In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Eavesdropping at the Movies, Jose Arroyo, and Michael Glass에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Eavesdropping at the Movies, Jose Arroyo, and Michael Glass 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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411 - The Boy and the Heron
Manage episode 394936480 series 1952570
Eavesdropping at the Movies, Jose Arroyo, and Michael Glass에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Eavesdropping at the Movies, Jose Arroyo, and Michael Glass 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Hayao Miyazaki, the legendary Japanese animator and co-founder of Studio Ghibli, who has previously announced his retirement three times, tells us all that The Boy and the Heron (as it's titled in most of the world; How Do You Live? in Japan) is really, honestly, for real this time, I'm super serious, his last film. His longtime producer, Toshio Suzuki, has already cast doubt on this new claim, but for now, here we have Miyazaki's final film, which tells the story of Mahito, a young boy in wartime Japan, who loses his mother in a fire and is evacuated to his aunt's countryside estate, whereupon he meets a talking grey heron that promises that his mother is alive. José sees The Boy and the Heron as a masterpiece of cinema, a film that does things that other films have forgotten to do, a doorway to thinking about life, loss, and worlds within worlds. Mike... didn't really get on with it, but he puts it down to taste and maybe mood - any objection he has can be equally levelled at things he loves. We easily agree that Miyazaki's and Ghibli's reputation for visual design and craft holds, with image upon image here that dazzles. As for what it all adds up to? Take José's side. It's better to like things than be bored by them. Recorded on 30th December 2023.
…
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436 에피소드
Manage episode 394936480 series 1952570
Eavesdropping at the Movies, Jose Arroyo, and Michael Glass에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Eavesdropping at the Movies, Jose Arroyo, and Michael Glass 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Hayao Miyazaki, the legendary Japanese animator and co-founder of Studio Ghibli, who has previously announced his retirement three times, tells us all that The Boy and the Heron (as it's titled in most of the world; How Do You Live? in Japan) is really, honestly, for real this time, I'm super serious, his last film. His longtime producer, Toshio Suzuki, has already cast doubt on this new claim, but for now, here we have Miyazaki's final film, which tells the story of Mahito, a young boy in wartime Japan, who loses his mother in a fire and is evacuated to his aunt's countryside estate, whereupon he meets a talking grey heron that promises that his mother is alive. José sees The Boy and the Heron as a masterpiece of cinema, a film that does things that other films have forgotten to do, a doorway to thinking about life, loss, and worlds within worlds. Mike... didn't really get on with it, but he puts it down to taste and maybe mood - any objection he has can be equally levelled at things he loves. We easily agree that Miyazaki's and Ghibli's reputation for visual design and craft holds, with image upon image here that dazzles. As for what it all adds up to? Take José's side. It's better to like things than be bored by them. Recorded on 30th December 2023.
…
continue reading
436 에피소드
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