Rear Window Is Hitchcock’s Most Technically Impressive Film | CineFix Top 100

CineFix Top 100

IGN Podcast Network, CINEFIX, and Clint Gage에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 IGN Podcast Network, CINEFIX, and Clint Gage 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

8M ago 1:38:44

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Bring your hot takes somewhere else, Rear Window is S-Tier Hitchcock. Made and released between other Grace Kelly classics Dial M for Murder, and To Catch a Thief, Rear Window’s strength lies in Hitchcock’s ability to make us willing accomplices in Jimmy Stewart’s spying on his neighbors by leaning so hard on his POV and ratcheting up the tension of being stuck in one place. Clint, Cal and Alex dive into how such a simple set up becomes so complicated to shoot, the technical precision it takes to shoot everything from one vantage point on a giant set, and why Jeff absolutely sucks without ruining the movie. Will it end up being the highest Hitchcock film on the list?

Meanwhile, Dan’s algorithm is watching from the shadows, smoking a cigarette… and waiting.

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CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producer, Marhyan Franzen. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.

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