The Birth of The Muppets | Jim Henson: Heart Felt

Cinema Shock

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Re-Recruiting and Other New HR Strategies You Can’t Ignore 18:09

4일 전18:09

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18:09

HR is no longer just about managing people—it’s about shaping the future of work. Jens Baier, BCG’s HR transformation expert, discusses how AI and shifting employee expectations are forcing companies to rethink talent strategies. From re-recruiting to upskilling employees, HR must adapt to a rapidly changing landscape. Learn More: Jens Baier: https://on.bcg.com/41ca7Gv BCG on People Strategy: https://on.bcg.com/3QtAjro Decoding Global Talent: https://on.bcg.com/4gUC4IT…

약 1년 전 1:58:57

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It’s time to start a brand new series here on Cinema Shock! For the next few weeks, we’ll be telling the story of Jim Henson.

To truly tell the story of Henson’s life and career, we have to go all the way back to the beginning: In this inaugural episode, we’ll explore Jim’s early years, through the creation of his first TV show, SAM & FRIENDS (where Kermit the Frog made his first appearance), his groundbreaking commercial work, and the years spent working on THE JIMMY DEAN SHOW.

Join us for Jim Henson, Episode 1: "The Birth of The Muppets."

Want to support the show?
Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus.

ASSOCIATE PRODUCERS:

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis.

For episode archives, merch, show notes, and more, visit cinemashock.net

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#Cinema #Cinema Shock

Cinema Shock

The Birth of The Muppets | Jim Henson: Heart Felt

Cinema Shock

published 약 1년 전

MP3•에피소드 홈

It’s time to start a brand new series here on Cinema Shock! For the next few weeks, we’ll be telling the story of Jim Henson.

Join us for Jim Henson, Episode 1: "The Birth of The Muppets."

ASSOCIATE PRODUCERS:

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis.

For episode archives, merch, show notes, and more, visit cinemashock.net

158 에피소드

#Cinema #Cinema Shock

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Cinema Shock

1
THE MUPPET MOVIE (1979) | Jim Henson: Heart Felt 2:01:45

1 day 전2:01:45

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2:01:45

“Life's like a movie. Write your own ending. Keep believing. Keep pretending.” With The Muppet Show , Jim Henson had reached the goal that he’d set for himself many years before: He’d managed to get his beloved Muppets their own weekly television series. Not only that, but it was an enormous success, quickly becoming one of the most watched television shows in the entire world . The Muppets were as big as they’d ever been. The next step seemed logical: The Muppets were going to Hollywood. Getting them there wouldn’t be as straight-forward as you might think. After all, what Jim was proposing to do — bringing the Muppets out of their highly-controlled sutdio environment and into the real world — was unprecedented, and there was a question as to whether it’d work at all. In the latest episode of Jim Henson: Heart Felt, we’re telling the complete story of just how Henson pulled it off, and how he created one of the most beloved films of the 1970s, one that still resonated with audiences nearly half a century later. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus . ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Interzone78 | Jackson_Baker | Justin V. | Lucy Lawson | Nate Izod | Nathan Kelley | qoheleth | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

Cinema Shock

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TWIN PEAKS: FIRE SHOCK WITH ME | Free Preview of CinemaShock+ 1:07:06

5일 전1:07:06

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1:07:06

Happy TWIN PEAKS Day everyone! To celebrate the day that FBI Special Agent Dale Cooper first entered the town of Twin Peaks, we wanted to offer our listeners a Free Preview of the first members-only episode of our Twin Peaks watch-along podcast FIRE SHOCK WITH ME! We did a deep dive into the creation of the TWIN PEAKS pilot episode as part of our series David Lynch: Absurd Encounters a while back ( you can listen to that episode here ). On that episode, we teased a bonus series where we'd watch and discuss Twin Peaks in its entirety, and FIRE SHOCK WITH ME is the follow-through on that promise! The entire first season of FIRE SHOCK WITH ME is available exclusively to members of CinemaShock+ with our looks at TWIN PEAKS: Season 2 and TWIN PEAKS: THE RETURN coming later this year. For now, enjoy the entire first episode of FIRE SHOCK WITH ME for free for a limited time, and head to cinemashock.net/plus to become a member of CinemaShock+ so that you can enjoy the rest of this series, as well as a host of other members-only benefits, including extended episodes, video content, and merch discounts!…

Cinema Shock

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How They Made THE MUPPET SHOW | Jim Henson: Heart Felt 2:07:56

15일 전2:07:56

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2:07:56

By the mid-1970s, Jim Henson and the Muppets were as big as they'd ever been. They'd helped turn Sesame Street into a household name and continued to be a hot commodity on the variety show circuit. But Jim had yet to do the one thing he'd been trying to accomplish since the early 1960s: Create a prime time television show starring the Muppets, and one that wasn't solely aimed at a preschool audience. He made several attempts along the way, filming several pilots with varying degrees of sucess, and even had a stint alongside the Not Ready For Prime Time Players on the first season of Saturday Night Live , but it would take a while before he was able to convince anyone to give The Muppets a shot at their own show. That all changed in 1976, with a little help from Julie Andrews (yep, that Julie Andrews) and a British Lord. With the debut of The Muppet Show , Jim and his gang of puppeteers would become one of the biggest pop culture phenomenons on the planet. This is the story of how they got there. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus . ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Interzone78 | Jackson_Baker | Justin V. | lolodrummer | Nate Izod | Nathan Kelley | qoheleth | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

Cinema Shock

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From the Arthouse to SESAME STREET | Jim Henson: Heart Felt 2:19:04

29일 전2:19:04

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리스트

2:19:04

“As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood.” Despite spending years fighting against the notion that puppets were nothing more than “children’s entertainment,” Jim Henson found his greatest success thus far working on a television show aimed at toddlers: the groundbreaking educational series SESAME STREET. But before he got there, Jim went on a years long detour into the world of experimental filmmaking, work that would ultimatley influence many of the inserts that he’d film for SESAME STREET. In this episode, we’ll discuss Henson’s work on short films such as TIME PIECE and experimental television programs like YOUTH ‘68 and THE CUBE — not to mention his brief flirtation with opening a psychedlic nightclub and his time spent onstage in Las Vegas — before taking a deep dive into his involvement with SESAME STREET, a program that would change television, and the Muppets, forever. ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Interzone78 | Jackson_Baker | Justin V. | lolodrummer | Nate Izod | Nathan Kelley | qoheleth | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

Cinema Shock

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The Birth of The Muppets | Jim Henson: Heart Felt 1:58:57

6 weeks 전1:58:57

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리스트

1:58:57

It’s time to start a brand new series here on Cinema Shock! For the next few weeks, we’ll be telling the story of Jim Henson. To truly tell the story of Henson’s life and career, we have to go all the way back to the beginning: In this inaugural episode, we’ll explore Jim’s early years, through the creation of his first TV show, SAM & FRIENDS (where Kermit the Frog made his first appearance), his groundbreaking commercial work, and the years spent working on THE JIMMY DEAN SHOW. Join us for Jim Henson, Episode 1 : "The Birth of The Muppets." Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus . ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Justin V. | Nate Izod | Nathan Kelley | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

Cinema Shock

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THE BLAIR WITCH PROJECT (1999) 2:22:33

8 weeks 전2:22:33

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2:22:33

"I'm afraid to close my eyes, I'm afraid to open them." 1999 was a landmark year for film, and several films released that year have had a lasting impact, greatly influencing everything that followed. And with the possible exception of THE MATRIX , few films have had changed their respective genres as much as THE BLAIR WITCH PROJECT. Created by a handful of film students for practically no money, THE BLAIR WITCH PROJECT has become the stuff of legend. It’s a film that popularized the found footage genre, essentially created viral marketing, and changed the horror genre forever. The story of how it got made is nearly as interesting as the film itself, filled with wild swings, unconventional shooting methods, lucky breaks, and tough decisions. It was lightning in a bottle, landing at just the right time in history to become a cultural sensation, ultimately turning it into the most profitable independent film of all time. In this episode, we delve deep into the making of the film, coming at it from every angle, to provide you with the full story of how this legendary film came to be. ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Justin V. | Nate Izod | Nathan Kelley | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

Cinema Shock

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THE BOONDOCK SAINTS (1999) 2:07:25

11 weeks 전2:07:25

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2:07:25

"We're sorta like 7-Eleven. We're not always doing business, but we're always open." For Gary’s pick for a movie from 1999, he went with an infamous film that’s thre true definition of a “cult film.” When THE BOONDOCK SAINTS was (barely) released in theaters, it had practically no impact at all, but months later, when the movie hit home video, it became a bonafide word-of-mouth sensation, especially among younger audiences who viewed its attempt at a Tarantino-esque crime film as the epitome of edgy cool. While praise for the film has waned in the quarter century since, it still has a devoted fanbase, one that’s helped the film produce one sequel (so far, with more reportedly on the way). In this episode, we’ll tell the story of how THE BOONDOCK SAINTS was made. In a fascinating story — one with a narrative adored by the trade papers while it was all going down — THE BOONDOCK SAINTS was written and directed by a bartender-turned-filmmaker who’d never written a screenplay in his life, only to become Hollywood’s golden child seemingly overnight. Troy Duffy, however, soon found that his fall from Hollywood’s graces could come as quickly as his rise. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus . Up Next: THE BOONDOCK SAINTS . ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | Benjamin Yates | Curt M. | Elton Novara | Justin V. | Nate Izod | Nathan Kelley | Robert Stinson Release Date: August 6, 1999 Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

Cinema Shock

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THE IRON GIANT (1999) 2:01:29

13 weeks 전2:01:29

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2:01:29

We’ve decided to wrap up 2024 with a look at a few films that are celebrating their 25th anniversary this year. 1999 has become known as one of the best movie years of all time. While we’ve already touched on some of the biggest films of that year (THE MATRIX, FIGHT CLUB), there are a handful of films from that year that may not fit into one of our long form series, and we wanted to make sure they got their due. So for this (short) series, each of our hosts have picked out a film from 1999 that they’d like to discuss, starting with Todd’s pick, THE IRON GIANT. Brad Bird’s debut film has gone on to become a beloved animation classic, but its story didn’t start that way: When it debuted in 1999, the film — thanks to a practically non-existent marketing campaign from Warner Bros — came and went from theaters with most audiences totally unaware of its existence. But in the quarter century since, it has not only managed to find an audience, but it’s gained a reputation as one of the greatest animated films of all time. In this episode, we trace its origins (which involves, we kid you not, the death of Sylvia Plath and a Pete Townshend album), all the way through its development, release, and eventual rediscovery. We will also, as always, discuss our own thoughts and feelings on the film, its legacy, and the important lessons it has to teach us. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus . Up Next: THE BOONDOCK SAINTS . ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | Benjamin Yates | Curt M. | Elton Novara | Justin V. | Nate Izod | Nathan Kelley | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

Cinema Shock

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LET THE RIGHT ONE IN (2008) | Cinema Shock Roulette 1:56:53

15 weeks 전1:56:53

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1:56:53

"I'm twelve. But I've been twelve for a long time." For the latest radomly chosen Cinema Shock Roulette entry, the wheels of fate have taken us to Sweden, where we’ll explore the story behind Tomas Alfredson’s LET THE RIGHT ONE IN. Based on the novel by John Ajvide Lindqvist, LET THE RIGHT ONE IN was almost instantly recognized as a modern day horror classic when it was released in 2008. In this episode, we’ll walk through its entire process of how the film came to be, from its origins as a Swedish-language novel, through its development and eventual release as a film from a director not known for working within the horror genre. This is everything you need to know about LET THE RIGHT ONE IN. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus . Up Next: Cinema Shock Roulette : THE IRON GIANT . ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | Benjamin Yates | Curt M. | Elton Novara | Justin V. | Nate Izod | Nathan Kelley | Robert Stinson Become an Associate Producer by joining CinemaShock+ . Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

Cinema Shock

1
WILD AT HEART | David Lynch: Absurd Encounters 2:06:32

17 weeks 전2:06:32

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리스트

2:06:32

After working on the short first season of TWIN PEAKS, David Lynch felt the pull back to feature length filmmaking when he was given a book called Wild At Heart by Barry Gifford. The book seemed ripe for a big screen adaptation and David Lynch immediately began work on it. Within a couple of months, he found himself in New Orleans with stars Nicolas Cage and Laura Dern, plus a host of regular Lynch collaborators. The production and release of WILD AT HEART was a whirlwind. The film went from the script stage to production in a matter of months, and within the year, the film was making its premire at the Cannes Film Festival, where it took home the festival’s most prestigious prize, the Palm d’Or, a win that came with no small amount of controversy. In this episode of Cinema Shock — the season finale for our David Lynch: Absurd Encounters series — we will recount the story of how WILD AT HEART came to be, how it was conceived and produced, and how it was ultimately received by critics and audiences. While this is our final episode in our current series covering the career of David Lynch, our journey through Lynch’s work is not over. In the coming weeks, we will be launching Fire Shock With Me , a TWIN PEAKS watch-along series where we will be working our way through Lynch’s seminal TV series in its entirety. Those episodes will be available exclusively to our $5 and up subscribers on CinemaShock+ , where you’ll also find extended versions of all David Lynch episodes that include additional bonus segments. Join now at cinemashock.net/plus . At the conclusion of Fire Shock With Me , in early 2025, we’ll be circling back to the films of David Lynch, covering the remainder of his filmography, beginning with TWIN PEAKS: FIRE WALK WITH ME all the way through INLAND EMPIRE and TWIN PEAKS: THE RETURN. Up Next: Cinema Shock Roulette: LET THE RIGHT ONE IN ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | Benjamin Yates | Curt M. | Elton Novara | Justin V. | Nate Izod | Nathan Kelley | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

Cinema Shock

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TWIN PEAKS (1990) | David Lynch: Absurd Encounters 2:45:49

19 weeks 전2:45:49

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리스트

2:45:49

"Diane, 11:30 AM, February 24th. Entering the town of Twin Peaks, five miles south of the Canadian border, twelve miles west of the state line. I’ve never seen so many trees in my life. As W. C. Fields would say, I’d rather be here than Philadelphia." While BLUE VELVET's success (and its Academy Award nominations) helped to cement David Lynch as a director to watch out for, he still wasn't quite on Hollywood's A-list, mostly due to his disinterest in playing by Hollywood's rules post-DUNE. But he had several offers for a follow-up to that film, some that he pursued which were never made, and some that he flat turned down. And through this process, he was put in direct contact with an experienced television writer named Mark Frost. Little did he know that Frost would soon become one of his most important collaborators, and within a couple of years, they’d work together to create one of the most influential TV series of all time, TWIN PEAKS. In this episode, we'll be taking a deep dive into Lynch's journey to TWIN PEAKS, giving you a full look at the development of the show and the filming of its pilot episode, otherwise known as "Northwest Passage." We also discuss our own thoughts on the pilot and TWIN PEAKS's position in the history of episode television. This episode also acts as the pilot episode to our own TWIN PEAKS watchalong series, Fire Shock With Me , which will be debuting a few weeks exclusively on CinemaShock+. In this limited series, we'll be walking through every single episode of Lynch's iconic television series, and designing it to be enjoyed by both seasoned TWIN PEAKS fans and newcomers alike (meaning there will be no spoilers for future episodes). If you'd like to join us on this journey, subscribe to CinemaShock+ now at cinemashock.net/plus. Up Next: David Lynch: Episode 7: WILD AT HEART . ASSOCIATE PRODUCERS: Andy Lancaster | Benjamin Yates | curtcake5k | Elton Novara | Jvance325 | MagicBloat | Nate Izod | Nathan Kelley | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

Cinema Shock

1
BLUE VELVET (1986) | David Lynch: Absurd Encounters 3:06:47

23 weeks 전3:06:47

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3:06:47

"I'm seeing something that was always hidden. I'm in the middle of a mystery and it's all secret." DUNE, David Lynch's first (and only) foray into big budget studio filmmaking was an unmitigated disaster, both critically and commercially, and in the wake of its failure, his career as a film director was in question. But thanks to his own inability to stop creating, and incredible support from his DUNE producer Dino De Laurentiis, Lynch was not only able to continue working in film, but his next film would be the the most personal, idiosyncratic film that he'd created since his debut ERASERHEAD. And although he didn't know it at the time, it was also the film that not only reinvigorated his career, but defined him as an artist, one with an uncompromising artistic vision. That film is BLUE VELVET. And on this episdoe, we'll discuss how the film was created, from its inception as a "fragment" of an idea to it being filmed on the streets of Wilmington, North Carolina, and its legacy as one of the greatest films of the 1980s and one of the most important films of Lynch's career. Please Note: This is Part 1 of a 2 part discussion on BLUE VELVET. The 2nd part of this conversation — including the Extended Episode with our "Somebody Needs A Nap" and "Further Viewing" segments — will be released next week. Up Next: David Lynch: Episode 6: TWIN PEAKS (Pilot) . ASSOCIATE PRODUCERS: Andy Lancaster | Benjamin Yates | curtcake5k | Elton Novara | Jvance325 | MagicBloat | Nate Izod | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

Cinema Shock

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Interview with Max Evry, author of 'A Masterpiece in Disarray: David Lynch's Dune - An Oral History' 1:05:37

26 weeks 전1:05:37

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1:05:37

For this special BONUS episode, we sat down for a chat with Max Evry, author of A Masterpiece in Disarray: David Lynch's Dune - An Oral History , one of the most comprehensive behind-the-scenes books that we've come across, and one that was a major resource for our episode covering the making of DUNE. In this interview, we chat with Max about all things DUNE, David Lynch, Hollywood book-to-film adapatations, and somehow, the 1993 movie SUPER MARIO BROS. Max interviewed a lot of the folks involved in the making of DUNE (including Lynch himself!), making his insights into the film's creation wholly unique. We can't thank him enough for taking the time to sit down with us! Follow Max Evry on X at @maxevry and Instagram at @maxevry1 and visit his website at maxevry.com . Purchase your copy of Masterpiece in Disarray on Amazon , your local independent bookstore , or wherever else books are sold. Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

Cinema Shock

1
DUNE (1984) | David Lynch: Absurd Encounters 2:32:46

27 weeks 전2:32:46

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2:32:46

After the critical and commercial success of THE ELEPHANT MAN, David Lynch was suddenly a hot commodity in Hollywood, although it soon became clear that, although many studios were seeking out the idiosyncratic director, what they wanted was another ELEPHANT MAN, and not another ERASERHEAD. While Lynch would pass on many of the projects offered to him (which we document in this episode), he eventually signed on to direct Frank Herbert's sprawling science fiction epic DUNE for famed Italian producer Dino De Laurentiis. The resulting film was, for Lynch, "a great sadness," a betrayal of his own artistic sensibilities and a film that was reviled by critics and ignored by audiences. Although it's gained a modest cult following in the 40 years since its release, it's generally considered a failure by most, even die hard fans of David Lynch. In this episode, we'll tell you everything you want to know about how DUNE came to be, from previous directors who'd attempted to adapt it, to how Lynch became involved, and the myriad of troubles that the cast and crew had while making the film in Mexico. We'll also discuss the film's eventual release, its legacy, and the incredible impact that it had on Lynch's career going forward. An Extended Episode — exclusive to CinemaShock+ subscribers — contains bonus content including our fan favorite "Somebody Needs A Nap" segment (where we read and react to reviews of DUNE that we've found on the far reaches of the internet), our "Further Viewing" recommendations and more! Join now at cinemashock.net/plus . Up Next: David Lynch: Episode 5: BLUE VELVET . ASSOCIATE PRODUCERS: Andy Lancaster | Benjamin Yates | curtcake5k | Jvance325 | MagicBloat | Nate Izod | Elton Novara Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

Cinema Shock

1
THE ELEPHANT MAN (1980) | David Lynch: Absurd Encounters 2:12:55

29 weeks 전2:12:55

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2:12:55

ERASERHEAD’s success on the Midnight Movie circuit didn’t suddently thrust David Lynch onto Hollywood’s A-list but it did turn some heads. Some of those who were impressed by his debut feature included producer Stuart Cornfeld (THE FLY) and legendary filmmaker Mel Brooks (BLAZING SADDLES), who recruited Lynch to direct a biopic of a disfigured man in Victorian England titled THE ELEPHANT MAN. In this episode, we’ll reveal the full story behind Lynch’s sophomore film; how (and why) he was pursued to direct a film that, on the surface, seems like a far cry from his surreal debut; and how an unknown American director traveled to England, where he’d direct some of Britain’s most well-respected actors in a film that would ultimately become his breakthrough, earning the director awards and accolades, and altering the course of his career. Getting there wasn’t easy. In this, the third part of our series exploring the career of David Lymch, we’ll tell you everything you ever wanted to know about how David Lynch’s THE ELEPHANT MAN came to be. Bonus content available for Cinema Shock suppporters : An extended episode with over 30 minutes of additional content which includes bonus segments and further insights into THE ELEPHANT MAN and David Lynch is available exclusively to members of CinemaShock+ . Up Next: David Lynch: Episode 3: THE ELEPHANT MAN . ASSOCIATE PRODUCERS: Andy Lancaster | Benjamin Yates | curtcake5k | Jvance325 | MagicBloat | Nate Izod Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy . This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net…

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The Birth of The Muppets | Jim Henson: Heart Felt