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Nikhil Hogan and Nikhil Hogan Show에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Nikhil Hogan and Nikhil Hogan Show 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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104: Rami Bar-Niv

52:43
 
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Manage episode 306825579 series 3005410
Nikhil Hogan and Nikhil Hogan Show에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Nikhil Hogan and Nikhil Hogan Show 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

My guest today is Concert Pianist, Composer, and Music Educator Rami Bar-Niv. Rami Bar-Niv made history by being the first, and so far the only, Israeli artist to perform in Egypt following the Begin/Sadat Peace Treaty. Praised as “Effective and Flamboyant” by the New York Times and “An Original major talent” by the Boston Globe, Bar-Niv is an international concert performer who has written two books, the first is the “Art of Piano Fingering” and the second his autobiography “Blood, Sweat, and Tours: Notes from the Diary of a Concert Pianist”.

0:55 Playing by ear, Improvising, and composing from age 5 3:38 What music did you listen to growing up? 5:46 Parents teaching their own children vs having a stranger 6:43 Were you a good practicer? 7:47 Studying harmony, counterpoint and theory at the conservatory 8:37 What is your theoretical approach to composition? 9:55 What was your education in counterpoint? 10:21 Did you use Hindemith’s textbook? 11:14 Did you take ideas from repertoire and absorb them into your compositional process? 12:22 Theoretical studies with Carl Schachter 13:06 How long did you study with Schachter and what’s your perspective on Schenkerian analysis? 14:11 Do you think of theory when composing? 16:05 Does your pianistic ability inform your composing? 18:27 What was your personal relationship with Carl Schachter? 19:04 Did you always improvise? 21:31 Improvisation vs Interpretation 23:59 Do hum when you play? 24:56 Do you have an interested in Jazz? 25:48 What the names of jazz pianists that you enjoy? 26:06 How would you teach improvisation to someone? 30:04 What is your method of teaching composition? 32:57 What do you mean by “knowing” a piece of music? 33:28 Did you face any professional or cultural pressure not to improvise in your career? 35:45 What is your position on cadenzas in piano concertos? 38:54 How did you come to creating your compositional voice? 40:40 The Art of Piano Fingering 43:12 Do you distinguishing between old fingering and new modern fingering systems? 45:06 Do some great composers like Beethoven write bad, non-idiomatic piano music despite being great composers? 47:38 Why is Opera the height of everything? 48:26 Would you consider yourself a self-taught composer? 49:44 How important is family to you? 50:45 Wrapping Up

  continue reading

83 에피소드

Artwork
icon공유
 
Manage episode 306825579 series 3005410
Nikhil Hogan and Nikhil Hogan Show에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Nikhil Hogan and Nikhil Hogan Show 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

My guest today is Concert Pianist, Composer, and Music Educator Rami Bar-Niv. Rami Bar-Niv made history by being the first, and so far the only, Israeli artist to perform in Egypt following the Begin/Sadat Peace Treaty. Praised as “Effective and Flamboyant” by the New York Times and “An Original major talent” by the Boston Globe, Bar-Niv is an international concert performer who has written two books, the first is the “Art of Piano Fingering” and the second his autobiography “Blood, Sweat, and Tours: Notes from the Diary of a Concert Pianist”.

0:55 Playing by ear, Improvising, and composing from age 5 3:38 What music did you listen to growing up? 5:46 Parents teaching their own children vs having a stranger 6:43 Were you a good practicer? 7:47 Studying harmony, counterpoint and theory at the conservatory 8:37 What is your theoretical approach to composition? 9:55 What was your education in counterpoint? 10:21 Did you use Hindemith’s textbook? 11:14 Did you take ideas from repertoire and absorb them into your compositional process? 12:22 Theoretical studies with Carl Schachter 13:06 How long did you study with Schachter and what’s your perspective on Schenkerian analysis? 14:11 Do you think of theory when composing? 16:05 Does your pianistic ability inform your composing? 18:27 What was your personal relationship with Carl Schachter? 19:04 Did you always improvise? 21:31 Improvisation vs Interpretation 23:59 Do hum when you play? 24:56 Do you have an interested in Jazz? 25:48 What the names of jazz pianists that you enjoy? 26:06 How would you teach improvisation to someone? 30:04 What is your method of teaching composition? 32:57 What do you mean by “knowing” a piece of music? 33:28 Did you face any professional or cultural pressure not to improvise in your career? 35:45 What is your position on cadenzas in piano concertos? 38:54 How did you come to creating your compositional voice? 40:40 The Art of Piano Fingering 43:12 Do you distinguishing between old fingering and new modern fingering systems? 45:06 Do some great composers like Beethoven write bad, non-idiomatic piano music despite being great composers? 47:38 Why is Opera the height of everything? 48:26 Would you consider yourself a self-taught composer? 49:44 How important is family to you? 50:45 Wrapping Up

  continue reading

83 에피소드

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