In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Clint Worthington에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Clint Worthington 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Jerskin Fendrix (Poor Things)
Manage episode 388420502 series 2916171
Clint Worthington에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Clint Worthington 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
This week, I'm thrilled to talk to English musician and nascent film score composer Jerskin Fendrix about his score to the wacky, surreal, oddly poignant new film from Yorgos Lanthimos: Poor Things. Starring Emma Stone as Bella Baxter, the creation of Frankenstein-ian scientist Godwin Baxter (played by Willem Dafoe), the film delves into her ongoing quest to explore her humanity, sexuality, and the absurd social structures of a world careening into modernity. Lanthimos' films always push the boundaries between the vulgar and sublime, and this one's no different -- a Victorian-era fantasia complete with bright, presentational production design and wild costuming that fits the strangeness of Bella's world. And this strangeness bears out in Fendrix's score, his first after spending years in the London DIY pop scene. The score is punctuated by minimal voices, spare instruments, dissonant, bended notes that seem to lumber awkwardly like Bella taking her first furtive steps out into the world. Fendrix speaks with me about stepping into Yorgos' world, giving voice to a creature that evolves over the course of the score, and what it's like for such an autobiographical artist to surrender himself to a more collaborative medium like film. You can find Jerskin Fendrix's work on his official Bandcamp page. Poor Things is currently playing in theaters. You can also listen to the score on your preferred music streaming service courtesy of Milan Records.
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100 에피소드
Manage episode 388420502 series 2916171
Clint Worthington에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Clint Worthington 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
This week, I'm thrilled to talk to English musician and nascent film score composer Jerskin Fendrix about his score to the wacky, surreal, oddly poignant new film from Yorgos Lanthimos: Poor Things. Starring Emma Stone as Bella Baxter, the creation of Frankenstein-ian scientist Godwin Baxter (played by Willem Dafoe), the film delves into her ongoing quest to explore her humanity, sexuality, and the absurd social structures of a world careening into modernity. Lanthimos' films always push the boundaries between the vulgar and sublime, and this one's no different -- a Victorian-era fantasia complete with bright, presentational production design and wild costuming that fits the strangeness of Bella's world. And this strangeness bears out in Fendrix's score, his first after spending years in the London DIY pop scene. The score is punctuated by minimal voices, spare instruments, dissonant, bended notes that seem to lumber awkwardly like Bella taking her first furtive steps out into the world. Fendrix speaks with me about stepping into Yorgos' world, giving voice to a creature that evolves over the course of the score, and what it's like for such an autobiographical artist to surrender himself to a more collaborative medium like film. You can find Jerskin Fendrix's work on his official Bandcamp page. Poor Things is currently playing in theaters. You can also listen to the score on your preferred music streaming service courtesy of Milan Records.
…
continue reading
100 에피소드
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