Artwork

Lillian Cicerchia, Owen Glyn-Williams, Gil Morejón, and William Paris, Lillian Cicerchia, Owen Glyn-Williams, Gil Morejón, and William Paris에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Lillian Cicerchia, Owen Glyn-Williams, Gil Morejón, and William Paris, Lillian Cicerchia, Owen Glyn-Williams, Gil Morejón, and William Paris 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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83 | What is Aesthetics? Part III: Ernst Bloch: In Search of the Red Sublime

56:03
 
공유
 

Manage episode 401792682 series 2842869
Lillian Cicerchia, Owen Glyn-Williams, Gil Morejón, and William Paris, Lillian Cicerchia, Owen Glyn-Williams, Gil Morejón, and William Paris에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Lillian Cicerchia, Owen Glyn-Williams, Gil Morejón, and William Paris, Lillian Cicerchia, Owen Glyn-Williams, Gil Morejón, and William Paris 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

In this episode, we return to the work of Ernst Bloch and his theory concerning “aesthetic genius” and the possibility of the red sublime. Bloch attempts to construct a Marxist account of art that can explain how it is possible for aesthetic objects to provoke experiences of beauty and sublimity long after the historical conditions of their genesis have passed. Bloch thinks certain artworks contain a utopian surplus that beckons for a not-yet existing classless society. In other words, Bloch thinks we can inherit the knowledge of the real possibility of communism from the history of class domination and catastrophe. Join us as we try to make sense of these claims, dunk on the idea of art as “resistance,” and even try (in vain) to get Gil to experience the sublime!
leftofphilosophy.com | @leftofphil
References:
Ernst Bloch, “Ideas as Transformed Material in Human Minds, or Problems of an Ideological Superstructure (Cultural Heritage) (1972)” in The Utopian Function of Art and Literature, trans. Jack Zipes and Frank Mecklenburg (Cambridge, MA: The MIT Press, 1988), 18-71.
Filippo Menozzi, "Inheriting Marx: Daniel Bensaïd, Ernst Bloch and the Discordance of Time” in Historical Materialism 28, 1 (2020): 147-182.
Stuart Hall, “Marx’s Notes on Method: A ‘Reading’ of the ‘1857 Introduction’ [1974]” in Selected Writings on Marxism, ed. Gregor McLennan (Durham: Duke University Press, 2021), 19-62.
Music:
“Vintage Memories” by Schematist | schematist.bandcamp.com
“My Space” by Overu | https://get.slip.stream/KqmvAN

  continue reading

93 에피소드

Artwork
icon공유
 
Manage episode 401792682 series 2842869
Lillian Cicerchia, Owen Glyn-Williams, Gil Morejón, and William Paris, Lillian Cicerchia, Owen Glyn-Williams, Gil Morejón, and William Paris에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Lillian Cicerchia, Owen Glyn-Williams, Gil Morejón, and William Paris, Lillian Cicerchia, Owen Glyn-Williams, Gil Morejón, and William Paris 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

In this episode, we return to the work of Ernst Bloch and his theory concerning “aesthetic genius” and the possibility of the red sublime. Bloch attempts to construct a Marxist account of art that can explain how it is possible for aesthetic objects to provoke experiences of beauty and sublimity long after the historical conditions of their genesis have passed. Bloch thinks certain artworks contain a utopian surplus that beckons for a not-yet existing classless society. In other words, Bloch thinks we can inherit the knowledge of the real possibility of communism from the history of class domination and catastrophe. Join us as we try to make sense of these claims, dunk on the idea of art as “resistance,” and even try (in vain) to get Gil to experience the sublime!
leftofphilosophy.com | @leftofphil
References:
Ernst Bloch, “Ideas as Transformed Material in Human Minds, or Problems of an Ideological Superstructure (Cultural Heritage) (1972)” in The Utopian Function of Art and Literature, trans. Jack Zipes and Frank Mecklenburg (Cambridge, MA: The MIT Press, 1988), 18-71.
Filippo Menozzi, "Inheriting Marx: Daniel Bensaïd, Ernst Bloch and the Discordance of Time” in Historical Materialism 28, 1 (2020): 147-182.
Stuart Hall, “Marx’s Notes on Method: A ‘Reading’ of the ‘1857 Introduction’ [1974]” in Selected Writings on Marxism, ed. Gregor McLennan (Durham: Duke University Press, 2021), 19-62.
Music:
“Vintage Memories” by Schematist | schematist.bandcamp.com
“My Space” by Overu | https://get.slip.stream/KqmvAN

  continue reading

93 에피소드

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