Artwork

MarBelle에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 MarBelle 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Player FM -팟 캐스트 앱
Player FM 앱으로 오프라인으로 전환하세요!

DN364: Philippe Faucon Contemplates the Loneliness of Economic Migration in French Drama ‘Amin’

 
공유
 

Manage episode 221824122 series 1581
MarBelle에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 MarBelle 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Our penultimate interview from this year’s London Film Festival, DN speaks to veteran French Director Philippe Faucon about his story of economic separation and loneliness, Amin. Shot in Senegal and France, and featuring a predominately non-professional cast, Philippe discusses why working with non-actors is an integral part of his process and the power of cinema to enable audiences to connect with lives outside of their day to day experiences.

Amin (2018)

Amin came from Senegal nine years ago to work in France, leaving behind his wife Aïsha and their three children. His work is his life, his friends the men who live with him in the social home. Aïsha sees her husband only once or twice a year, for a week or two, sometimes a month. She accepts this situation as a necessity: the money that Amin sends to Senegal provides for several people. One day, Amin meets Gabrielle and a relationship starts between them. At first, Amin is reserved. There is the language barrier, his modesty. So far, separated from his wife, he has led a life devoted to duty and knew he had to remain vigilant.

Cinema can express things in a way no other art form can.

https://ia601508.us.archive.org/10/items/DN364AminPhilippeFaucon/DN364AminPhilippeFaucon.mp3

Subscribe to the Directors Notes podcast to hear our LFF filmmaker interviews. You can also catch up on all our coverage from the London Film Festival here.

  continue reading

40 에피소드

Artwork
icon공유
 
Manage episode 221824122 series 1581
MarBelle에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 MarBelle 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Our penultimate interview from this year’s London Film Festival, DN speaks to veteran French Director Philippe Faucon about his story of economic separation and loneliness, Amin. Shot in Senegal and France, and featuring a predominately non-professional cast, Philippe discusses why working with non-actors is an integral part of his process and the power of cinema to enable audiences to connect with lives outside of their day to day experiences.

Amin (2018)

Amin came from Senegal nine years ago to work in France, leaving behind his wife Aïsha and their three children. His work is his life, his friends the men who live with him in the social home. Aïsha sees her husband only once or twice a year, for a week or two, sometimes a month. She accepts this situation as a necessity: the money that Amin sends to Senegal provides for several people. One day, Amin meets Gabrielle and a relationship starts between them. At first, Amin is reserved. There is the language barrier, his modesty. So far, separated from his wife, he has led a life devoted to duty and knew he had to remain vigilant.

Cinema can express things in a way no other art form can.

https://ia601508.us.archive.org/10/items/DN364AminPhilippeFaucon/DN364AminPhilippeFaucon.mp3

Subscribe to the Directors Notes podcast to hear our LFF filmmaker interviews. You can also catch up on all our coverage from the London Film Festival here.

  continue reading

40 에피소드

Tüm bölümler

×
 
Loading …

플레이어 FM에 오신것을 환영합니다!

플레이어 FM은 웹에서 고품질 팟캐스트를 검색하여 지금 바로 즐길 수 있도록 합니다. 최고의 팟캐스트 앱이며 Android, iPhone 및 웹에서도 작동합니다. 장치 간 구독 동기화를 위해 가입하세요.

 

빠른 참조 가이드