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Mostly Film
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Mostly Film에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Mostly Film 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Friends and film. A perfect pairing. 🤝🏼🎬
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176 에피소드
모두 재생(하지 않음)으로 표시
Manage series 3418824
Mostly Film에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Mostly Film 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Friends and film. A perfect pairing. 🤝🏼🎬
…
continue reading
176 에피소드
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Mostly Film

1 Take 175: The Firm, The Great Gatsby. Cruise Vs. DiCaprio: A Hollywood Legacy. 35:15
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🎙️ Cruise Vs. DiCaprio This week on Cruise Vs. DiCaprio , we’re diving into two powerhouse performances that redefined their stars in completely different ways: Tom Cruise in The Firm (1993) and Leonardo DiCaprio in The Great Gatsby (2013). 📚 Tom Cruise in The Firm Before Ethan Hunt ran across rooftops, Cruise sprinted barefoot through Memphis as Mitch McDeere — a young lawyer caught between a corrupt firm and the FBI. We break down: Why John Grisham didn’t want Cruise at first How Cruise’s star power changed the film’s ending That legendary chase scene (yes, he did his own stunts again) The performance that helped elevate legal thrillers to box-office gold 🎩 Leonardo DiCaprio in The Great Gatsby Ten years after Titanic , DiCaprio stepped into a role of obsessive love and shimmering illusion as the mysterious Jay Gatsby. We talk through: His deep connection to Gatsby and collaboration with Baz Luhrmann Filming back-to-back with Django Unchained The emotional weight of Gatsby’s hope — and that unforgettable “old sport” DiCaprio’s ability to balance myth, tragedy, and pure charisma We also compare how these roles shaped Cruise and DiCaprio’s legacies: Who had the more transformative role? Which performance holds up best today? And whose film better captured the tension between ambition and illusion? Whether you’re into courtroom drama or champagne-soaked heartbreak, this episode brings the heat. Hit play and join the debate — it’s Cruise vs. DiCaprio like you’ve never heard them before.…
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Mostly Film

1 Take 174: Predator: Killer of Killers, The Surfer, The Accountant 2, & The Summer of Comedy. 57:23
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🎙️ Mostly Film – New Trailers, Killer Surfers, and Star Wars Surprises In this episode of Mostly Film , we're back with a packed lineup of hot takes, streaming recaps, and industry news fresh off the wire. Here's what's on the reel: 🎞️ LIST IT or NIX IT We break down the latest batch of trailers and decide what’s hitting our Letterboxd watchlists — and what’s getting the hard pass. This week’s trailer gauntlet includes: The Pickup The Lost Bus Animal Farm The Man in My Basement Wicked for Good Kiss of the Spider-Woman A Big Bold Beautiful Journey (List or nix? We’re saying it up top and defending the call.) 👀 What We've Been Watching From high-concept sci-fi to sweaty summer comedies, we cover the films and shows that stuck with us this week: Predator: Killer of Killers — does it earn that subtitle? The Surfer — sand, sweat, and existential dread The Accountant 2 — Ben’s back to balance more than books Minecraft: The Movie — yes, it’s real, and yes, we watched it Captain America: Brave New World — early impressions Plus: our Summer of Comedy rewatch rolls on with Tropic Thunder and Forgetting Sarah Marshall. 📺 TV Corner Quick hits on Dept. Q and other small-screen standouts we’ve been diving into (or avoiding). 📰 The News Movie news gets spicy this week: Texas Chainsaw Massacre sparks a studio bidding war Warner Bros. Discovery breakup talk — what it means Mass Effect goes live-action Mia Goth joins Ryan Gosling in a Star Wars mystery project Samuel L. Jackson speaks on awards, legacy, and doing it his way Oh yeah… Draco Malfoy has thoughts on J.K. Rowling 👀 All this, plus some irreverent takes and friendly fights. Hit play and let’s roll.…
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Mostly Film

1 Take 173: The Last Samurai, The Man in the Iron Mask. Cruise Vs. DiCaprio: A Hollywood Legacy. 46:04
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🎙️ Cruise vs. DiCaprio This week, we’re taking a cinematic deep dive into two stars going big with historical drama, emotional grit, and dual swords (and roles). 🗡️ Tom Cruise in The Last Samurai We break down Cruise’s transformation into Nathan Algren — a haunted American soldier drawn into the soul of samurai culture. From nearly a year of Kendo and Japanese language training to producing the film himself, Cruise approached this role with unmatched intensity. We talk: Why this film marked a mature turn in his career How his performance resonated in Japan Whether Ken Watanabe really outshined him — and if that’s a bad thing 👑 Leonardo DiCaprio in The Man in the Iron Mask Fresh off Titanic , DiCaprio took on not one but two roles: the cruel King Louis XIV and the noble twin Philippe. We get into: How fans reacted to his post-Jack beard phase Whether his dual performance holds up next to acting legends like Irons and Malkovich Why this film feels like the awkward teenage phase of DiCaprio’s career 💥 Cruise vs. DiCaprio Showdown Who brought more emotional depth? Who felt more out of place? And which film left a lasting mark on their career trajectory? Tune in for some love, some laughs, and some friendly fire as we revisit these two ambitious, period-piece pivots from two of Hollywood’s biggest names.…
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Mostly Film

1 Take 172: Friendship, This Is Spinal Tap, The Full Monty, Sex Drive & More Summer of Comedy! 1:15:54
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In this week’s episode, we’re firing on all cylinders — from fresh trailers to comedy rewatches to the latest movie news making waves. 🎬 LIST IT or NIX IT We take a first look at six hot-off-the-press trailers and decide: are we adding them to our Letterboxd watchlist or nixing them from existence? You’ll hear our snap takes on: Frankenstein (Guillermo del Toro's bold vision) Wake Up Dead Man (hello again, Benoit Blanc) The Black Phone 2 (do we really need more ring-ring terror?) The Home (thriller or filler?) The Thursday Murder Club (boomers solve crime!) Good Fortune (comedy redemption or studio misfire?) 🎞️ What We’ve Been Watching From nostalgic laughs to new indies, we break down the movies and shows that stuck with us this week — without spoiling a thing. Jonathan dives into the theme of Friendship on-screen and revisits comedy gems like Shanghai Noon , George of the Jungle , and The Full Monty . JP brings Friendship and Mountainhead into focus, and highlights sharp TV picks like Your Friends and Neighbors , Everybody’s Live with John Mulaney , and Adults . 📰 The News We talk through what’s new in movie land, including: Ryan Coogler officially shutting down any hope for a Sinners sequel Our honest reactions to the trailer for Dexter: Resurrection (Are we intrigued or just tired?) Hit play for quick takes, comedy callbacks, and the cinematic stuff that’s keeping us talking.…
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1 Take 171: The Basketball Diaries & All the Right Moves. Cruise Vs. DiCaprio: A Hollywood Legacy. 41:28
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🎙️ Cruise vs. DiCaprio In this episode of Mostly Film , we head back to where it all really started for two of Hollywood’s biggest stars — Tom Cruise and Leonardo DiCaprio — in a gritty face-off between All the Right Moves (1983) and The Basketball Diaries (1995). 🏈 Cruise in Steel Town, USA: We break down Tom Cruise’s early-career standout as Stefan Djordjevic, a high school football player trying to escape a dead-end town. From real football training to shaping his character’s emotional depth, Cruise showed critics he had more than just charm — he had dramatic range. We look at how this under-the-radar performance helped launch his rise into leading-man territory. 🏀 DiCaprio’s Descent into Darkness: Then, we turn to a young Leonardo DiCaprio’s harrowing performance in The Basketball Diaries , where he went full method to portray poet Jim Carroll’s fall into heroin addiction. From the gut-punch withdrawal scene to Carroll’s own stamp of approval, DiCaprio’s performance cemented him as more than just a teen idol — he was a serious actor with fearless instincts. 💥 Along the way, we compare the raw energy of Cruise’s working-class angst with DiCaprio’s emotional freefall, exploring how both films became turning points — not just in their careers, but in how audiences saw them as actors . If you love origin stories, underdog energy, and actors pushing past their pretty-boy image — this one’s for you. Hit play.…
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1 Take 170: Lilo & Stitch, Fountain of Youth, The Legend of Ohci & The Summer of Comedy Kick-Off 1:24:20
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🎙️ Mostly Film: What’s New, What We Watched & Summer of Comedy Your weekly watchlist just got a lot weirder (and funnier). In this episode of Mostly Film , we kick things off with LIST IT or NIX IT , where we give our instant takes on the latest trailers and decide whether they deserve a spot on our Letterboxd watchlists—or straight to the bin. 🍿 Then, we break down what we’ve been watching —from early reactions to the upcoming Lilo & Stitch (2025) to the mysterious fantasy vibes of The Legend of Ochi . JP dives into Fountain of Youth , The Ugly Stepsister , and Warfare , while Jonathan brings his thoughts on The Studio and more. 😎 Plus, it’s officially Summer of Comedy , and we’re getting nostalgic with a stack of cult classics and stoner legends: Mallrats Grind Dazed and Confused Super Troopers Airheads PCU ¡Three Amigos! …and yes, Animal House is here too. 🗞️ Finally, we hit the biggest headlines in movie news , including the much-discussed casting for HBO’s Harry Potter reboot and what it could mean for the series’ future. If you love movies, mess, and mid-'90s madness—this episode’s for you. Hit play.…
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1 Take 169: A Few Good Men & Titanic. Cruise Vs. DiCaprio: A Hollywood Legacy. 45:47
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🎙️ Cruise vs. DiCaprio: A Few Good Men & Titanic Two stars. Two iconic roles. One epic showdown. In this episode of Mostly Film , we dive into the dramatic depths and behind-the-scenes brilliance of Tom Cruise in A Few Good Men and Leonardo DiCaprio in Titanic — two career-defining roles that helped shape the legacies of two of Hollywood’s biggest stars. 👨⚖️ Cruise in Court We explore how Tom Cruise became the face of Lt. Daniel Kaffee — a cocky Navy lawyer turned righteous courtroom warrior. From Aaron Sorkin’s original vision to Cruise’s intense prep work with real JAG officers, we dig into how A Few Good Men became a turning point in Cruise’s dramatic career. Highlights include: His explosive chemistry with Jack Nicholson The legendary “You can’t handle the truth” scene How Cruise earned critics’ respect as a serious actor 🚢 DiCaprio on Deck Then it’s all aboard the Titanic, where a 21-year-old Leonardo DiCaprio transformed Jack Dawson into a timeless romantic hero. We unpack the casting drama, his undeniable chemistry with Kate Winslet, and how this one role launched Leo Mania into full force. Behind-the-scenes details: Why DiCaprio almost didn’t take the role How James Cameron fought to get his audition The sketchbook scene, the sacrifice, and the Oscar snub that still stings 🎬 Critics Weigh In We compare how both performances were received — Cruise praised for intensity and growth, DiCaprio adored for charm and sincerity — and ask the big question: Who gave the more iconic performance in their era-defining role? 🔥 It’s charisma vs. heart. Strategy vs. spontaneity. Military courtroom vs. sinking ship.…
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1 Take 168: The Shrouds, Final Destination Bloodlines, Mr. K, Psycho Therapy, & Novocaine. 1:13:55
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🎬 Mostly Film — In this episode of Mostly Film , we're back with a packed lineup of takes, trailers, and twisted movie news. 🍿 LIST IT or NIX IT (2:30) We dive into the freshest movie trailers and ask the only question that matters: Does it make the Letterboxd watchlist… or get the axe? This week’s titles: Nobody 2 Americana Oh What Fun Ballerina The Long Walk Honey Don’t Alpha Expect strong opinions, quick judgments, and one or two hot takes you’ll probably argue with in your group chat. 🎥 What We’ve Been Watching (18:30) We break down the films and TV shows that stuck with us this week—no deep plot dives, just the vibes, performances, and themes that made an impact. Jonathan’s queue includes Mr. K , The Shrouds , Novocaine , Final Destination: Bloodlines , and a nostalgia trip with The Land Before Time and The Emperor’s New Groove . JP adds his take on Murderbot and weighs in on crossover watches like Mr. K and FD: Bloodlines . 📰 The News (53:30) Hollywood’s chaos corner: Tom Cruise has his own hot sauce (and will never retire ) Tony Todd breaks the fourth wall in FD: Bloodlines Dakota Johnson critiques risk-averse studios Benedict Cumberbatch on Wes Anderson discovering Michael Cera (“like God discovering water”) Ralph Fiennes as President Snow Cosmo Jarvis as Young Stalin Gears of War , Rambo origins, Spider-Noir , and a DHS reality show that’s… real? From the absurd to the ambitious, we're talking about all of it. 🎧 Mostly Film — where movies are sacred, stupid, or sometimes both. Press play and argue with us later.…
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1 Take 167: Rain Man & What’s Eating Gilbert Grape. Cruise Vs. DiCaprio: A Hollywood Legacy Pt. 6 56:03
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🎙️ Cruise vs. DiCaprio — Rain Man & What’s Eating Gilbert Grape This week, we're diving into two powerhouse early performances that helped shape the careers of two of Hollywood’s biggest stars. It’s Tom Cruise in Rain Man vs. Leonardo DiCaprio in What’s Eating Gilbert Grape — a face-off between emotional arcs, sibling bonds, and breakthrough roles. We unpack how Cruise turned in one of his most underrated performances as Charlie Babbitt, the selfish younger brother who learns empathy during a cross-country journey with Dustin Hoffman’s Raymond. From casting shakeups to doing his own driving in emotionally charged scenes, Cruise’s transformation helped Rain Man win Best Picture and redefined his career. Then it’s DiCaprio’s breakout moment as Arnie Grape — the emotionally raw, deeply convincing role that stunned critics and earned him an Oscar nomination at just 19. We look at how DiCaprio beat out 400 actors, built a believable brotherly bond with Johnny Depp, and completely disappeared into the part, fooling audiences into thinking he wasn’t acting at all. We compare how both actors anchored emotional dramas without the flash, the risks they took, and how these performances helped launch them into superstardom. Whether you’re here for Cruise’s emotional restraint or DiCaprio’s jaw-dropping intensity, this episode is a must for fans of character-driven performances and turning points in film history. 🎬 Let’s get into it.…
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1 Take 166: Andor, Death of a Unicorn, & Jenna Ortega Catching Strays. 45:13
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🎙️ Mostly Film This week on Mostly Film , we’re back with another round of sharp opinions, movie news mayhem, and just enough chaos to keep it interesting. We kick things off with LIST IT or NIX IT , where we run through the freshest trailers and give our snap judgments: are they Letterboxd-worthy or going straight to the bin? This week’s lineup includes Weapons , The Smashing Machine , Highest 2 Lowest , Everything is Going to Be Great , The Unholy Trinity , and Now You See Me Now You Don’t . No plot summaries here—just instinct, vibes, and a little cinematic judgment. Then it’s on to What We’ve Been Watching , where Jonathan dives into the weird wild ride of Death of a Unicorn and revisits the rebellion in Andor . JP brings Eephus and Drop into the spotlight, plus some TV thoughts on The Rehearsal and The Righteous Gemstones . We skip the spoilers and zero in on what stuck with us—performances, atmosphere, and themes that hit. Finally, The News segment covers all the latest chaos from Hollywood: The Studio is getting a Season 2 GTA VI trailer fever Pleakley’s dress scene cut from the new Lilo & Stitch (seriously?) Jenna Ortega and Robert De Niro team up for Shutout Kevin Feige says watching Marvel started feeling like homework (we feel you) Jeremy Renner says “no thanks” to Hawkeye Season 2 Harrison Ford learns he almost played Batman And yes, Guy Ritchie is directing Road House 2 It’s a packed episode—fun, fast, and full of film. Let’s get into it.…
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1 Take 165: Vanilla Sky & Catch Me If You Can. Cruise Vs. DiCaprio: A Hollywood Legacy Pt. 5 52:58
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🎙️ Cruise vs. DiCaprio In this episode, we’re diving headfirst into two early-2000s classics and the powerhouse performances that defined them: Vanilla Sky (2001) starring Tom Cruise and Catch Me If You Can (2002) starring Leonardo DiCaprio. It’s Cruise vs. DiCaprio in a showdown of identity crises, dream logic, and con artistry—with both actors stepping outside their comfort zones in unforgettable ways. First up: Vanilla Sky . We explore how Tom Cruise championed the surreal remake of Open Your Eyes , reuniting with director Cameron Crowe and casting real-life flame Penélope Cruz to reprise her original role. Cruise pushed himself into darker, more vulnerable territory as David Aames, delivering one of the most emotionally raw—and divisive—performances of his career. From the eerily empty Times Square scene to a dreamlike soundtrack featuring Radiohead and Sigur Rós, we break down how this film tried (and sometimes struggled) to balance introspection and spectacle. Then, it’s on to the charming, jet-setting world of Catch Me If You Can . We get into Leonardo DiCaprio’s pitch-perfect casting as Frank Abagnale Jr., the teenage con man who flew too close to the sun—with style. Working under Steven Spielberg's improvisation-friendly direction and paired with a grounded Tom Hanks, DiCaprio turned in a performance that helped him leap from heartthrob to serious actor status. We unpack the movie’s slick pacing, surprising emotional core, and the cat-and-mouse chemistry that made it one of the most beloved biopics of the era. Along the way, we compare both stars’ choices, what these roles meant for their careers, and how each film explores the blurry line between reality and illusion—whether you’re living a lucid dream or a million-dollar lie. Which film holds up better? Which performance hits harder? And what do these two movies say about the movie stars behind them? Tune in for the breakdown.…
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Mostly Film

1 Take 164: Havok, Locked, Neighborhood Watch, & Revenge of Sith’s 20th! 46:54
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🎙️ This week on the pod, we dive into the freshest trailers in our LIST IT or NIX IT segment—where we give it to you straight: are these upcoming releases worthy of a coveted spot on our Letterboxd watchlists, or are we hitting the eject button? From the surreal stitching of Sew Torn to the wild desert chaos of Predator: Badlands and the return of a slasher classic in I Know What You Did Last Summer , we make the call upfront—LIST or NIX. 🎞️ Trailers Covered: Sew Torn Predator: Badlands Heads of State I Know What You Did Last Summer Mountainhead Next up, in What We’ve Been Watching , we break down what stuck with us this week—Jonathan takes us through gritty action and nostalgic rewatches like Havok , Locked , and Revenge of the Sith , while JP shares his thoughts on The Rehearsal and the continuing brilliance of Havok . We keep it spoiler-free and focused on themes, vibes, and standout performances. 📺 Featured Watches: Havok Neighborhood Watch Locked Star Wars: ROTS The Studio The Last of Us The Rehearsal And finally, in The News , we talk big moves and big opinions. Miami Vice is getting a cinematic reboot with Joseph Kosinski and Dan Gilroy, Dev Patel is going full medieval in The Peasant , and Netflix is throwing shade at theaters again. Plus, updates on Narnia , SISU 2 , Split Fiction , and the surprise re-release box office boom of Revenge of the Sith . 🗞️ Headlines We Hit: Miami Vice movie reboot Dev Patel’s The Peasant Isaiah Saxon calls out corporate kids’ movies Revenge of the Sith dominates re-release box office Emma Mackey joins Greta Gerwig’s Narnia Sydney Sweeney in Split Fiction Netflix vs. Theaters (again) Bill Hader’s upcoming Jonestown series It’s a packed episode full of sharp takes, new picks, and cinematic chaos—LIST IT and tune in.…
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Mostly Film

1 Take 163: J. Edgar & Valkyrie. Cruise Vs. DiCaprio: A Hollywood Legacy Pt. 4 35:17
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🎙️ Cruise vs. DiCaprio: Valkyrie & J. Edgar This week on the pod, it’s a heavyweight actor showdown as we dive deep into Tom Cruise in Valkyrie and Leonardo DiCaprio in J. Edgar . Two historical dramas. Two mega-stars. Two wildly different approaches to portraying complicated men at the center of power, secrecy, and resistance. 🎖️ The Case for Cruise: Valkyrie We break down Cruise’s transformation into Colonel Claus von Stauffenberg—the German officer who risked everything to assassinate Hitler. From behind-the-scenes tensions with the German government to Cruise doing his own bomb stunt, we look at how this wasn’t just another action role. Did Cruise’s buttoned-up performance win over critics—or was he too restrained for his own good? 🏛️ The Case for DiCaprio: J. Edgar Then we pivot to Leo’s turn as J. Edgar Hoover—spanning decades, diving into personal ambiguity, and buried under layers of prosthetics. We unpack why Clint Eastwood saw DiCaprio as the only man for the job, how Leo prepared for the emotional and psychological weight of Hoover’s legacy, and why that Oscar nom never came. Was this peak Leo or prestige overload? 🎭 We Talk: Why Cruise’s serious side doesn’t always land DiCaprio’s fearless deep-dive into power and repression Which film stuck the landing—and which one felt like Oscar bait gone flat Historical accuracy, Hollywood polish, and whether star power helps or hurts when portraying real-life figures Whether you're Team Cruise or Team DiCaprio, this episode is packed with behind-the-scenes stories, hot takes, and side-by-side comparisons that make the case for both performances—and maybe even settle the debate.…
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1 Take 162: Sinners, A Working Man, The Last of Us Season 2, & the Return of Star Wars? 49:07
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🎬 Mostly Film: Sinners, Star Wars & the Life of Chuck 🎬 This week on Mostly Film , we’re diving into everything from apocalyptic storytelling to galactic plotting—and yep, there's even a Weezer mockumentary starring Keanu Reeves. It’s that kind of week. 📽️ LIST IT or NIX IT First up, it’s trailer time. We break down the newest drops— Weapons , HIM , The Roses , and The Life of Chuck —and decide whether they’re getting the Letterboxd LIST IT treatment or getting NIXED without hesitation. Spoiler: we’re divided on more than a few. 👀 What We’ve Been Watching Jonathan dives into the gritty morality of Sinners and the blue-collar power of A Working Man , while JP catches up with the adrenaline of MI:7 Dead Reckoning . On the TV side, both hosts check in on the emotional wreckage of The Last of Us , with added dispatches from The Studio , Your Friends and Neighbors , and The Agency . 📰 Movie News Breakdown We’re talking big moves and weird headlines: Sinners smashes expectations with a $48M opening—biggest original film debut of the decade. Star Wars is stacking talent: Carlton Cuse joins one series, Tony McNamara pens another, and Mikey Madison says “nah” to a third. Keanu Reeves is a villain in a Weezer mockumentary. Yes, really. Tim Allen spills some Toy Story 5 tea (Jessie fans, rise up). Plus: Sam Neill joins Godzilla x Kong , Damian Priest wants Jason Momoa in the WWE, and Chris Evans is playing a shady church leader opposite Margaret Qualley in Ethan Coen’s latest. 🎧 Hit play for hot takes, deadpan headlines, and a little chaos in your movie feed.…
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Mostly Film

1 Take 161: Body of Lies & Legend. Cruise Vs. DiCaprio: A Hollywood Legacy Pt. 3 46:49
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좋아요46:49
In this week’s Mostly Film , we're pitting two Hollywood heavyweights against each other in a cinematic showdown: Tom Cruise in Legend (1985) vs. Leonardo DiCaprio in Body of Lies (2008) . First up, we go deep into The Casting of Legend —a pre- Top Gun Cruise donning long locks and fairy-tale armor in Ridley Scott’s surreal fantasy epic. We’ll talk about how he nearly passed on the role, the version of the film he actually preferred, and how Legend gave us a rare look at Cruise in the fantasy genre—though Tim Curry’s devilish performance may have stolen the spotlight. Then we shift gears into the gritty world of Body of Lies , where DiCaprio goes full-on CIA in Ridley Scott’s modern spy thriller. From gaining 25 pounds to demanding on-location shooting in Morocco, Leo’s dedication was real—and so was the intensity. We’ll cover how this film fits into his “gritty realism” era and why his performance is considered one of his most underrated. Plus, we’re breaking down The Performances, The Direction, and The Critical Reception —how both actors were shaped (or overshadowed) by their directors, the worlds they stepped into, and the legacies these films left behind. Is Cruise’s ethereal Jack a forgotten fantasy prince? Does DiCaprio’s Roger Ferris deserve more love in the spy thriller pantheon? You decide. It’s fairytale forests vs. Middle Eastern war zones. Light vs. Lies. Cruise vs. DiCaprio.…
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