Artwork

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Generation X

44:35
 
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Manage episode 375560077 series 2460272
Harper’s Magazine에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Harper’s Magazine 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In his September cover story for Harper’s, Justin E. H. Smith sets out to define Generation X, that nameless cohort wedged between boomers and millennials whose members, in midlife, now face “an annihilation of almost everything that once oriented us.” Smith argues that Gen X, having come of age before the erosion of fixtures like liberal democracy and rock and roll, failed to protect postwar counterculture from commercialism and corporatization. As debates about art and politics loom large today, Smith affirms the essential link between the two while championing what he identifies as his generation’s core pursuit of artistic autonomy and human liberation. Editor of Harper’s and fellow Gen Xer Christopher Beha sat down with Smith to discuss intergenerational relations, how Smith’s essay evolved over the editorial process, and how art at its best interrogates the arguable and not the obvious. Subscribe to Harper’s for only $16.97: harpers.org/save “My Generation” Justin E. H. Smith’s essay in the September issue of Harper’s: https://harpers.org/archive/2023/09/my-generation/ “Permanent Pandemic” Justin E. H. Smith’s piece from June 2022 about the endurance and overextension of COVID-19 digital infrastructure: https://harpers.org/archive/2022/06/permanent-pandemic-will-covid-controls-keep-controlling-us/ 2:24: “my ideal audience is Harper’s readers” 3:22: the relationship between art and politics 19:07: “as a teenager in the 1980s, there was a widespread sense that our era was kind of a weak aftershock of what our parents had experienced.” 27:04: “I think one way to think about this generation is a generation that came of age intellectually and emotionally and perhaps politically before the September 11 attacks.” 37:06: “If we think that the state of emergency requires of us that we stop thinking about art as an autonomous sphere of creation … once you’ve lost that, you’ve lost everything.”
  continue reading

183 에피소드

Artwork

Generation X

The Harper’s Podcast

172 subscribers

published

icon공유
 
Manage episode 375560077 series 2460272
Harper’s Magazine에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Harper’s Magazine 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In his September cover story for Harper’s, Justin E. H. Smith sets out to define Generation X, that nameless cohort wedged between boomers and millennials whose members, in midlife, now face “an annihilation of almost everything that once oriented us.” Smith argues that Gen X, having come of age before the erosion of fixtures like liberal democracy and rock and roll, failed to protect postwar counterculture from commercialism and corporatization. As debates about art and politics loom large today, Smith affirms the essential link between the two while championing what he identifies as his generation’s core pursuit of artistic autonomy and human liberation. Editor of Harper’s and fellow Gen Xer Christopher Beha sat down with Smith to discuss intergenerational relations, how Smith’s essay evolved over the editorial process, and how art at its best interrogates the arguable and not the obvious. Subscribe to Harper’s for only $16.97: harpers.org/save “My Generation” Justin E. H. Smith’s essay in the September issue of Harper’s: https://harpers.org/archive/2023/09/my-generation/ “Permanent Pandemic” Justin E. H. Smith’s piece from June 2022 about the endurance and overextension of COVID-19 digital infrastructure: https://harpers.org/archive/2022/06/permanent-pandemic-will-covid-controls-keep-controlling-us/ 2:24: “my ideal audience is Harper’s readers” 3:22: the relationship between art and politics 19:07: “as a teenager in the 1980s, there was a widespread sense that our era was kind of a weak aftershock of what our parents had experienced.” 27:04: “I think one way to think about this generation is a generation that came of age intellectually and emotionally and perhaps politically before the September 11 attacks.” 37:06: “If we think that the state of emergency requires of us that we stop thinking about art as an autonomous sphere of creation … once you’ve lost that, you’ve lost everything.”
  continue reading

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