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1 Advancing Cardiology and Heart Surgery Through a History of Collaboration 20:13
Elizabeth Campbell, "Museum Worthy: Nazi Art Plunder in Postwar Western Europe" (Oxford UP, 2024)
Manage episode 463704648 series 2421493
Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?
In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century.
The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
595 에피소드
Manage episode 463704648 series 2421493
Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?
In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century.
The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
595 에피소드
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1 Trevor Wilson, "Alexandre Kojève and the Specters of Russian Philosophy" (Northwestern UP, 2024) 47:01
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1 Erika Graham-Goering et al., "Lordship and the Decentralised State in Late Medieval Europe" (Oxford UP, 2025) 48:00
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1 In Conversation: Decolonial Activism and Islamophobia in France 45:37
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1 Davide Panagia, "Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France" (Fordham UP, 2024) 1:05:43
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1 Elizabeth Campbell, "Museum Worthy: Nazi Art Plunder in Postwar Western Europe" (Oxford UP, 2024) 58:41
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1 Udo Hock, "The Mysterious Messages of the Other: On the Work of Jean Laplanches" (Psychosozial-Verlag, 2024) 1:12:24
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1 Hélène Tessier, "Laplanche's Vocabulary" (PUF, 2024) 1:27:53
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1 The First and Last King of Haiti: The Rise and Fall of Henry Christophe 1:09:25
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1 Catherine Tatiana Dunlop, "The Mistral: A Windswept History of Modern France" (U Chicago Press, 2024) 50:40
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1 Emily Marker, "Black France, White Europe: Youth, Race, and Belonging in the Postwar Era" (Cornell UP, 2022) 1:08:37
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1 Camille Robcis, "Disalienation: Politics, Philosophy, and Radical Psychiatry in Postwar France" (U Chicago Press, 2021) 1:04:45
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1 Jessica Namakkal, "Unsettling Utopia: The Making and Unmaking of French India" (Columbia UP, 2021) 1:24:12
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1 Emily Herring, "Herald of a Restless World: How Henri Bergson Brought Philosophy to the People" (Basic Books, 2024) 1:06:01
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1 Robert Darnton, "Pirating and Publishing: The Book Trade in the Age of Enlightenment" (Oxford UP, 2021) 54:27
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