Artwork

NYUAD Institute에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 NYUAD Institute 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Theatre Work: Reimagining the Labor of Theatrical Production

42:09
 
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Manage episode 420972553 series 2404630
NYUAD Institute에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 NYUAD Institute 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
There is a common sentiment that working in the arts is exceptional. It’s not just a workplace, it’s a passion. But loving it doesn’t change the fact that it’s a job. In Theatre Work: Reimagining the Labor of Theatrical Production, Brídín Clements Cotton and Natalie Robin investigate the question of artmaking, specifically theatrical production, as work. When the art is the work, how do employers navigate the balance between creative freedom and consistent personnel processes that promote accessibility, equity, and sustainability? Do theatrical production operations value the worker? Celebrating the release of the book, this event features a conversation with the authors about these questions and beyond. Speakers Brídín Clements Cotton, Co-author, "Theatre Work: Reimagining the Labor of Theatrical Production" (Focal Press, 2024); Instructor of Stage and Project Management, NYUAD Natalie Robin, Co-author, "Theatre Work: Reimagining the Labor of Theatrical Production" (Focal Press, 2024); Organizer, United Scenic Artists / IATSE Local USA 829 Moderated by Ntshadi Mofokeng, Cultural Worker Delaney Teehan, Stage and Production Manager
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285 에피소드

Artwork
icon공유
 
Manage episode 420972553 series 2404630
NYUAD Institute에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 NYUAD Institute 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
There is a common sentiment that working in the arts is exceptional. It’s not just a workplace, it’s a passion. But loving it doesn’t change the fact that it’s a job. In Theatre Work: Reimagining the Labor of Theatrical Production, Brídín Clements Cotton and Natalie Robin investigate the question of artmaking, specifically theatrical production, as work. When the art is the work, how do employers navigate the balance between creative freedom and consistent personnel processes that promote accessibility, equity, and sustainability? Do theatrical production operations value the worker? Celebrating the release of the book, this event features a conversation with the authors about these questions and beyond. Speakers Brídín Clements Cotton, Co-author, "Theatre Work: Reimagining the Labor of Theatrical Production" (Focal Press, 2024); Instructor of Stage and Project Management, NYUAD Natalie Robin, Co-author, "Theatre Work: Reimagining the Labor of Theatrical Production" (Focal Press, 2024); Organizer, United Scenic Artists / IATSE Local USA 829 Moderated by Ntshadi Mofokeng, Cultural Worker Delaney Teehan, Stage and Production Manager
  continue reading

285 에피소드

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