Artwork

Rogue Commentary에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Rogue Commentary 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Player FM -팟 캐스트 앱
Player FM 앱으로 오프라인으로 전환하세요!

The Last Screenwriter (2024) with Director Peter Luisi

1:13:57
 
공유
 

Manage episode 427335384 series 3454317
Rogue Commentary에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Rogue Commentary 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Hello! Welcome to another edition of the exclusive audio commentary podcast hosted by me, David Hughes.

For this episode, we’re joined by Swiss director Peter Luisi for a fascinating discussion about his new film The Last Screenwriter, the first film scripted entirely by A.I. – specifically ChatGPT4.0

Now, before you grab your pitchforks and burning torches and lay siege to Rogue Commentary HQ, hear me out: I’m staunchly, even militantly anti-A.I. in the arts. But when I heard that London’s beloved Prince Charles Cinema had called off what was to be the world premiere of The Last Screenwriter because of blowback it receive online, I was disheartened, because it seemed that Peter’s film was a genuine attempt to engage with the question of A.I. in film specifically, and that we desperately needed to have the kind of conversation the film should have, and would have, provoked. Instead, by shelving the screening, conversation as shut down. As I said in my subsequent piece for Time Out, I don’t think the screening would have been cancelled if the film was being presented as an experimental film by a known quantity such as a Michael Winterbottom, a Steven Soderbergh or Mike Figgis.

While not exactly a household name in his native Switzerland, Peter co-wrote his country’s excellent Oscar entry for 2007, Vitus, and is the writer, director and producer of last year’s Bonjour Switzerland, the 8th most successful Swiss film of all time, and the biggest-grossing film in Switzerland since the advent of streaming.

The Last Screenwriter is now available online, for free, at lastscreenwriter.com and there’s no need to have seen it before listening to Peter’s commentary, but whether or not you’ve seen the film – and I would urge you to give it a watch – I think you’ll find Peter’s commentary as fascinating as I did.

Thanks Peter!

Comments? Feedback? Suggestions? Email David *at * Rogue-Commentary *dot* com or send us a ⁠⁠⁠⁠⁠tweet⁠⁠⁠⁠⁠.

We have lots of exciting episodes in the works, so if you like what you hear – or just the idea – please subscribe, and remember to rate us wherever you hear this podcast – it'll really help us to keep going. Oh, and follow us on ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ and/or ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ to stay up-to-date on our forthcoming releases.

Thanks for listening!

A ⁠⁠⁠⁠⁠Synchronicity⁠⁠⁠⁠⁠ production, conceived and presented by ⁠⁠⁠⁠⁠David Hughes⁠⁠⁠⁠⁠. Produced by Sam Ibrahim. Music by Olli Oja.

All content © 2024 Synchronicity II Ltd. All rights reserved.

  continue reading

44 에피소드

Artwork
icon공유
 
Manage episode 427335384 series 3454317
Rogue Commentary에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Rogue Commentary 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Hello! Welcome to another edition of the exclusive audio commentary podcast hosted by me, David Hughes.

For this episode, we’re joined by Swiss director Peter Luisi for a fascinating discussion about his new film The Last Screenwriter, the first film scripted entirely by A.I. – specifically ChatGPT4.0

Now, before you grab your pitchforks and burning torches and lay siege to Rogue Commentary HQ, hear me out: I’m staunchly, even militantly anti-A.I. in the arts. But when I heard that London’s beloved Prince Charles Cinema had called off what was to be the world premiere of The Last Screenwriter because of blowback it receive online, I was disheartened, because it seemed that Peter’s film was a genuine attempt to engage with the question of A.I. in film specifically, and that we desperately needed to have the kind of conversation the film should have, and would have, provoked. Instead, by shelving the screening, conversation as shut down. As I said in my subsequent piece for Time Out, I don’t think the screening would have been cancelled if the film was being presented as an experimental film by a known quantity such as a Michael Winterbottom, a Steven Soderbergh or Mike Figgis.

While not exactly a household name in his native Switzerland, Peter co-wrote his country’s excellent Oscar entry for 2007, Vitus, and is the writer, director and producer of last year’s Bonjour Switzerland, the 8th most successful Swiss film of all time, and the biggest-grossing film in Switzerland since the advent of streaming.

The Last Screenwriter is now available online, for free, at lastscreenwriter.com and there’s no need to have seen it before listening to Peter’s commentary, but whether or not you’ve seen the film – and I would urge you to give it a watch – I think you’ll find Peter’s commentary as fascinating as I did.

Thanks Peter!

Comments? Feedback? Suggestions? Email David *at * Rogue-Commentary *dot* com or send us a ⁠⁠⁠⁠⁠tweet⁠⁠⁠⁠⁠.

We have lots of exciting episodes in the works, so if you like what you hear – or just the idea – please subscribe, and remember to rate us wherever you hear this podcast – it'll really help us to keep going. Oh, and follow us on ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ and/or ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ to stay up-to-date on our forthcoming releases.

Thanks for listening!

A ⁠⁠⁠⁠⁠Synchronicity⁠⁠⁠⁠⁠ production, conceived and presented by ⁠⁠⁠⁠⁠David Hughes⁠⁠⁠⁠⁠. Produced by Sam Ibrahim. Music by Olli Oja.

All content © 2024 Synchronicity II Ltd. All rights reserved.

  continue reading

44 에피소드

모든 에피소드

×
 
Loading …

플레이어 FM에 오신것을 환영합니다!

플레이어 FM은 웹에서 고품질 팟캐스트를 검색하여 지금 바로 즐길 수 있도록 합니다. 최고의 팟캐스트 앱이며 Android, iPhone 및 웹에서도 작동합니다. 장치 간 구독 동기화를 위해 가입하세요.

 

빠른 참조 가이드

탐색하는 동안 이 프로그램을 들어보세요.
재생