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A Damn Fine Espresso: May 2024
Manage episode 418943134 series 3042954
A Damn Fine Cup of Culture에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 A Damn Fine Cup of Culture 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
It’s not that much of a jump from last month’s espresso topic of cinematic women behaving badly (well, at least in the eyes of the society) to this month’s theme. Over the last month or so, the best cinema in the world showed a series of films by the American director Dorothy Arzner, who was mainly active from the 1920s to the early 1940s. Arzner stands out not only as a female director who helped launch the careers of actresses such as Katharine Hepburn, Rosalind Russell and Lucille Ball, her films are also impressively ahead of their time in terms of their depiction of women and their critique of marriage and of heteronormative pairings as the sole path to contentment. Working in genres from screwball comedy and melodrama to literary adaptation and war films, and being more than willing to blend genres and tone, Arzner directed films that both reflect their times and feel strikingly modern. Join Julie and Matt as they discuss some of Arzner’s greats, from Dance, Girl, Dance to Merrily We Go to Hell, and from Working Girls to the flawed but fascinating Christopher Strong and Craig’s Wife.
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