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automachination에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 automachination 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Making GREAT Independent Films On A Budget | ArtiFact 50: Joel Parrish, Alex Sheremet

58:19
 
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Manage episode 382743289 series 2945303
automachination에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 automachination 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Although there’s often a desire for big, Hollywood films, having too many resources, and too much polish, contradicts the mission of art. Independent films can be shot with minimal equipment and lend themselves to bigger, bolder ideas in a smaller package. In ArtiFact 50, Alex Sheremet and Joel Parrish reflect on shooting their first film, “From There to There: Bruce Ario, The Minneapolis Poet”. Topics covered: film and audio equipment, cinematography, production and post-production, finding interviews, and the practical as well as theoretical foundations of filmmaking.
You can also watch this conversation on our YouTube channel: https://youtu.be/u4hX_OSyWs4

To get the full conversation, support us on Patreon and get patron-only content: https://www.patreon.com/automachination

Read more and contribute to the film here: https://www.gofundme.com/f/new-film-the-minneapolis-poet-bruce-ario

Subscribe to the ArtiFact podcast on Spotify: https://spoti.fi/3xw2M4D
Apple Podcasts: https://apple.co/3wLpqEV
Google Podcasts: https://bit.ly/3dSQXxJ
Amazon Music: https://amzn.to/2SVJIxB
Podbean: https://bit.ly/3yzLuUo
iHeartRadio: https://ihr.fm/3AK942L
Joel Parrish’s poetry and photography: https://poeticimport.com

Read more from the automachination universe: https://automachination.com

Read Alex Sheremet’s (archived) essays: https://alexsheremet.com

Follow us on Twitter: https://twitter.com/automachination
Timestamps:

0:00 – the excitement of guerrilla filmmaking

1:36 – the final night of our Minneapolis trip; splitting camera responsibilities; over-scheduling yet still getting everything done; how capturing footage helps define the screenplay; Robbinsdale in Minneapolis; managing sixteen hour days

13:52 – the final night in Minneapolis; nighttime guerrilla filmmaking; accidental imagery & footage; Alex finds some bud; shooting without a plan; every alley has something that can be captured; Joel hops on a city bus and captures video & conversation; checking off a checklist vs. improv filmmaking

22:06 – how shooting a film altered Alex’s perception of watching movies; paying attention to cinematography; Alex’s thoughts on the 1995 hip-hop vampire film, The Addiction; how text styles on the screen can become quite dated; avoiding dated, faddish aesthetics; long vs. short takes; making a well-produced film on a budget using today’s software & equipment

31:20 – the post-production process; how we went from an informational, “good” documentary, to something far more ambitious; going through our equipment: a Canon M50 with an additional lens; DaVinci Resolve for film & color grading; capturing deep nighttime grain; SSD storage for keeping all files in 1 place; Zoom Podtrak P4 for an XLR connection to Audio-Technica’s lavalier microphone & AT2005 mics; Hollywood vs. anti-Hollywood aesthetics; Joel’s professional setup, cameras, GoPro, and audio equipment; getting the most out of any camera at a discount; GAS: Gear Acquisition Syndrome

53:50 – the pre-planning stages for an independent film; why a documentary is a great first movie; the importance of split responsibilities

FOR PATRONS: Joel’s planning stages for the film; acquiring interviews; the perils of overplanning; reducing the amount of equipment; Joel praises Alex as an interviewer; returning to Minneapolis: catching segregated neighborhoods, visiting other parks, 5-minute interviews with locals; capturing Minneapolis footage vs. footage from other cities; frozen falls; some wonderful descriptions of nature in Bruce Ario’s “Cityboy”

Tags: #film #art #artist

  continue reading

63 에피소드

Artwork
icon공유
 
Manage episode 382743289 series 2945303
automachination에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 automachination 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Although there’s often a desire for big, Hollywood films, having too many resources, and too much polish, contradicts the mission of art. Independent films can be shot with minimal equipment and lend themselves to bigger, bolder ideas in a smaller package. In ArtiFact 50, Alex Sheremet and Joel Parrish reflect on shooting their first film, “From There to There: Bruce Ario, The Minneapolis Poet”. Topics covered: film and audio equipment, cinematography, production and post-production, finding interviews, and the practical as well as theoretical foundations of filmmaking.
You can also watch this conversation on our YouTube channel: https://youtu.be/u4hX_OSyWs4

To get the full conversation, support us on Patreon and get patron-only content: https://www.patreon.com/automachination

Read more and contribute to the film here: https://www.gofundme.com/f/new-film-the-minneapolis-poet-bruce-ario

Subscribe to the ArtiFact podcast on Spotify: https://spoti.fi/3xw2M4D
Apple Podcasts: https://apple.co/3wLpqEV
Google Podcasts: https://bit.ly/3dSQXxJ
Amazon Music: https://amzn.to/2SVJIxB
Podbean: https://bit.ly/3yzLuUo
iHeartRadio: https://ihr.fm/3AK942L
Joel Parrish’s poetry and photography: https://poeticimport.com

Read more from the automachination universe: https://automachination.com

Read Alex Sheremet’s (archived) essays: https://alexsheremet.com

Follow us on Twitter: https://twitter.com/automachination
Timestamps:

0:00 – the excitement of guerrilla filmmaking

1:36 – the final night of our Minneapolis trip; splitting camera responsibilities; over-scheduling yet still getting everything done; how capturing footage helps define the screenplay; Robbinsdale in Minneapolis; managing sixteen hour days

13:52 – the final night in Minneapolis; nighttime guerrilla filmmaking; accidental imagery & footage; Alex finds some bud; shooting without a plan; every alley has something that can be captured; Joel hops on a city bus and captures video & conversation; checking off a checklist vs. improv filmmaking

22:06 – how shooting a film altered Alex’s perception of watching movies; paying attention to cinematography; Alex’s thoughts on the 1995 hip-hop vampire film, The Addiction; how text styles on the screen can become quite dated; avoiding dated, faddish aesthetics; long vs. short takes; making a well-produced film on a budget using today’s software & equipment

31:20 – the post-production process; how we went from an informational, “good” documentary, to something far more ambitious; going through our equipment: a Canon M50 with an additional lens; DaVinci Resolve for film & color grading; capturing deep nighttime grain; SSD storage for keeping all files in 1 place; Zoom Podtrak P4 for an XLR connection to Audio-Technica’s lavalier microphone & AT2005 mics; Hollywood vs. anti-Hollywood aesthetics; Joel’s professional setup, cameras, GoPro, and audio equipment; getting the most out of any camera at a discount; GAS: Gear Acquisition Syndrome

53:50 – the pre-planning stages for an independent film; why a documentary is a great first movie; the importance of split responsibilities

FOR PATRONS: Joel’s planning stages for the film; acquiring interviews; the perils of overplanning; reducing the amount of equipment; Joel praises Alex as an interviewer; returning to Minneapolis: catching segregated neighborhoods, visiting other parks, 5-minute interviews with locals; capturing Minneapolis footage vs. footage from other cities; frozen falls; some wonderful descriptions of nature in Bruce Ario’s “Cityboy”

Tags: #film #art #artist

  continue reading

63 에피소드

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