Episode 155: And That is When the Murders Began

Story Makers Show

The episode kicks off with a glance at the trouble with deep work in a pandemic with kids before diving into emotion in story: Emotional arc and emotion as action trigger, emional as both key and causal. It is emotion that drives readers to read, based on desired mood and emotion. There are writer who avoid emotion and the converse trouble of only focusing on emotion, musing, feeling. The discussion affirms the need for both action and emtion, as it examines the challenges of emotional logic. Other terms and topics include: Thin cuts. Character cuts. Tone. Simplification. Setting. What reveals character accurately. Small telling details reveal character. Focus. Relevance. Snap judgements. Emotion and dialogue. Hard-earned emotional breakthroughs. Fear of sentimentality. (Sentimentality is not the same as earned emotional response.) Drop dive into emotion on today’s show.

Links in this episode:

E.M. Forster Aspect of the Novel

Pilar Alessandra The Coffee Break Screenwriter

Malcolm Gladwell Blink

Carol Wolf

John Gottman

WandaVision

Jesmyn Ward essay

Grace Paley “Wants” in Emormous Changes at the Last Minute

Shobha Rao Girls Burn Brighter

“And then the murders began”

Virginia Woolf Mrs. Dalloway

Questions? Email questions at storymakersshow.com

Story Makers is a podcast that features in-depth conversations with accomplished writers, filmmakers and industry experts about story craft, technique, habit and survival–everything you need to know to stay inspired, connect to your creativity, find others’ wonderful stories and your own success.

The hosts:

Elizabeth Stark is a published, agented novelist and distributed filmmaker who teaches and mentors writers at BookWritingWorld.com.

Angie Powers is a distributed filmmaker and published short story writer with an MFA in creative writing and a certificate in screenwriting from UCLA who teaches story structure at BookWritingWorld.com.