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Fifteen-Minute Film Fanatics에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Fifteen-Minute Film Fanatics 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Sorcerer

30:41
 
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Manage episode 377414075 series 2865075
Fifteen-Minute Film Fanatics에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Fifteen-Minute Film Fanatics 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

In 1973, William Friedkin terrorized the world with The Exorcist and then decided to make a film even more grim: a remake of George Clouzot’s The Wages of Fear. This was an audacious move, since the 1953 original was already well-loved and regarded as one of the most suspenseful films of all time. But Friedkin followed his muse and created Sorcerer (1977), which belongs in the pantheon of Great Underappreciated Films. Like The Exorcist, it’s a frightening peek into Hell; unlike that film, however, evil is pervasive rather than localized. No exorcist can cleanse Porvenir of evil; Max Von Sydow isn’t showing up any time soon. You can try to outrun the Sorcerer, but it’s like driving a truck and trying to drive away from its contents. Rarely has a completely nihilistic and sobering film experience been so exhilarating.

William Friedkin’s memoir, The Friedkin Connection, is an engaging read and includes a chapter on the making of Sorcerer.

Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

263 에피소드

Artwork
icon공유
 
Manage episode 377414075 series 2865075
Fifteen-Minute Film Fanatics에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Fifteen-Minute Film Fanatics 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

In 1973, William Friedkin terrorized the world with The Exorcist and then decided to make a film even more grim: a remake of George Clouzot’s The Wages of Fear. This was an audacious move, since the 1953 original was already well-loved and regarded as one of the most suspenseful films of all time. But Friedkin followed his muse and created Sorcerer (1977), which belongs in the pantheon of Great Underappreciated Films. Like The Exorcist, it’s a frightening peek into Hell; unlike that film, however, evil is pervasive rather than localized. No exorcist can cleanse Porvenir of evil; Max Von Sydow isn’t showing up any time soon. You can try to outrun the Sorcerer, but it’s like driving a truck and trying to drive away from its contents. Rarely has a completely nihilistic and sobering film experience been so exhilarating.

William Friedkin’s memoir, The Friedkin Connection, is an engaging read and includes a chapter on the making of Sorcerer.

Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

263 에피소드

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