In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Sergio Angelini에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Sergio Angelini 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Tipping My Fedora
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Sergio Angelini에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Sergio Angelini 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
The podcast devoted to crime, mystery and all things Noir
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20 에피소드
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Manage series 3603594
Sergio Angelini에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Sergio Angelini 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
The podcast devoted to crime, mystery and all things Noir
…
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20 에피소드
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×Will the real "Mr Arkadin" please stand up? For the podcast's first foray into audio noir, we tip our hat to Orson Welles - whose birthday it was this past week - and look at the strange case of his noir maudit , MR ARKADIN. Also released as CONFIDENTIAL REPORT, we will consider the many iterations of the film (following in the path of Jonathan Rosenbaum's seminal essay, The Seven Arkadins , first published in Film Comment magazine in 1992). Incredibly, the various versions - including radio dramas and novelisations as well as variant edits of the film, has now risen to a total of 10 separate Arkadins! We will also present the full audio drama from which the film was primarily derived, Man of Mystery, one of 8 (or 9) episodes that Welles was known to have written for his The Lives of Harry Lime radio series (first heard round the world from 1951 to 1952). The entire Harry Lime series of 52 half hour episodes is available for download from the Internet Archive at this link: https://archive.org/details/TheLivesOfHarryLime To read Rosenbaum's original essay, please visit his homepage at this link: jonathanrosenbaum.net/…
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Tipping My Fedora

David Fincher's seminal neo-noir thriller SEVEN is now thirty years old. A surprise commercial success and critical hit, this dark, powerful, densely-layered and genuinely scary and challenging thriller proved to be a hugely influential Neo-noir. And then, there was that box ... To celebrate, Sergio is joined by Dr Laura Mee, Principal Lecturer in Film and Television at the University of Hertfordshire. She primarily researches horror cinema and adaptation and is the author of two books: Reanimated: The Contemporary American Horror Remake (Edinburgh University Press, 2022) and a book on THE SHINING in the Devil's Advocates series (Liverpool University Press, 2017). Dr Mee has written on films including AMERICAN PSYCHO, ROOM 237, I SPIT ON YOUR GRAVE and The Conjuring series. She is the co-founder and co-convener of the British Association of Film, Television and Screen Studies' Horror Studies group, a UK network of horror scholars who host regular online events on a wide range of horror topics - you can find more information at baftsshorror.weebly.com . With colleagues Shellie McMurdo and Kate Egan, she is the co-editor of the Hidden Horror Histories book series from Liverpool University Press. ( https://liverpooluniversitypress.blog/2023/10/27/hidden-horror-histories-call-for-proposals/ ) Dr Laura Mee research profile: https://researchprofiles.herts.ac.uk/en/persons/laura-mee…
Before such monstrous miscreants as Ernst Stavro Blofeld, The Joker, Hannibal Lecter and Bellatrix Lestrange besmirched page and screen, perhaps the greatest supervillain of them all was Dr Mabuse. Hell-bent on world domination, his devilish plans were chronicled in books and movies throughout most of the 20th century. And now he's back in a brand new box set bringing together his six dastardly movie appearance from the 1960s, courtesy of Eureka video in their Masters of Cinema series. https://eurekavideo.co.uk/movie/mabuse-lives-limited-edition-box-set/ To celebrate I am joined by David Kalat, the world's foremost authority on the mad doctor and his schemes, in a special edition of the podcast spanning some 100 years of movie mayhem. David Kalat is a film historian and a forensic technologist. He has contributed audio commentaries to the home video editions of numerous classic movies, written extensively for Turner Classic Movies and other publications. In 1997, he founded the independent DVD label All Day Entertainment, to rescue and promote motion pictures whose artistic value, historic importance, and all-around entertainment value merit a second-chance in the commercial marketplace. David Kalat also partners with other media companies such as Eureka, Kino-Lorber, the Criterion Collection, Classic Media, and others to bring the same attention to important films from around the world. He is the author of numerous books on film history, including The Strange Case of Dr. Mabuse . https://www.alldayentertainment.com/publications…
Our offices will be closed during the Easter period so we can take a small holiday and recharge the little grey cells. But we won't be gone for long and we have lots of special episodes all lined up and ready to go. To whet your appetite, here are previews from some forthcoming episodes including ones dedicated to boxing movies, Westerns and Noir scepticism, the various versions of BLADE RUNNER (and its sequel, BLADE RUNNER 2049), the radio origins of Orson Welles' MR ARKADIN ... and much more! Tipping My Fedora will be back on April 27th with an edition featuring Dr Laura Mee, who will be taking a deep dive into David Fincher's 1995 neo-noir classic, SEVEN. But until then ... take it easy and don't lose your heads down those dark streets of Noir City. And as Patrick McGoohan used to say, be seeing you!…
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Sergio is joined by novelist, blogger and podcaster Jim Noy to enthuse about the work of writer Jim Thompson, the sui generis maestro of 50s and 60's Noir. We explore some of Thompson's major themes, his often psychopathic protagonists and his horrifying and frequently surreal endings - and look in detail at such classic books as The Killers Inside Me, A Hell of a Woman, The Grifters, After Dark, My Sweet and Pop. 1280 (all of which have been filmed) Jim Thompson's crime fiction bibliography includes the following novels: Nothing More Than Murder (1949) The Killer Inside Me (1952) Cropper's Cabin (1952) Recoil (1953) The Alcoholics (1953) Savage Night (1953) Bad Boy (1953) The Criminal (1953) The Nothing Man (1954) The Golden Gizmo (1954) Roughneck (1954) A Swell-Looking Babe (1954) A Hell of a Woman (1954) After Dark, My Sweet (1955) The Kill-Off (1957) Wild Town (1957) The Getaway (1958) The Transgressors (1961) The Grifters (1963) Pop. 1280 (1964) Jim Noy is a maths supremo and a novelist - he made his debut with The Red Death Murders, which was published during the Covid lockdown and is a highly imaginative whodunit set sometime in the past during the plague imagined by Edgar Allan Poe for his classic story, 'The Masque of Red Death.' It is available in print and e-book editions via Amazon: www.amazon.co.uk/Red-Death-Murders-Jim-Noy/dp/B09SKY58WV He also blogs about crime fiction at The Invisible Event: https://theinvisibleevent.com/ . He also hosts his own podcast, In GAD We Trust: https://theinvisibleevent.com/category/in-gad-we-trust/…
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Tipping My Fedora

1 15. DEATH WISH II (1982) and DEATH WISH III (1985), with Simon Brown 27:19
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Welcome back for the second half of Sergio's conversation with Simon Brown about the Michael Winner / Charles Bronson Death Wish trilogy - today's focus is on the first two sequels, produced by Cannon in the 1980s. We look at what the sequels added to, and detracted from, this popular cycle of revenge films extending the success of the first and most distinguished entry in the series. The first part of this podcast can be found at this link: https://tippingmyfedora.podbean.com/e/14-death-wish-1974-with-simon-brown/ Simon Brown, currently lecturing in film at Northumbria University, is an independent scholar who specialises in early film history, horror, adaptation studies and film technology. He is the author of Cecil Hepworth and the Rise of The British Film Industry (University of Exeter Press, 2016) and Screening Stephen King: Adaptation and the Horror Genre in Film and Television (University of Texas Press, 2018). Spoiler warning - we pretty much give away the endings of both the films being discussed.…
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Tipping My Fedora

Sergio is joined today by Simon Brown for the first of a two-part look at the trio of Death Wish films that were directed by Michael Winner and starred Charles Bronson. One of the key releases of the 1970s, Michael Winner’s 1974 box office smash, Death Wish, starred Charles Bronson as a man driven to murderous reprisals after a violent assault that left his wife dead and their daughter an emotional wreck. Adapted from the 1972 novel by Brian Garfield, it crystallised an emerging trend of films featuring disillusioned individuals who turn to violence as a way to deal with the chaos in which they find themselves. Joining me to discuss this seminal and highly controversial work is Simon Brown, an independent scholar who specialises in early film history, horror, adaptation studies and film technology. He is the author of Cecil Hepworth and the Rise of The British Film Industry (University of Exeter Press, 2016) and Screening Stephen King: Adaptation and the Horror Genre in Film and Television (University of Texas Press, 2018). Spoiler warning: please note, we do explore the film, and its ending, in considerable detail.…
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Tipping My Fedora

1 13. David Lynch and Film Noir, with Dr Lindsay Hallam 1:02:13
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As a tribute to the late David Lynch, Sergio is joined by special guest Dr Lindsay Hallam, Senior Lecturer in Film at the University of East London to discuss his work in the Noir context. Dr Hallam is author of the books Screening the Marquis de Sade and a Devil's Advocates volume on Twin Peaks: Fire Walk with Me, and has written several articles and book chapters on the works of David Lynch. She has also contributed audio commentaries and essays for Blu-Rays released by such labels as Arrow, Severin, Second Sight, Umbrella, Eureka, 88 Films, Indicator and Vinegar Syndrome. She is also the co-host of SciFrights, a movie podcast from the Interzone where horror meets science fiction https://rss.com/podcasts/scifrights/ We explore the way that Lynch used the motifs, tropes and visual signifiers associated with Film Noir in so many of his films. Those discussed include: BLUE VELVET (1986) WILD AT HEART (1990) TWIN PEAKS (1990-91) TWIN PEAKS: FIRE WALK WITH ME (1992) LOST HIGHWAY (1997) MULHOLLAND DRIVE (2001) For more information on Dr Lindsay Hallam, please visit: www.uel.ac.uk/about-uel/staff/lindsay-anne-hallam https://lindsayhallam5.wixsite.com/website Screening the Marquis de Sade: Pleasure, Pain and the Transgressive Body in Film www.amazon.co.uk/Screening-Marquis-Sade-Pleasure-Transgressive/dp/0786462965/ref=tmm_pap_swatch_0?_encoding=UTF8&sr= Twin Peaks: Fire Walks with Me ( Devil's Advocates series): www.liverpooluniversitypress.co.uk/doi/book/10.3828/9781911325642…
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Today’s podcast is devoted to KISS ME DEADLY, the classic Film Noir directed by Robert Aldrich from Mickey Spillane's best-seller featuring his ultra-hardboiled PI, Mike Hammer. My guest is Mark Dillon, an award-winning Toronto-based journalist specializing in film, TV and pop music. He is a former editor of Playback, the business publication for the Canadian media industries, and to which he still contributes. He has been writing for Hollywood magazine American Cinematographer for more than 25 years. He is author of Fifty Sides of The Beach Boys, chronicling America’s band, and co-hosts the (non-noir) podcast Surf’s Up: A Beach Boys Podcast Safari: https://soundcloud.com/user-93394161…
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Tipping My Fedora

1 11. Christmas Noir, with special guests Simon Brown and Stacey Abbott 1:27:13
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Can the shadows of Film Noir retain their dark power even during the holiday season? Come and join me in front of the fireplace for a special yuletide edition of Tipping My Fedora with friends of the podcast, Simon Brown and Stacey Abbott and their devoted pooch Lilli, while they take a break from sleuthing as we look at some classic crime movies set between Christmas and New Year. The films discussed include: THE THIN MAN (WS Van Dyke, 1934) CHRISTMAS HOLIDAY (Robert Siodmak, 1944) THE RECKLESS MOMENT (Max Ophuls, 1949) BLAST OF SILENCE (Allen Baron, 1961) THE SILENT PARTNER (Daryl Duke, 1978) And of course Frank Capra's IT'S A WONDERFUL LIFE (1947), a classic movie with more than a hint of Film Noir magic about it. Happy holidays - thanks to all our listeners, and contributors, for their valuable support in 2024. And please don't forget to subscribe and comment wherever you get your episodes of Tipping My Fedora. The podcast will be back on 5 January 2025 with a new episode in which Mark Dillon joins me to celebrate the 70th anniversary of Robert Aldrich's classic private eye mystery, KISS ME DEADLY. See you then! Graphic by Frazer Ash Additional Music: Christmas Spirit (Top-Flow / Pixabay)…
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Tipping My Fedora

1 10. Edward G. Robinson's gangsters, with Craig Ian Mann 1:05:34
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To celebrate what would have been the 131st birthday of Hollywood icon Edward G. Robinson, Sergio is joined by Craig Ian Mann to provide an overview of the many gangster roles he played during his career, examining how they transitioned from Depression-era tragedies of men who took the wrong path to fame and fortune to Noir-era sociopaths of the 40s and 50s who no longer have a place in society. Films discussed include: Little Caesar (1931) Bullets or Ballots (1936) The Last Gangster (1937) I am the Law (1938) Night has a Thousand Eyes (1948) Key Largo (1948) Black Tuesday (1954) Craig is a film historian, freelance writer and home video producer who works closely with Eureka Entertainment and their Masters of Cinema series. He is the author of Phases of the Moon: A Cultural History of the Werewolf Film, published by Edinburgh University Press in 2020, and has written for the BFI, Eureka, Second Sight Films, Indicator and Arrow Video amongst others. His latest writing appears in the Second Sight releases of The Hitcher and The Blair Witch Project and Eureka's Masters of Cinema edition of Hugo Fregonese’s Black Tuesday, previously previewed here at Fedora. Forthcoming is Mabuse Lives! - a set bringing together six of the Mabuse crime films made in Germany in the 1960s. For further details, visit: https://eurekavideo.co.uk/movie/mabuse-lives-limited-edition-box-set/…
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A look back at Kenneth Branagh's box office hit, Dead Again (1991), a highly imaginative valentine to classic Film Noir co-starring Emma Thompson and Andy Garcia that daringly combines a murder mystery with the supernatural. Sergio is joined by writer and actor, Nick Cardillo. A lifelong fan of mystery and detective fiction, Nick is the author of several Sherlock Holmes pastiches for MX Publishing and Belanger Books. These were collected in The Feats of Sherlock Holmes (2018) and The Improbable Casebook of Sherlock Holmes (2021). He is the author of “The Devil’s Book,” published in The Novellas of Solar Pons ; the first collection of longer stories based on August Derleth’s pulp detective to be authorized by the Derleth Estate. When he’s not writing, Nick is an actor in the Philadelphia region and has been involved in productions of such diverse playwrights as William Shakespeare, Terrence McNally, Paula Vogel, and, of course, Agatha Christie. Nick is currently at work on his first novel. Find out more on his website, nickcardillocreative.com…
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1 8. Music for Film Noir (1941-1959), with John Leman Riley 1:04:31
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Sergio is joined by film and music expert John Leman Riley to provide an overview of some of the film scores written for Film Noir in the classic 1941 to 1959 period. The films explored in this podcast include: THE MALTESE FALCON (John Huston, 1941) - music by Adolph Deutsch THE BIG SLEEP (Howard Hawks, 1946) - music by Max Steiner SUNSET BOULEVARD (Billy Wilder, 1950) - music by Franz Waxman A PLACE IN THE SUN (George Stevens, 1951) - music by Franz Waxman ON DANGEROUS GROUND (Nicholas Ray, 1951) - music by Bernard Herrmann THE BIG COMBO (Joseph H. Lewis, 1955) - music by David Raksin ODDS AGAINST TOMORROW (Robert Wise, 1959) - music by John Lewis John’s career has embraced photography, librarianship, archiving, teaching and lecturing, academic writing and editing, as well as journalism, reviewing, exhibition catalogues, CD and DVD notes and the like. Often focusing on film and film music, classical music, and Eastern European culture, he has been published by Cambridge, Oxford and Edinburgh University Presses, Routledge, Greenwood, BFI, Rough Guides and others. Highlights include Dmitri Shostakovich: a Life in Film (Tauris), Discover Film Music (Naxos) for which he curated two accompanying CDs of excerpts, Sound at the Film Society, (“The Sound of the Silents in Britain”, OUP), Keeping the Icons on the Wall: Shostakovich’s Cinema and Concert Music (“Dmitrij Šostakovič tra Musica, Letteratura e Cinema”, Leo S Olschki), Soviet Cinema: Between Art and Propaganda (Cité de la Musique, Paris, and Caja Madrid), Stalin (and Lenin) at the Movies (“Contemplating Shostakovich: Life Music and Film”, Ashgate), and Live Cinema: Silent Film, Orchestral Accompaniment and the Special Event (“Archival Film Festivals”, Edinburgh UP). He regularly writes for and is Reviews Editor of the DSCH Journal ( www.dschjournal.com ) and was the English Language editor for Apparatus Journal ( https://www.apparatusjournal.net/index.php/apparatus ). In From the Woods to the Cosmos , on the Severin BluRay release of Viy, he discusses Russian and Soviet horror and sci-fi cinema. Commissioned by the South Bank Centre, he wrote, produced and directed Shostakovich: My Life in Film, telling the story of the composer’s film career with an orchestra playing the scores to film clips. Shostakovich was played by Simon Russell-Beale in London and, at the Komische Oper, Berlin, by Ulrich Matthes (Goebbels in Der Untergang ). He writes at https://johnlemanriley.substack.com/…
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Tipping My Fedora

1 7. BLACK TUESDAY (1954), with Barry Forshaw, Craig Ian Mann and Sheldon Hall 43:15
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Sergio previews the UK Blu-ray release of the 1954 drama Black Tuesday, which is being released today by Eureka in their Masters of Cinema series. He is joined by Barry Forshaw, Craig Ian Mann and Sheldon Hall - who all provided new extras for this release - and together they explore the contributions of stars Edward G. Robinson, Peter Graves and Jean Parker, director Hugo Fregonese, writer Sydney Boehm and cinematographer Stanley Cortez. Here are the full details of the Blu-ray extras: A new audio commentary with film noir expert Sergio Angelini, host of the Tipping My Fedora podcast From Argentina to Hollywood – a new interview with film historian Sheldon Hall on director Hugo Fregonese No Escape – A brand new video essay by Imogen Sara Smith, author of In Lonely Places: Film Noir Beyond the City A new video interview with Ehsan Khoshbakht, critic and co-director of Il Cinema Ritrovato Theatrical trailer A collector’s booklet featuring new writing on Black Tuesday by critic Barry Forshaw and film writer Craig Ian Mann Limited edition O-Card slipcase featuring new artwork by Scott Saslow https://eurekavideo.co.uk/movie/black-tuesday/ The latest books by this episode's guests include: Barry Forshaw: Simenon: The Man, The Books, The Films: www.oldcastlebooks.co.uk/bookpage.php?isbn=9780857304162 Sheldon Hall: Armchair Cinema: A History of feature Films on British Television, 1929-1981: https://edinburghuniversitypress.com/book-armchair-cinema.html To receive a 30% discount on Sheldon Hall's new book, enter the code NEW30 at the checkout. Craig Ian Mann: Phases of the Moon: A Cultural History of the Wewolf Film: https://edinburghuniversitypress.com/book-phases-of-the-moon.html…
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Tipping My Fedora

Sergio is joined by author and critic Mike Ripley to look at a tale of two tigers, or rather, two versions of The Tiger in the Smoke: the original 1952 novel by Margery Allingham, featuring her sleuth Albert Campion; and its film noir adaptation from 1956 that, despite being mostly very faithful, chose to completely eliminate her recurring protagonist. We also look at the BBC TV series Campion (1989-1990), based on Allingham's novels and starring Peter Davison in the title role (and Mike's "controversial" contribution to that show), which is currently available to view in the UK on BBC iPlayer: www.bbc.co.uk/iplayer/episodes/p0hqd8lh/campion In addition, Mike tells us about his Campion continuation novels, authorised by the Allingham estate, to coincide with the release of his twelfth book in the series, Mr Campion's Christmas . Here are the details of Mike Ripley's series of Campion continuation novels, all published by Severn House: https://severnhouse.com/ Mr. Campion's Farewell (after P. Youngman Carter) (2014) Mr. Campion's Fox (2015) Mr. Campion's Fault (2016) Mr. Campion's Abdication (2017) Mr. Campion's War (2018) Mr. Campion's Visit (2019) Mr. Campion's Seance (2020) Mr. Campion's Coven (2021) Mr. Campion's Wings (2021) Mr. Campion's Mosaic (2022) Mr. Campion's Memory (2023) Mr. Campion's Christmas (2024)…
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