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Nottingham Playhouse에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Nottingham Playhouse 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Episode 24 - Natalie Abrahami - The Amplify Podcast

41:26
 
공유
 

Manage episode 258991099 series 2286911
Nottingham Playhouse에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Nottingham Playhouse 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

The Amplify Podcast is a new strand in our Playcast series.

Our Amplify Producer, Craig Gilbert, has been holed up in his makeshift bedroom studio talking to a host of exciting artists of national and international renown.

These conversations cover career and process as well as offering a few exciting ideas to explore from home during this time of Social Distancing.
In this episode Craig talks with Natalie Abrahami.

Natalie read English Literature at Cambridge University and started out at the Royal Court as a Graduate Trainee before training with the Young Vic and National Theatre. She was awarded the James Menzies-Kitchin Award for Emerging Directors in 2005.
Between 2007 and 2012 Natalie was Artistic Director of the Gate Theatre, Notting Hill with Carrie Cracknell. During their tenure they were awarded the Paul Hamlyn Breakthrough Fund for Creative Entrepreneurs.
Natalie then went on to join the Young Vic as Genesis Fellow and Associate Director 2013-16. She has also been Associate Artist at the Nuffield Theatre, Southampton and at Hull Truck.
Work for theatre and opera includes: Swive [Elizabeth] (Sam Wanamaker Playhouse, Shakespeare’s Globe), ANNA (National Theatre),The Meeting (Chichester Festival Theatre), Machinal (Almeida), Wings, Happy Days, After Miss Julie and Ah, Wilderness! (Young Vic); Queen Anne (Royal Shakespeare Company and Theatre Royal Haymarket); How the Whale Became and Other Tales (Linbury, Royal Opera House); The Eleventh Capital (Royal Court); A Midsummer Night’s Dream (Headlong); Pericles (Regent's Park Open Air Theatre); Yerma (Hull Truck); Play and Not I (Battersea Arts Centre).
Natalie's productions at the Gate Theatre include Vanya and The Kreutzer Sonata (which later transferred to La MaMa, New York).
Film credits include Mayday, The Roof and Life’s a Pitch.

Support the show

  continue reading

60 에피소드

Artwork
icon공유
 
Manage episode 258991099 series 2286911
Nottingham Playhouse에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Nottingham Playhouse 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

The Amplify Podcast is a new strand in our Playcast series.

Our Amplify Producer, Craig Gilbert, has been holed up in his makeshift bedroom studio talking to a host of exciting artists of national and international renown.

These conversations cover career and process as well as offering a few exciting ideas to explore from home during this time of Social Distancing.
In this episode Craig talks with Natalie Abrahami.

Natalie read English Literature at Cambridge University and started out at the Royal Court as a Graduate Trainee before training with the Young Vic and National Theatre. She was awarded the James Menzies-Kitchin Award for Emerging Directors in 2005.
Between 2007 and 2012 Natalie was Artistic Director of the Gate Theatre, Notting Hill with Carrie Cracknell. During their tenure they were awarded the Paul Hamlyn Breakthrough Fund for Creative Entrepreneurs.
Natalie then went on to join the Young Vic as Genesis Fellow and Associate Director 2013-16. She has also been Associate Artist at the Nuffield Theatre, Southampton and at Hull Truck.
Work for theatre and opera includes: Swive [Elizabeth] (Sam Wanamaker Playhouse, Shakespeare’s Globe), ANNA (National Theatre),The Meeting (Chichester Festival Theatre), Machinal (Almeida), Wings, Happy Days, After Miss Julie and Ah, Wilderness! (Young Vic); Queen Anne (Royal Shakespeare Company and Theatre Royal Haymarket); How the Whale Became and Other Tales (Linbury, Royal Opera House); The Eleventh Capital (Royal Court); A Midsummer Night’s Dream (Headlong); Pericles (Regent's Park Open Air Theatre); Yerma (Hull Truck); Play and Not I (Battersea Arts Centre).
Natalie's productions at the Gate Theatre include Vanya and The Kreutzer Sonata (which later transferred to La MaMa, New York).
Film credits include Mayday, The Roof and Life’s a Pitch.

Support the show

  continue reading

60 에피소드

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