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THE BRIDGE – DE BRUG (1928)

 
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저장한 시리즈 ("피드 비활성화" status)

When? This feed was archived on April 17, 2021 16:08 (3y ago). Last successful fetch was on August 25, 2019 01:11 (4+ y ago)

Why? 피드 비활성화 status. 잠시 서버에 문제가 발생해 팟캐스트를 불러오지 못합니다.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 151454760 series 1028307
macdocman and friends에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 macdocman and friends 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

author: JORIS IVENS – duration: 15:36

This week in Amsterdam: The 21st edition of the International Documentary Film Festival or IDFA, the world’s largest and amongst filmmakers best known festival for docs. The ultimate prize to gain is the Joris Ivens Award, named after the controversial Dutch film pioneer. Controversial especially because of his communist believes, for he was a fine fellow traveler, admiring and meeting crooks like Stalin & Mao. Ivens (1898–1989) made a lot of propaganda films, most of them terrible to watch. The film we post today though has no political message and contains some charming imaging. Special for us Dutchies is to see pre-war Rotterdam since the city was bombed to ashes in 1940.

”As the film was intended to be a completely personal experiment, I was surprised by the favourable response it received from the public,” writes director Ivens in his Autobiography of a Filmmaker. Ivens started work on his film THE BRIDGE after having seen work by the European avant-garde at the Film Society. The absolute films of Walter Ruttmann and Hans Richter had made an especially strong impression on him.

When Ivens said what he was looking for – a lifeless subject with a wide variation of movement and shape – a railroad engineer suggested that he should take a look at the new railroad bridge over the river Maas in Rotterdam. It was exactly what he was looking for. ”For me, the bridge consisted of a laboratory of movements, hues, shapes, contrasts, rhythms and relations between all these elements.”

Trains passed by in a flash of black metal and white steam. Ships slowly sailed under it, hidden by gritty chimney smoke. According to Ivens, the lifting bridge formed an ode to modern engineering, with its revolving cable wheel and counterweights held up by shivering cables.” (text from Memory of the Netherlands)

Having no soundtrack (and no score known) we decided to add some Mahler to it, coming from the 7th Symphony, to be more precise, part II – Nachtmusik (Allegro Moderato) as played by the Amsterdam Concertgebouw Orchestra, directed by Bernard Haitink.

IDFA HOME: CLICK HERE
IDFA information about this movie:
CLICK HERE
Joris Ivens in Wikipedia:
CLICK HERE

  continue reading

25 에피소드

Artwork
icon공유
 

저장한 시리즈 ("피드 비활성화" status)

When? This feed was archived on April 17, 2021 16:08 (3y ago). Last successful fetch was on August 25, 2019 01:11 (4+ y ago)

Why? 피드 비활성화 status. 잠시 서버에 문제가 발생해 팟캐스트를 불러오지 못합니다.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 151454760 series 1028307
macdocman and friends에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 macdocman and friends 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

author: JORIS IVENS – duration: 15:36

This week in Amsterdam: The 21st edition of the International Documentary Film Festival or IDFA, the world’s largest and amongst filmmakers best known festival for docs. The ultimate prize to gain is the Joris Ivens Award, named after the controversial Dutch film pioneer. Controversial especially because of his communist believes, for he was a fine fellow traveler, admiring and meeting crooks like Stalin & Mao. Ivens (1898–1989) made a lot of propaganda films, most of them terrible to watch. The film we post today though has no political message and contains some charming imaging. Special for us Dutchies is to see pre-war Rotterdam since the city was bombed to ashes in 1940.

”As the film was intended to be a completely personal experiment, I was surprised by the favourable response it received from the public,” writes director Ivens in his Autobiography of a Filmmaker. Ivens started work on his film THE BRIDGE after having seen work by the European avant-garde at the Film Society. The absolute films of Walter Ruttmann and Hans Richter had made an especially strong impression on him.

When Ivens said what he was looking for – a lifeless subject with a wide variation of movement and shape – a railroad engineer suggested that he should take a look at the new railroad bridge over the river Maas in Rotterdam. It was exactly what he was looking for. ”For me, the bridge consisted of a laboratory of movements, hues, shapes, contrasts, rhythms and relations between all these elements.”

Trains passed by in a flash of black metal and white steam. Ships slowly sailed under it, hidden by gritty chimney smoke. According to Ivens, the lifting bridge formed an ode to modern engineering, with its revolving cable wheel and counterweights held up by shivering cables.” (text from Memory of the Netherlands)

Having no soundtrack (and no score known) we decided to add some Mahler to it, coming from the 7th Symphony, to be more precise, part II – Nachtmusik (Allegro Moderato) as played by the Amsterdam Concertgebouw Orchestra, directed by Bernard Haitink.

IDFA HOME: CLICK HERE
IDFA information about this movie:
CLICK HERE
Joris Ivens in Wikipedia:
CLICK HERE

  continue reading

25 에피소드

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