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Anthony Plog (host), Eddie Ludema (Producer), Anthony Plog (host), and Eddie Ludema (Producer)에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Anthony Plog (host), Eddie Ludema (Producer), Anthony Plog (host), and Eddie Ludema (Producer) 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Andreas Neubronner, Part 1: The multi-Grammy Award winning recording producer of the San Francisco, London, Vienna (and more!) Symphonies

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Manage episode 393772645 series 2833043
Anthony Plog (host), Eddie Ludema (Producer), Anthony Plog (host), and Eddie Ludema (Producer)에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Anthony Plog (host), Eddie Ludema (Producer), Anthony Plog (host), and Eddie Ludema (Producer) 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Andreas Neubronner is a record producer and engineer who has won 8 Grammy awards. He has recorded great orchestras around the world and is known for his recordings of the Mahler Symphonies with the San Francisco Symphony Orchestra conducted by Michael Tilson Thomas, his work with Baroque and Renaissance ensembles, and piano soloists Murray Perahia and Igor Levit.
Andreas begins Part 1 talking about how he first came to work with Michael Tilson Thomas in London and his recordings of the Mahler cycle with the San Francisco Symphony. Using those sessions, Andreas gives an overview of how recordings are made, from the initial shipping of equipment and set-up, how live concerts are recorded, what a patch session is and how they're run (...and how much money each minute of the session costs!) Andreas also mentions some background of recording tech specifics, including how the human mind perceives stereo sound (and the difficulty of implementing 5.1 surround sound in an orchestral setting.) We end Part 1 with a discussion of Baroque music, and how performance practice has changed over the last 30-40 years.

Dorico
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Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more!

As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including:

  • Extra Audio Content: Only available to Contributing Listeners.
  • Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students.
  • Ask Me Anything: Both as written messages and occasional member-only Zoom sessions.
  • The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music!
  • Can I just donate instead of subscribing? Absolutely!
  • Cancel at anytime and easily resubscribe when you want all that extra content again.

Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

  continue reading

176 에피소드

Artwork
icon공유
 
Manage episode 393772645 series 2833043
Anthony Plog (host), Eddie Ludema (Producer), Anthony Plog (host), and Eddie Ludema (Producer)에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Anthony Plog (host), Eddie Ludema (Producer), Anthony Plog (host), and Eddie Ludema (Producer) 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Andreas Neubronner is a record producer and engineer who has won 8 Grammy awards. He has recorded great orchestras around the world and is known for his recordings of the Mahler Symphonies with the San Francisco Symphony Orchestra conducted by Michael Tilson Thomas, his work with Baroque and Renaissance ensembles, and piano soloists Murray Perahia and Igor Levit.
Andreas begins Part 1 talking about how he first came to work with Michael Tilson Thomas in London and his recordings of the Mahler cycle with the San Francisco Symphony. Using those sessions, Andreas gives an overview of how recordings are made, from the initial shipping of equipment and set-up, how live concerts are recorded, what a patch session is and how they're run (...and how much money each minute of the session costs!) Andreas also mentions some background of recording tech specifics, including how the human mind perceives stereo sound (and the difficulty of implementing 5.1 surround sound in an orchestral setting.) We end Part 1 with a discussion of Baroque music, and how performance practice has changed over the last 30-40 years.

Dorico
Professional music notation and composition software from Steinberg. Download a free 30-trial today!
Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more!

As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including:

  • Extra Audio Content: Only available to Contributing Listeners.
  • Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students.
  • Ask Me Anything: Both as written messages and occasional member-only Zoom sessions.
  • The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music!
  • Can I just donate instead of subscribing? Absolutely!
  • Cancel at anytime and easily resubscribe when you want all that extra content again.

Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

  continue reading

176 에피소드

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