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Script Apart에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Script Apart 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Aftersun with Charlotte Wells

54:04
 
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Manage episode 352414591 series 2711077
Script Apart에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Script Apart 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Today, we have with us the extraordinary Charlotte Wells – writer-director of one of the most affecting feature debuts in recent memory. Aftersun is a meditative drama about a father and daughter on a resort holiday in Turkey, told through the eyes and camcorder footage of 11-year-old Sophie, played by Frankie Corio. She shares a sweet relationship with her father Callum, played by Paul Mescal. Across their holiday, however, she’s able to steal glimpses of him wrestling with problems beyond her comprehension, – problems he attempts to hide from the world. It’s a story about memory, parenthood and the heartbreak of growing up and realising that your parents are people, too, with their own burdens to carry. Inevitably, it’s being described as an awards season frontrunner, and one of the best movies of 2022.
In the conversation you’re about to hear, Charlotte tells me how the film began as an exploration of her relationship with her own dad, who she sadly lost aged sixteen. There’s a certain overlap between her life and the events of the movie that we unpack in this chat, as well as some big differences between her early drafts of Aftersun versus the final film. Initially, the film was set to feature an adult version of Sophie wandering through scenes following her childhood self, like a sun-soaked Scrooge in A Christmas Carol. There was also a romantic relationship at the holiday resort for Callum that got jettisoned, and much more melodrama, a more pronounced plot.
We talk why she stripped away those elements to drill deeper into the father-daughter tensions at the heart of the film, what it is about the pressures and repetitions of a family holiday that make for such an interesting backdrop to the film, and what exactly is happening in the film’s astonishing emotional climax: a dance sequence set to Queen’s Under Pressure, whose lyrics take on a poignant new meaning in the context of Callum and Sophie’s relationship. It’s a spoiler conversation, so be sure to watch the film on Mubi before tuning in.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from ScreenCraft, Arc Studio Pro and WeScreenplay.
To get ad-free episodes and exclusive content, join us on Patreon.

Support the Show.

  continue reading

106 에피소드

Artwork

Aftersun with Charlotte Wells

Script Apart

177 subscribers

published

icon공유
 
Manage episode 352414591 series 2711077
Script Apart에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Script Apart 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Today, we have with us the extraordinary Charlotte Wells – writer-director of one of the most affecting feature debuts in recent memory. Aftersun is a meditative drama about a father and daughter on a resort holiday in Turkey, told through the eyes and camcorder footage of 11-year-old Sophie, played by Frankie Corio. She shares a sweet relationship with her father Callum, played by Paul Mescal. Across their holiday, however, she’s able to steal glimpses of him wrestling with problems beyond her comprehension, – problems he attempts to hide from the world. It’s a story about memory, parenthood and the heartbreak of growing up and realising that your parents are people, too, with their own burdens to carry. Inevitably, it’s being described as an awards season frontrunner, and one of the best movies of 2022.
In the conversation you’re about to hear, Charlotte tells me how the film began as an exploration of her relationship with her own dad, who she sadly lost aged sixteen. There’s a certain overlap between her life and the events of the movie that we unpack in this chat, as well as some big differences between her early drafts of Aftersun versus the final film. Initially, the film was set to feature an adult version of Sophie wandering through scenes following her childhood self, like a sun-soaked Scrooge in A Christmas Carol. There was also a romantic relationship at the holiday resort for Callum that got jettisoned, and much more melodrama, a more pronounced plot.
We talk why she stripped away those elements to drill deeper into the father-daughter tensions at the heart of the film, what it is about the pressures and repetitions of a family holiday that make for such an interesting backdrop to the film, and what exactly is happening in the film’s astonishing emotional climax: a dance sequence set to Queen’s Under Pressure, whose lyrics take on a poignant new meaning in the context of Callum and Sophie’s relationship. It’s a spoiler conversation, so be sure to watch the film on Mubi before tuning in.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from ScreenCraft, Arc Studio Pro and WeScreenplay.
To get ad-free episodes and exclusive content, join us on Patreon.

Support the Show.

  continue reading

106 에피소드

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