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6.3 Narrative, Database, Archive: Tom Comitta and Deidre Lynch (AV)
Manage episode 381750345 series 3460205
New Books Network, Aarthi Vadde, and John Plotz에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 New Books Network, Aarthi Vadde, and John Plotz 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
2 tables; 300 novels, 1500 pages of nature description: This is how Tom Comitta created The Nature Book, a one-of-a-kind novel cut from 300 years of English literary tradition. It has no human characters, no original writing, and it is astoundingly good! Tom sits down with distinguished Harvard prof, Deidre Lynch and host Aarthi Vadde to talk about how they wrote a book out of found language.
The conversation reveals why The Nature Book is so compelling: it scrambles the usual distinctions between narrative and database. It is fast-paced, propulsive, full of cliffhangers and yet also a “mood collage” composed of macro, micro, and nanopatterns that Tom identified in their corpus. Writing through a complex set of Oulipo-like constraints, they checked their own authorial freedom to create a book in which the human hand becomes distant and ghostly – its traces felt in the change of seasons and at the bottoms of oceans yet nowhere seen.
Deidre connects Tom’s “literary supercut” (their own term for their practice) to the centuries-old tradition of commonplacing in which ordinary readers would cut and paste favored passages into books that then became archives of personal experience and collective memory. The Nature Book thus finds its place in a countercultural tradition of authorship where recycling takes precedence over invention. Copying, curation, and rearrangement become a novelistic style of “degrowth” in which writers discover that, in lieu of developing new language, they can plumb the depths of our already existing language. The episode ends with a series of surprising answers to the signature question: narratives and databases cross paths with hookups and keepsakes!Mentions:
- Kota Ezawa
- Emily Brontë, Wuthering Heights
- Fiction for Dummies
- Amitav Ghosh, The Great Derangement
- Herman Melville, Moby Dick
- It Narratives – narratives in which protagonists are often manufactured objects (e.g. Adventures of a Corkscrew (1775))
- Elvia Wilk, Death by Landscape
- Andy Warhol Foundation for the Visual Arts, Inc. v. Goldsmith et al. (edited)
Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics.
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