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Fifteen-Minute Film Fanatics에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Fifteen-Minute Film Fanatics 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Rope

21:46
 
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Manage episode 377887955 series 2865075
Fifteen-Minute Film Fanatics에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Fifteen-Minute Film Fanatics 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Rope (1948) may not be top-shelf Hitchcock, but that doesn’t mean it isn’t interesting and worth repeated viewings. After arguing back at those who find Jimmy Stewart miscast, Mike and Dan talk about how the film stands as another example of Hitchcock using violence to dramatize the sex lives of his characters. Mike lists the ways in which the director resembles the killer, specifically Brandon: a Nabokovian figure through which Hitchcock shows the audience what it’s like to have an artistic temperament. Another Russian, Dostoevsky, comes into the conversation when Dan talks about Philip’s complaint that his former teacher is “plating Crime and Punishment.” It’s the kind of unscripted, enthusiastic conversation you have with your friends in the car on the way home from the movies—so put down the pâté and give it a listen!

So many books have been written about Hitchcock, but the book-length interview by Francois Truffaut still stands as one of the best. It never gets old.

Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

263 에피소드

Artwork
icon공유
 
Manage episode 377887955 series 2865075
Fifteen-Minute Film Fanatics에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Fifteen-Minute Film Fanatics 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Rope (1948) may not be top-shelf Hitchcock, but that doesn’t mean it isn’t interesting and worth repeated viewings. After arguing back at those who find Jimmy Stewart miscast, Mike and Dan talk about how the film stands as another example of Hitchcock using violence to dramatize the sex lives of his characters. Mike lists the ways in which the director resembles the killer, specifically Brandon: a Nabokovian figure through which Hitchcock shows the audience what it’s like to have an artistic temperament. Another Russian, Dostoevsky, comes into the conversation when Dan talks about Philip’s complaint that his former teacher is “plating Crime and Punishment.” It’s the kind of unscripted, enthusiastic conversation you have with your friends in the car on the way home from the movies—so put down the pâté and give it a listen!

So many books have been written about Hitchcock, but the book-length interview by Francois Truffaut still stands as one of the best. It never gets old.

Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

263 에피소드

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