show episodes
 
Artwork
 
Past Present Future is a bi-weekly History of Ideas podcast with David Runciman, host and creator of Talking Politics, exploring the history of ideas from politics to philosophy, culture to technology. David talks to historians, novelists, scientists and many others about where the most interesting ideas come from, what they mean, and why they matter. Ideas from the past, questions about the present, shaping the future. Brought to you in partnership with the London Review of Books. New episo ...
  continue reading
 
Artwork

1
Close Readings

London Review of Books

Unsubscribe
Unsubscribe
주마다
 
Close Readings is a new multi-series podcast subscription from the London Review of Books. Two contributors explore areas of literature through a selection of key works, providing an introductory grounding like no other. Listen to some episodes for free here, and extracts from our ongoing subscriber-only series. How To Subscribe In Apple Podcasts, click 'subscribe' at the top of this podcast feed to unlock the full episodes. Or for other podcast apps, sign up here: https://lrb.me/closereadin ...
  continue reading
 
“Max Brand”, the most used pseudonym of Frederick Schiller Faust (1892-1944), is best known today for his western fiction. Faust began in the early twentieth century selling his stories to the pulp magazines, writing in many genres under numerous pseudonyms. He is probably best known as the creator of the character Destry. His novel Destry Rides Again has been filmed several times, most notably the 1939 version starring James Stewart and Marlene Dietrich. Also his character Dr. Kildare which ...
  continue reading
 
Loading …
show series
 
Today’s great political film is John Frankenheimer’s masterpiece of Cold War paranoia The Manchurian Candidate (1962), which came out the week of the Cuban Missile Crisis. It’s a 1960s movie about 1950s fears: brainwashing, the Korean War, McCarthyism, all shot through with Kennedy-era anxieties about sexual potency and psychoanalysis. Who’s a Sovi…
  continue reading
 
In this episode, we tackle Juvenal, whose sixteen satires influenced libertines, neoclassicists and early Christian moralists alike. Conservative to a fault, Juvenal’s Satires rails against the rapid expansion and transformation of Roman society in the early principate – immigration, sexual mores and eating habits all come under fire. But where his…
  continue reading
 
In today’s episode David discusses Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), a great patriotic anti-war film made in the depths of WWII. Why did Churchill want the film’s production stopped and was he right to suspect it was about him? What does the film say about the politics of nostalgia and the illusions…
  continue reading
 
Orson Welles’s Citizen Kane (1941) is many people’s favourite film of all time, including Donald Trump’s. Why does Trump love it so? What does he get right and what does he get wrong about the trajectory of the life of Charles Foster Kane? What does the film reveal about the relationship between celebrity, influence and political power? And why is …
  continue reading
 
Mary and Irina resume their discussion of Boccaccio’s Decameron, focusing on three stories of female agency, deception and desire. Alibech, an aspiring hermitess, is tricked into indulging her powerful sexual urges; Petronella combines business and pleasure at the expense of her husband and lover; while Lydia demonstrates her devotion by killing ha…
  continue reading
 
Today’s great political film is Frank Capra’s Mr Smith Goes to Washington (1939), a much-loved tale of the little guy taking on the corrupt establishment. But there’s far more to it than that, including an origin story that suggests Jefferson Smith (James Stewart) might not be what he seems. From filibusters to fascism, from the New Deal to America…
  continue reading
 
For the first episode in our new series David explores Jean Renoir’s La Grande Illusion (1937), a great anti-war film that is also a melancholy meditation on friendship between enemies, love across borders, and the inevitability of loss. What, in the end, is the great illusion: war itself, or the belief that we can escape its baleful consequences? …
  continue reading
 
Brent Hayes Edwards talks to Adam about Aimé Césaire's 1950 essay Discourse on Colonialism, a groundbreaking work of 20th-century anti-colonial thought and a precursor to the writings of Césaire's protégé, Frantz Fanon. Césaire was Martinique’s most influential poet and one of its most prominent politicians as a deputy in the French National Assemb…
  continue reading
 
David talks to author Michael Lewis about SBF and EA: about the man he got to know before, during and after his spectacular fall and about the philosophy with which he was associated. What did Sam Bankman-Fried believe was the purpose of making so much money? How did he manage to get so side-tracked from doing good? Why when it all went wrong did h…
  continue reading
 
David checks in with Gary Gerstle one more time before November to explore where things now stand with the US presidential election. In a conversation recorded in the immediate aftermath of the Walz/Vance debate, they discuss dead cats, October headwinds, comparisons with 2016 and a president missing in action. Plus, if the result really is too clo…
  continue reading
 
By the end of 1895 Oscar Wilde’s life was in ruins as he sat in Reading Gaol facing public disgrace, bankruptcy and, two years later, exile. Just ten months earlier the premiere of The Importance of Being Earnest at St James’s Theatre in London had been greeted rapturously by both the audience and critics. In this episode Colin and Clare consider w…
  continue reading
 
For episode four of our series on the history of thinking about thinking machines, David and Shannon discuss a very different sci-fi sensibility: Becky Chambers’ Monk & Robot series (A Psalm for the Wild-Built (2021) and A Prayer for the Crown-Shy (2022)). What would it mean for robots to ‘wake up’? How might robots teach humans about the nature of…
  continue reading
 
Today’s episode in our series on the history of thinking about thinking machines explores the novel that inspired Blade Runner: Philip K. Dick’s Do Androids Dream of Electric Sheep? (1968). David talks to Shannon Vallor about what the book has that the film lacks and how it comprehensively messes with the line between human and machine, the natural…
  continue reading
 
In his long 1938 poem, Louis MacNeice took many of the ideals shared by other young writers of his time – a desire for relevance, responsiveness and, above all, honesty – and applied them in a way that has few equivalents in English poetry. This diary-style work, written from August to December 1938, reflects with ‘documentary vividness’, as Ian Ha…
  continue reading
 
In today’s episode in our series on the history of thinking about thinking machines, David and Shannon discuss Isaac Asimov’s 1955 short story ‘Franchise’, which imagines the American presidential election of 2008 as decided by one voter and a giant computer. Part prophecy, part parody: have either its predictions or its warnings about democracy co…
  continue reading
 
The Annals, Tacitus’ study of the emperors from Tiberius to Nero, covers some of the most vivid and ruthless episodes in Roman history. A masterclass in political intrigue (and how not to do it), the Annals features mutiny, senatorial backstabbing, wars on the imperial frontiers, political purges and enormous egos. Emily and Tom explore the many am…
  continue reading
 
For the first episode in our new series on the history of thinking about thinking machines, David talks to philosopher Shannon Vallor about Fritz Lang’s Metropolis (1927). The last great silent film is the most futuristic: a vision of robots and artificial life, it is also about where the human heart fits into an increasingly mechanised world. Is i…
  continue reading
 
For our last episode in this series of historical counterfactuals, David talks to the historian Ben Jackson about what might have happened if the 2014 Scottish Independence referendum had gone the other way. How close was the vote and what could have swung it differently? Were the dark warnings about the consequences of independence likely to have …
  continue reading
 
In the preface to the Decameron Boccaccio describes Florentine society laid waste by bubonic plague in the mid-14th century. But before he gets to that he has a confession for the reader: he has been hurt by love, a love ‘more fervent than any other love’, and intends his work as a guide to life and love for young women in particular. In the first …
  continue reading
 
Our counterfactuals series moves forward to 1989: David talks to Lea Ypi about what might have happened if the Berlin Wall hadn’t fallen when it did. Was the night it came down really just one big accident? How long could the East German regime have lasted? And what does the fate of non-European communist states tell us about how it could have gone…
  continue reading
 
David talks to historian Margaret MacMillan, author of the prize-winning Peacemakers, about whether the 1919 Paris Peace Conference deserves its reputation as a missed opportunity and the harbinger of another war. Could the peace have been fairer to the Germans? Could the League of Nations have been given real teeth? Could the Bolsheviks have been …
  continue reading
 
Brent Hayes Edwards and Adam discuss the ‘ur-text of Black political philosophy’, W.E.B. Du Bois’s The Souls of Black Folk. Spanning autobiography, history, biography, fiction, music criticism and political science, its fourteen essays set the tone for Black literature, political debate and scholarly production for the course of the 20th century. S…
  continue reading
 
Today’s episode is another big early twentieth-century counterfactual: David talks to the historian of Russia Edward Acton about how the Russian Revolution might have unfolded if the Left SRs and not the Bolsheviks had come out on top. Could Lenin have been sidelined? Might the Terror have been avoided? And what would it have meant to the wider wor…
  continue reading
 
We return to our series on historical counterfactuals with the big one: how might WWI have been avoided? David talks to Chris Clark, author of The Sleepwalkers, the definitive history of the July crisis of 1914, to explore how it might have turned out differently. What would have happened if Franz Ferdinand had survived the assassination attempt in…
  continue reading
 
Few poets have had the courage (or inclination) to rhyme ‘Plato’ with ‘potato’, ‘intellectual’ with ‘hen-peck’d you all’ or ‘Acropolis’ with ‘Constantinople is’. Byron does all of these in Don Juan, his 16,000-line unfinished mock epic that presents itself as a grand satire on human vanity in the tradition of Cervantes, Swift and the Stoics, and re…
  continue reading
 
Our Great Political Fictions re-release concludes with a musical: Lin-Manuel Miranda’s wildly popular and increasingly controversial Hamilton (2015). What does it get right and what does it get wrong about America’s founding fathers? How fair is it to judge a Broadway musical by the standards of academic history? And why does a product of the Obama…
  continue reading
 
The penultimate episode in our Great Political Fictions re-release is about Curtis Sittenfeld’s American Wife (2008), which re-imagines the life of First Lady Laura Bush.One of the great novels about the intimacy of power and the accidents of politics, it sticks to the historical record while radically retelling it. What does the standard version l…
  continue reading
 
Today’s Great Political Fiction is Alan Hollinghurst’s The Line of Beauty (2004), which is set between Thatcher’s two dominant general election victories of 1983 and 1987. A novel about the intersection between gay life and Tory life, high politics and low conduct, beauty and betrayal, it explores the price of power and the risks of liberation. It …
  continue reading
 
For the twelfth episode in our Great Political Fictions re-release, David discusses Margaret Atwood’s The Handmaid’s Tale (1985), her unforgettable dystopian vision of a future American patriarchy. Where is Gilead? When is Gilead? How did it happen? How can it be stopped? From puritanism and slavery to Iran and Romania, from demography and racism t…
  continue reading
 
‘Goblin Market’ was the title poem of Christina Rossetti’s first collection, published in 1862, and while she disclaimed any allegorical purpose in it, modern readers have found it hard to resist political interpretations. The poem’s most obvious preoccupation seems to be the Victorian notion of the ‘fallen woman’. When she wrote it Rossetti was wo…
  continue reading
 
In today’s Great Political Fiction David explores Salman Rushdie’s 1981 masterpiece Midnight’s Children, the great novel about the life and death of Indian democracy. How can one boy stand in for the whole of India? How can a nation as diverse as India ever have a single politics? And how is a jar of pickle the answer to these questions? Plus, how …
  continue reading
 
In today’s episode David discusses Ayn Rand’s insanely long and insanely influential Atlas Shrugged (1957), the bible of free-market entrepreneurialism and source book to this day for vicious anti-socialist polemics. Why is this novel so adored by Silicon Valley tech titans? How can something so bad have so much lasting power? And what did Rand hav…
  continue reading
 
Our ninth Great Political Fiction is Bertolt Brecht’s classic anti-war play, written in 1939 at the start of one terrible European war but set in the time of another: the Thirty Years’ War of the 17th century. How did Brecht think a three-hundred-year gap could help us to understand our own capacity for violence and cruelty? Why did he make Mother …
  continue reading
 
Our eighth Great Political Fiction is H. G. Wells’ The Time Machine (1895) which isn’t just a book about time travel. It’s also full of late-19th century fear and paranoia about what evolution and progress might do to human beings in the long run. Why will the class struggle turn into savagery and human sacrifice? Who will end up on top? And how wi…
  continue reading
 
In his prodigious, prolific and very short career, Lucan was at turns championed, disavowed and finally forced into suicide at 25 by the emperor Nero. His only surviving work is Civil War, an account of the bloody and chaotic power struggle between Julius Caesar and Pompey the Great. In their first episode on Latin literature’s so-called ‘Silver Ag…
  continue reading
 
Today’s Great Political Fiction is Dr Jekyll and Mr Hyde (1886) - a story that it’s easy to know without really knowing it at all. David explores all the ways that Robert Louis Stevenson’s tale confounds our expectations about good and evil. What does Dr Jekyll really want? What are all the men in the book trying to hide? And what has any of this g…
  continue reading
 
The sixth Great Political Fiction in our summer re-release is Anthony Trollope’s Phineas Redux (1874), his lightly and luridly fictionalised account of parliamentary polarisation in the age of Gladstone and Disraeli. A tale of political and personal melodrama, it explores what happens when political parties steal each other’s clothes and politician…
  continue reading
 
This second episode about George Eliot’s masterpiece explores questions of politics and religion, reputation and deception, truth and public opinion. What is the relationship between personal power and faith in a higher power? Is it ever possible to escape from the gossip of your friends once it turns against you? Who can rescue the ambitious when …
  continue reading
 
Today’s Great Political Fiction is George Eliot’s Middlemarch (1872), which has so much going on that it needs two episodes to unpack it. In this episode David discusses the significance of the book being set in 1829-32 and the reasons why Nietzsche was so wrong to characterise it as a moralistic tale. Plus he explains why a book about personal rel…
  continue reading
 
Our fourth Great Political Fiction is Ivan Turgenev’s Fathers and Sons (1862), the definitive novel about the politics – and emotions – of intergenerational conflict. How did Turgenev manage to write a wistful novel about nihilism? What made Russian politics in the early 1860s so chock-full of frustration? Why did Turgenev’s book infuriate his cont…
  continue reading
 
Our third Great Political Fiction is Friedrich Schiller’s monumental play Mary Stuart (1800), which lays bare the impossible choices faced by two queens – Elizabeth I of England and Mary Queen of Scots – in a world of men. Schiller imagines a meeting between them that never took place and unpicks its fearsome consequences. Why does it do such damag…
  continue reading
 
Today’s episode on the Great Political Fictions is about Jonathan Swift’s Gulliver’s Travels (1726) – part adventure story, part satire of early-eighteenth-century party politics, but above all a coruscating reflection on the failures of human perspective and self-knowledge. Why do we find it so hard to see ourselves for who we really are? What mak…
  continue reading
 
In the first episode of the summer daily re-release of our series on the Great Political Fictions, David talks about Shakespeare’s Coriolanus (1608-9), the last of his tragedies and perhaps his most politically contentious play. Why has Coriolanus been subject to so many wildly different political interpretations? Is pride really the tragic flaw of…
  continue reading
 
What If… The Vietnam War Had Ended in 1964? For our latest counterfactual David talks to historian Thant Myint-U about his grandfather U Thant, UN Secretary General for most of the 1960s and the man who might have ended the Vietnam War before it really got started. How close did U Thant get to bringing LBJ and the Vietcong to the negotiating table …
  continue reading
 
The character of Gawain, one of King Arthur’s leading knights, recurs throughout medieval literature, but the way he’s presented underwent a curious development during the period, moving closer and closer to an impossible and perhaps comical ideal of chivalric perfection. In 'Sir Gawain and the Greene Knight', his most well-known incarnation, Gawai…
  continue reading
 
Today’s episode explores one of the big counterfactuals of twentieth-century American politics: David talks to historian Benn Steil about how close the ultraliberal Henry Wallace came to being FDR’s running mate in 1944 and successor as president in 1945. How near did Wallace get to making it onto the ticket at the 1944 Democratic National Conventi…
  continue reading
 
For our second episode on big historical counterfactuals, David talks to world historian Ayse Zarakol about how the East might well have risen to global dominance before the West. What if the key revolutions of the modern world – political and industrial – had happened in Asia first? What if there had been an Iranian Napoleon? And how much of our u…
  continue reading
 
After reciting an unflattering poem about Stalin to a small group of friends, Osip Mandelstam was betrayed to the police and endured five years in exile before dying in transit to the gulag. His wife, Nadezhda, spent the rest of her life dodging arrest, advocating for Osip’s work and writing what came to be known as Hope against Hope. Hope against …
  continue reading
 
To kick off our new series on counterfactual histories David talks to the geneticist and science writer Adam Rutherford about whether ‘What Ifs’ make sense in science. If one person doesn’t make the big discovery, will someone else do it? Are scientific breakthroughs the product of genius or of wealth and power? And how might the world have been a …
  continue reading
 
What kind of satirist was Jane Austen? Her earliest writings follow firmly in the footsteps of Tristram Shandy in their deployment of heightened sentiment as a tool for satirising romantic novelistic conventions. But her mature fiction goes far beyond this, taking the fashion for passionate sensibility and confronting it with moneyed realism to dep…
  continue reading
 
Loading …

빠른 참조 가이드