunned, with a big smile on my face. I couldn’t let the story finish there. Turns out Ateqah had been following Lewis Mallard on Instagram for years so when she saw him she knew who he was. She took a picture of us and posted it on her Instagram Story, after which Lewis Mallard picked it up, artistically edited it, and posted it on his own. I learned Lewis Mallard is an anonymous ‘interdimensional psychedelic folk artist’ responsible for street performances and art installations across Hamilton, Toronto and, most recently, Victoria. Little duck-painted streetcar stations are popping up and, of course, the duck, in full quacking character, is being spotted on the streets. Lewis’s work has been covered in all the local press in Toronto—CP24, City News, CTV, The Toronto Star, etc. In one of many pieces of coverage in CBC a person named J.J. Collins, manager of a local record label, said "Anybody who sees Lewis will tell the next person they see and say, 'Oh my God, I saw Lewis on the way to work today.' It's like finding the golden ticket." Finding the golden ticket? I … love that. BlogTo calls Lewis a “Toronto legend” and a “viral folk artist” and was trumpeting him after he painted a Toronto streetcar stop to look like … himself. There was this … allure, to me, of what Lewis Mallard *was* and what he was doing. Taking over the streets, creating art amidst dustry construction, and mapping rivers of love, humanity, and community through endlessly flowing change we all feel happening on the streets. Lewis Mallard agreed to meet me in human form—though his face, name, and identity remain secret throughout this interview—on a bright orange bench on College Street outside the same Manic Coffee where I saw him the first time. Lewis and I parked in the hot sun in front of noisy streetcars, gaggles of teens, and one guy who (really) believes Lewis is a spy. We share Manic's famous yogurt cups, ham and cheese croissants, and cookies—all homemade!—and discuss sacrifices for art, the power of the collective, the right amount of ‘bad,’ community through poverty, how to parent your parents, becoming an adult reader, what vandalism *really* is, and, of course, Lewis Mallard’s 3 most formative books… Let’s flip the page into Chapter 139 now…