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Max, Mike; Movies and Mike; Movies에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Max, Mike; Movies and Mike; Movies 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Episode 259 – The Long Goodbye (1973)

1:05:16
 
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Manage episode 377269207 series 2403133
Max, Mike; Movies and Mike; Movies에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Max, Mike; Movies and Mike; Movies 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

And we’re back, walking the dark street with our series “Walk the Dark Street.” Works out rather nicely, doesn’t it? This week our subject is a 70’s take on that classic Raymond Chandler character Phillip Marlowe in Robert Altman’s film version of “The Long Goodbye.” This one’s a little different folks; for one thing, it’s in color, which is an issue in and of itself (see the poll question below). For another, the hard-bitten, hard-drinking, razor sharp detective, so ably portrayed before by Humphrey Bogart, is now played by . . . Elliott Gould? Sure, that tracks. Natural progression, going from Bogey to Gould to Robert Mitchum (1975, “Farewell My Lovely”). I mean . . . at least they’re in correct alphabetical order? So this one is a poser, most dear and impeccably dressed listeners: can a noir film work with such an odd choice for Marlowe, and in color no less? Do please consider: this movie does have a cat in it, and it’s kind of surprising who plays the feline part. And a future governor of California makes an uncredited, non-speaking appearance, so we’re in for some interesting weather. Give a listen and see what we thought!

Poll question: do you think film noir works better with black-and-white movies or does color not make a difference?

  continue reading

295 에피소드

Artwork
icon공유
 
Manage episode 377269207 series 2403133
Max, Mike; Movies and Mike; Movies에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Max, Mike; Movies and Mike; Movies 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

And we’re back, walking the dark street with our series “Walk the Dark Street.” Works out rather nicely, doesn’t it? This week our subject is a 70’s take on that classic Raymond Chandler character Phillip Marlowe in Robert Altman’s film version of “The Long Goodbye.” This one’s a little different folks; for one thing, it’s in color, which is an issue in and of itself (see the poll question below). For another, the hard-bitten, hard-drinking, razor sharp detective, so ably portrayed before by Humphrey Bogart, is now played by . . . Elliott Gould? Sure, that tracks. Natural progression, going from Bogey to Gould to Robert Mitchum (1975, “Farewell My Lovely”). I mean . . . at least they’re in correct alphabetical order? So this one is a poser, most dear and impeccably dressed listeners: can a noir film work with such an odd choice for Marlowe, and in color no less? Do please consider: this movie does have a cat in it, and it’s kind of surprising who plays the feline part. And a future governor of California makes an uncredited, non-speaking appearance, so we’re in for some interesting weather. Give a listen and see what we thought!

Poll question: do you think film noir works better with black-and-white movies or does color not make a difference?

  continue reading

295 에피소드

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