Marvel’s “Wolverine: The Lost Trail” is an epic quest that takes place in the Louisiana bayou. Following the events of Marvel’s “Wolverine: The Long Night,” Logan (Richard Armitage) returns to New Orleans in search of redemption, only to discover that his ex-lover, Maureen is nowhere to be found. And she's not the only one. Dozens of humans and mutants have gone missing, including the mother of a teenage boy, Marcus Baptiste. With Weapon X in close pursuit, Logan and Marcus must team up and ...
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Robert Crighton and Beyond Shakespeare에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Robert Crighton and Beyond Shakespeare 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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291: Live Stream this Sunday! (Occupation and Idleness)
Manage episode 379937398 series 2291433
Robert Crighton and Beyond Shakespeare에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Robert Crighton and Beyond Shakespeare 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Live show this Sunday!
A quick reminder that we have a live streamed audio adaptation of Occupation and Idleness on Sunday 22nd October at 2.30pm
We’re recording a bunch of new stuff across the day, and then in the afternoon we’re live streaming a full run of Occupation and Idleness by the Unknown, plus a bonus mini sketch, Preist the Barber. Occupation and Idleness is the first surviving true interlude play – it’s from the middle of the fifteenth century and is mostly forgotten about – but it does everything your average Tudor interlude will do, it just does it in the medieval period. It’s a three hander about education – with a cheeky school boy who just doesn’t want to do any work, being encouraged – shall we say – to study by Occupation, a hard working farmer, and Doctrine, the figure representing religion in the play. It’s a lively, nay, a tad violent a play, with an ending that isn’t surprising as to what happens – but perhaps surprising how it happens. It was, as ever, a different age. Or is it?
I will be joined on the live stream by Liza Graham and Emma Kemp, and will perform the play in full, followed by the short sketch Preist the Barber – which is… well… it’s a thing.
Live streaming as audio on YouTube via the link at 2.30pm on Sunday 22nd October 2023 -
https://youtube.com/live/KqIeUPCDgbc?feature=share
The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at [email protected], follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org
You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ
The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.
A quick reminder that we have a live streamed audio adaptation of Occupation and Idleness on Sunday 22nd October at 2.30pm
We’re recording a bunch of new stuff across the day, and then in the afternoon we’re live streaming a full run of Occupation and Idleness by the Unknown, plus a bonus mini sketch, Preist the Barber. Occupation and Idleness is the first surviving true interlude play – it’s from the middle of the fifteenth century and is mostly forgotten about – but it does everything your average Tudor interlude will do, it just does it in the medieval period. It’s a three hander about education – with a cheeky school boy who just doesn’t want to do any work, being encouraged – shall we say – to study by Occupation, a hard working farmer, and Doctrine, the figure representing religion in the play. It’s a lively, nay, a tad violent a play, with an ending that isn’t surprising as to what happens – but perhaps surprising how it happens. It was, as ever, a different age. Or is it?
I will be joined on the live stream by Liza Graham and Emma Kemp, and will perform the play in full, followed by the short sketch Preist the Barber – which is… well… it’s a thing.
Live streaming as audio on YouTube via the link at 2.30pm on Sunday 22nd October 2023 -
https://youtube.com/live/KqIeUPCDgbc?feature=share
The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at [email protected], follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org
You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ
The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.
597 에피소드
Manage episode 379937398 series 2291433
Robert Crighton and Beyond Shakespeare에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Robert Crighton and Beyond Shakespeare 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Live show this Sunday!
A quick reminder that we have a live streamed audio adaptation of Occupation and Idleness on Sunday 22nd October at 2.30pm
We’re recording a bunch of new stuff across the day, and then in the afternoon we’re live streaming a full run of Occupation and Idleness by the Unknown, plus a bonus mini sketch, Preist the Barber. Occupation and Idleness is the first surviving true interlude play – it’s from the middle of the fifteenth century and is mostly forgotten about – but it does everything your average Tudor interlude will do, it just does it in the medieval period. It’s a three hander about education – with a cheeky school boy who just doesn’t want to do any work, being encouraged – shall we say – to study by Occupation, a hard working farmer, and Doctrine, the figure representing religion in the play. It’s a lively, nay, a tad violent a play, with an ending that isn’t surprising as to what happens – but perhaps surprising how it happens. It was, as ever, a different age. Or is it?
I will be joined on the live stream by Liza Graham and Emma Kemp, and will perform the play in full, followed by the short sketch Preist the Barber – which is… well… it’s a thing.
Live streaming as audio on YouTube via the link at 2.30pm on Sunday 22nd October 2023 -
https://youtube.com/live/KqIeUPCDgbc?feature=share
The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at [email protected], follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org
You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ
The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.
A quick reminder that we have a live streamed audio adaptation of Occupation and Idleness on Sunday 22nd October at 2.30pm
We’re recording a bunch of new stuff across the day, and then in the afternoon we’re live streaming a full run of Occupation and Idleness by the Unknown, plus a bonus mini sketch, Preist the Barber. Occupation and Idleness is the first surviving true interlude play – it’s from the middle of the fifteenth century and is mostly forgotten about – but it does everything your average Tudor interlude will do, it just does it in the medieval period. It’s a three hander about education – with a cheeky school boy who just doesn’t want to do any work, being encouraged – shall we say – to study by Occupation, a hard working farmer, and Doctrine, the figure representing religion in the play. It’s a lively, nay, a tad violent a play, with an ending that isn’t surprising as to what happens – but perhaps surprising how it happens. It was, as ever, a different age. Or is it?
I will be joined on the live stream by Liza Graham and Emma Kemp, and will perform the play in full, followed by the short sketch Preist the Barber – which is… well… it’s a thing.
Live streaming as audio on YouTube via the link at 2.30pm on Sunday 22nd October 2023 -
https://youtube.com/live/KqIeUPCDgbc?feature=share
The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at [email protected], follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org
You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ
The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.
597 에피소드
모든 에피소드
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