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Working Class Audio에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Working Class Audio 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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WCA #570 with Ken Sluiter – A deep dive into stereo rebuilds for Atmos mixing.

1:24:58
 
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Manage episode 520031464 series 1281928
Working Class Audio에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Working Class Audio 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

In this episode of Working Class Audio, Matt welcomes back producer/engineer and mixer Ken Sluiter to delve into the intricate process of stereo rebuilds for Atmos mixing. They discuss the challenges of finding and organizing original material, the importance of matching to comparison masters, and the unique aspects of each project. Ken shares insights on the ingestion process, the role of research in understanding original recordings, and the potential of AI tools in audio restoration. The discussion also touches on the future of mixing and the evolving landscape of music production.

In This Episode, We Discuss:

  • Stereo rebuilds for Atmos mixing.
  • The process involves gathering original assets and recreating mixes.
  • Each project is unique, requiring a tailored approach.
  • Matching to a comparison master is crucial for accuracy.
  • Researching the original recording can provide valuable insights.
  • AI tools can assist in stem separation but have limitations.
  • Finalizing mixes involves careful listening and adjustments.
  • The future of audio mixing may involve more AI and technology.
  • Understanding the original recording process is key to successful rebuilds.

Links and Show Notes:


Matt's Rant: Music Expo/AES/NAMM

Credits:

  • Guest: Ken Sluiter
  • Host/Engineer/Producer: Matt Boudreau
  • WCA Theme Music: Cliff Truesdell
  • The Voice: Chuck Smith

  continue reading

726 에피소드

Artwork
icon공유
 
Manage episode 520031464 series 1281928
Working Class Audio에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Working Class Audio 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

In this episode of Working Class Audio, Matt welcomes back producer/engineer and mixer Ken Sluiter to delve into the intricate process of stereo rebuilds for Atmos mixing. They discuss the challenges of finding and organizing original material, the importance of matching to comparison masters, and the unique aspects of each project. Ken shares insights on the ingestion process, the role of research in understanding original recordings, and the potential of AI tools in audio restoration. The discussion also touches on the future of mixing and the evolving landscape of music production.

In This Episode, We Discuss:

  • Stereo rebuilds for Atmos mixing.
  • The process involves gathering original assets and recreating mixes.
  • Each project is unique, requiring a tailored approach.
  • Matching to a comparison master is crucial for accuracy.
  • Researching the original recording can provide valuable insights.
  • AI tools can assist in stem separation but have limitations.
  • Finalizing mixes involves careful listening and adjustments.
  • The future of audio mixing may involve more AI and technology.
  • Understanding the original recording process is key to successful rebuilds.

Links and Show Notes:


Matt's Rant: Music Expo/AES/NAMM

Credits:

  • Guest: Ken Sluiter
  • Host/Engineer/Producer: Matt Boudreau
  • WCA Theme Music: Cliff Truesdell
  • The Voice: Chuck Smith

  continue reading

726 에피소드

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