In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Radio Milwaukee에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Radio Milwaukee 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Player FM 앱으로 오프라인으로 전환하세요!
The Milwaukee duo who shaped the sound of ‘The People’s Joker’
Manage episode 417139963 series 2166101
Radio Milwaukee에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Radio Milwaukee 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
We’re down a Cinebud this week, but worry not because we called in a couple of Jokers to compensate.
To be more accurate, our very special guests joining us on this episode are two of the people who worked on viral and cinematic sensation The People’s Joker: composers Justin Krol and Quinn Scharber. The Milwaukee-based duo are the driving force behind the film’s score and thus have enjoyed a front-row seat to its tumultuous and controversial existence.
We won’t get too into the legal weeds here, but to summarize: The People’s Joker debuted at the Toronto Film Festival back in 2022, was shelved under the threat of legal action from Warner Bros., snuck in a secret midnight screening at the Milwaukee Film Festival in 2023 and then finally began its proper theatrical run last month.
With Kpolly on the sidelines for this one, Dori uses her finely honed interviewing skills to get Krol and Scharber chatting about their early days as Milwaukee musicians, their connection to the movie’s star/creative force Vera Drew, and the chutzpah required to get into this very competitive field.
Produced and edited by Marcus Doucette
…
continue reading
To be more accurate, our very special guests joining us on this episode are two of the people who worked on viral and cinematic sensation The People’s Joker: composers Justin Krol and Quinn Scharber. The Milwaukee-based duo are the driving force behind the film’s score and thus have enjoyed a front-row seat to its tumultuous and controversial existence.
We won’t get too into the legal weeds here, but to summarize: The People’s Joker debuted at the Toronto Film Festival back in 2022, was shelved under the threat of legal action from Warner Bros., snuck in a secret midnight screening at the Milwaukee Film Festival in 2023 and then finally began its proper theatrical run last month.
With Kpolly on the sidelines for this one, Dori uses her finely honed interviewing skills to get Krol and Scharber chatting about their early days as Milwaukee musicians, their connection to the movie’s star/creative force Vera Drew, and the chutzpah required to get into this very competitive field.
Produced and edited by Marcus Doucette
391 에피소드
Manage episode 417139963 series 2166101
Radio Milwaukee에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Radio Milwaukee 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
We’re down a Cinebud this week, but worry not because we called in a couple of Jokers to compensate.
To be more accurate, our very special guests joining us on this episode are two of the people who worked on viral and cinematic sensation The People’s Joker: composers Justin Krol and Quinn Scharber. The Milwaukee-based duo are the driving force behind the film’s score and thus have enjoyed a front-row seat to its tumultuous and controversial existence.
We won’t get too into the legal weeds here, but to summarize: The People’s Joker debuted at the Toronto Film Festival back in 2022, was shelved under the threat of legal action from Warner Bros., snuck in a secret midnight screening at the Milwaukee Film Festival in 2023 and then finally began its proper theatrical run last month.
With Kpolly on the sidelines for this one, Dori uses her finely honed interviewing skills to get Krol and Scharber chatting about their early days as Milwaukee musicians, their connection to the movie’s star/creative force Vera Drew, and the chutzpah required to get into this very competitive field.
Produced and edited by Marcus Doucette
…
continue reading
To be more accurate, our very special guests joining us on this episode are two of the people who worked on viral and cinematic sensation The People’s Joker: composers Justin Krol and Quinn Scharber. The Milwaukee-based duo are the driving force behind the film’s score and thus have enjoyed a front-row seat to its tumultuous and controversial existence.
We won’t get too into the legal weeds here, but to summarize: The People’s Joker debuted at the Toronto Film Festival back in 2022, was shelved under the threat of legal action from Warner Bros., snuck in a secret midnight screening at the Milwaukee Film Festival in 2023 and then finally began its proper theatrical run last month.
With Kpolly on the sidelines for this one, Dori uses her finely honed interviewing skills to get Krol and Scharber chatting about their early days as Milwaukee musicians, their connection to the movie’s star/creative force Vera Drew, and the chutzpah required to get into this very competitive field.
Produced and edited by Marcus Doucette
391 에피소드
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