Áron Czapek에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Áron Czapek 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
This week, in what might be the funniest episode yet, Molly and Emese are joined by co-stars Amy Schumer and Brianne Howey. They get candid about motherhood, career evolution, and their new film, Kinda Pregnant —which unexpectedly led to Amy’s latest health discovery. Amy opens up about how public criticism led her to uncover her Cushing syndrome diagnosis, what it’s like to navigate comedy and Hollywood as a mom, and the importance of sharing birth stories without shame. Brianne shares how becoming a mother has shifted her perspective on work, how Ginny & Georgia ’s Georgia Miller compares to real-life parenting, and the power of female friendships in the industry. We also go behind the scenes of their new Netflix film, Kinda Pregnant —how Molly first got the script, why Amy and Brianne were drawn to the project, and what it means for women today. Plus, they reflect on their early career struggles, the moment they knew they “made it,” and how motherhood has reshaped their ambitions. From career highs to personal challenges, this episode is raw, funny, and packed with insights. Mentioned in the Episode: Kinda Pregnant Ginny & Georgia Meerkat 30 Rock Last Comic Standing Charlie Sheen Roast Inside Amy Schumer Amy Schumer on the Howard Stern Show Trainwreck Life & Beth Expecting Amy 45RPM Clothing Brand A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us at @sonypodcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices…
Áron Czapek에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Áron Czapek 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
We Need to Talk About Oscar offers in-depth interviews with filmmakers, actors, and industry professionals. While inspired by Oscar-worthy content, our conversations extend to buzzworthy titles and TV shows, exploring both the technical aspects of filmmaking and the personal stories behind them.
Áron Czapek에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Áron Czapek 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
We Need to Talk About Oscar offers in-depth interviews with filmmakers, actors, and industry professionals. While inspired by Oscar-worthy content, our conversations extend to buzzworthy titles and TV shows, exploring both the technical aspects of filmmaking and the personal stories behind them.
With the final voting for this year's Academy Awards underway, we bring you a short film that's thematically as timely as it gets. 'A Lien' chronicles a far too common and unjust tearing apart of a family in the midst of the father's immigration process. The 15-minute short is directed by brothers David and Sam Cutler-Kreutz, and today we are joined by Sam and cinematographer Andrea Gavazzi to discuss the baffling situation, the personal stories behind it, and the multi-faceted nature of the family's separation. (Photo credit: Andrea Gavazzi)…
The unsurprising surprise hit of late 2024 - early 2025 was undoubtedly Robert Eggers’ gothic horror retelling of Nosferatu . The familiar story of Count Orlok, portrayed by Bill Skarsgård, is captured from a fresh perspective, through the eyes and nightmarish life of Ellen, played by Lily-Rose Depp. The two are accompanied in their gory ventures by other talented actors, including Nicholas Hoult, Willem Dafoe, Emma Corrin, and Aaron Taylor-Johnson. The not only thematically but visually striking piece is lensed by none other than the director’s go-to collaborator, cinematographer Jarin Blaschke. Thanks to Jarin joining us on this episode, we got to take a peek behind the curtains of the rocky but well worth it road to finally making the film, the price of success, and the way the light hits the fearsome Count.…
Bulgarian actress Maria Bakalova took Hollywood and the world by storm as Tutar in 2020's Borat Subsequent Moviefilm , and her choices ever since have lived up to that. Whether playing a vital role in Halina Reijn and A24's first venture, Bodies Bodies Bodies , voicing Cosmo in Guardians of the Galaxy Vol. 3 , or just last year playing Ivana Trump alongside Sebastian Stan and Jeremy Strong in The Apprentice , she also finds time for passion projects like Triumph , her home country's Oscar submission this year, and today's topic of discussion, O Horizon . During our conversation, Maria tells us about the intersection of different projects and how this one found her, the fine lines they had to walk while bringing the story—written and directed by Madeleine Rotzler—to life, and the universal portrayal of the ever-changing landscape of technology through grief.…
Festival season is in full swing, and this time, we had the pleasure of speaking with Miriam Shor and Josh Stamberg, the stars of Magic Hour , Jacqueline Christy's directorial debut, which premieres at this year's Santa Barbara International Film Festival. Miriam, who you might know from Younger , and Josh, who starred in Fleishman Is in Trouble and WandaVision , discuss the evolution of their acting careers, the relationships they have built with the characters they've portrayed over the years and decades, as well as the benefits of working with a first-time director.…
We're not used to seeing refreshing, high-quality movies (other than intended Oscar palyers) hit theatres in January, or as some like to call it, Dumpuary. Of course, there are always exceptions, like Paddington 1 and 2, Split , or Cloverfield. This January, on the brink of February, writer-director Drew Hancock’s feature debut, Companion , joins that list. The romcom-esque sci-fi thriller, starring Sophie Thatcher and Jack Quaid, undeniably brings a fresh perspective to one of the most pressing topics of our time. Drew is more than just a promising new voice in the industry. In our conversation, he shares how he got his start, his unique approach to exploring new technology through an unexpected lens, and the surprisingly quick process of landing the perfect producers for his project, the team behind Barbarian .…
As we rapidly approach the 40th Independent Spirit Awards, you'll hear a few conversations with this year's nominees. One of them is comedian, writer, director, and star of her own feature debut: Vera Drew! In our conversation with her, she shares the ups and downs of bringing The People's Joker to life—a film that defies not only genre but all expectations. Beyond that, Vera takes us on a trip down multiverse lane, dissects the character, the very idea of the Joker and all it represents, and much more!…
One of the few things the pandemic couldn’t put a stop to was creativity. Our next guest is a perfect example: first-time director Gala del Sol, who began developing her debut feature during a time of great uncertainty. Gala’s incredibly ambitious Rains Over Babel premieres at Sundance in the NEXT section, offering something fresh and new while working within a familiar story and structure. In our conversation, we discuss the birth and evolution of the film, the importance of our upbringing, and how intentional the Dante adaptation was. (Photo credit: Gala del Sol Films)…
Three worlds, three dimensions? Not necessarily... However, director Flora Lau’s interpretation of the search for something both on a physical and spiritual level is exactly what we get to witness in Flora’s second feature LUZ . To up the ante, we haven’t been joined by this many guests before, as this time, in writer-director Flora Lau, producer Yvette Tang, actresses Sandrine Pinna and Huang Lu, and composer Mimi Xu. In our conversation with them, the group reflects on the physical manifestation of the previously cited search in the form of a deer, connecting different places and worlds, or how the characters can still stay grounded and ethereal despite the film’s mammoth thematic undertakings.…
We could write endlessly about why you should look out for Amanda Kramer's By Design , but we’ll let the film’s synopsis speak for itself: “A woman swaps bodies with a chair, and everyone likes her better as a chair.” Honestly, what more do you need to strap in and watch this hour and a half long film starring Juliette Lewis, Mamoudou Athie, and narrated by Melanie Griffith?! Like all films, there are two sides to the story: one behind the camera and one in front of it. We had the incredible opportunity to speak with both Amanda Kramer, the beautifully twisted mind behind it all, and Mamoudou Athie, one of the actors bringing it to life. From materialism and physical performance to writing for actors and believing in the project you’re starring in, we cover it all. (Photo credit: Amanda Kramer, Courtesy of Sundance Institute | photo by Patrick Meade Jones)…
Even though this year’s edition of the Sundance Film Festival has just kicked off, today marks the release of one of the buzziest titles from last year’s festival. We’re talking about none other than one of the two Steven Soderbergh movies to see the light of day (well, actually the silver screen), the technically ingenious, thematically spooky Presence ! Our guest today is someone who you might know from TV shows such as This Is Us or The Knick , and films like Guardians of the Galaxy Vol. 2 . In Soderbergh’s newest, actor Chris Sullivan plays a husband to Lucy Liu, and a father to Callina Liang and Eddy Maday. Chris not only shares a name with his character in Presence , but is also a recent father of two, who spoke to us about his experience on the project in general, and didn’t shy away from discussing the technicalities of the film in detail either!…
As far as the art of cinematography goes, few are as accomplished or, dare I say, as revered as Edward Lachman. A frequent collaborator with Todd Haynes and a former partner to Paul Schrader and Steven Soderbergh, Ed has left an indelible mark on the craft. Today, we’re discussing Maria , the Angelina Jolie-led drama that marks Ed’s second collaboration with Chilean auteur Pablo Larraín following El Conde . The film, centered on the infamous opera singer’s final days, came with its share of challenges, demanding but, as you might expect, solvable. In our conversation, Ed reflects on his steadfast commitment to shooting on film, shares insights into the largely Budapest-based production, and reveals what keeps drawing him back to certain creative partnerships. (Photo credit: Pax Jolie-Pitt / Netflix)…
It’s one thing to make a film about tragic historical events, but it’s another to depict them gracefully and objectively. This is exactly what director Tim Fehlbaum, his crew, and the stellar ensemble of Peter Sarsgaard, John Magaro, Ben Chaplin, and Leonie Benesch set out to do in the movie September 5 . During our sit-down with Tim, he shared what led him to his third feature, his connection to the 1972 Munich events, his approach to directing this incredibly talented cast, and the complexities of the emotional and technical sides of the story. (Photo credit: Jürgen Olczyk / Paramount Pictures)…
Very few actors possess the level of versatility and underappreciation as Shea Whigham. From starring in indie gems like Wristcutters: A Love Story and Take Shelter to blockbuster franchises such as Mission: Impossible and acclaimed TV shows like Boardwalk Empire , Shea’s range is undeniable. Last June marked the Tribeca premiere of his team-up with Carrie Coon for Jeffrey Reiner’s crime dramedy Lake George , where Shea plays Don, a white-collar ex-convict who forms an unlikely alliance with Phyllis, played by Coon. We can also see Shea in 2025’s first major Netflix release, the miniseries American Primeval , where he portrays yet another vastly different character, Jim Bridger, a 19th century historical figure. Shea and Áron dive into topics like taste, the parallels and contrasts between Don and Jim, the character work behind both roles, and the one question he just had to ask Anthony Hopkins while shooting Joel Schumacher's Bad Company . (Photo credit: Daniel Prakopcyk)…
You probably know by now that we wouldn’t even risk not talking about the unexpected yet glorious return of VistaVision, with none other than The Brutalist cinematographer Lol Crawley! Brady Corbet’s third feature’s been the talk of the town ever since it’s buzzy Venice premiere and Silver Lion win. Lol tells us not only about his approach to photographing buildings, but what makes his collaboration with Brady go, and we even try to define the undefinable: beauty. (Photo: Courtesy of A24)…
Our coverage of one of 2024's most masterfully crafted films wouldn’t be complete without the mind responsible for executing its extraordinary visual language. So, with that, we present our breakdown of Nickel Boys , featuring cinematographer Jomo Fray. Among other things, Jomo tells us about how he is choosing projects, the evolution of the film’s unique look and the creative process behind it, as well as the subsequently obvious, yet unexpected challenges the team faced along the way.…
2024's final episode features cinematographer Rina Yang, who joins us to discuss her work on The Fire Inside , the debut feature from cinematographer-turned-director Rachel Morrison. In our chat, we dig into the challenges of capturing the inspiring yet painfully real story of boxer Claressa Shields, from adapting to the Flint, Michigan setting to incorporating different lighting techniques into the story and production. Rina also shares insights on avoiding sport biopic clichés, creating an authentic visual language, and the connections between her and Shields’ journey. (Photo credit: Tram Kolluri / MGM Studios)…
The Peanut Butter Falcon , you remember that one, right? Well, the directing duo of Michael Schwartz and Tyler Nilson are back with Los Frikis ! And what’s more punk than staying in the world of indies instead of chasing a big studio deal? In our in-depth conversation with the two, we dive into the creative decisions behind their follow-up to their debut feature, their choice to take a universal story to early ‘90s Cuba, and the ever-evolving (but not always for the better) landscape of independent moviemaking. (Photo credits: David Alan Harvey / Los Frikis)…
We don't talk enough about the cinematography of documentaries. But we should. And this time, we did. Daughters premiered in January at Sundance and was released on Netflix in August. The film, co-directed by Natalie Rae and Angela Patton, centers on and follows four young girls preparing for a special Daddy-Daughter Dance with their incarcerated fathers. This event is part of a unique fatherhood program in a Washington, D.C. jail. For most of these girls, the dance is their only opportunity to touch or hug their fathers during sentences that, in some cases, span as long as 20 years. A film this heartfelt calls for an equally compelling conversation, and Michael Cambio Fernandez, the documentary's cinematographer, delivered exactly that. In our chat, Cambio walks us through not only his early works but also his life before becoming a cinematographer, his involvement in Daughters , how he navigated its most challenging moments, and how he found the balance between the intentional and unexpected directions the story took.…
The series adaptation of Gabriel García Márquez’s One Hundred Years of Solitude has captivated audiences for a week now in its highly anticipated series adaptation. While a story of this scale requires time to fully absorb, we’ve got a little “nudge” to help you dive deeper: our interview with the TV show’s cinematographers, Maria Sarasvati Herrera and Paulo Perez. In this conversation, they take us behind the scenes, sharing not only the journey of bringing the show to life but also their personal reflections on reading the novel and envisioning its world, plus cross-border heritage.…
To start the week strong, we sit down with cinematographer Markus Förderer and production designer Julian M. Wagner to discuss their work on Tim Fehlbaum’s September 5 . The duo shares their initial reactions to the script, how they approached the sensitive subject of the Munich massacre, and the extensive research that went into their technical and material decisions, in order to ensure that the gravity of the event is honored with precision.…
After its world premiere in late August at the Telluride Film Festival, the adaptation of Colson Whitehead’s 2019 novel, Nickel Boys has taken festivals, awards season, and audiences by storm over the past few months. We had the opportunity to sit down with writer-director RaMell Ross after a screening and Q&A of the film at the Camerimage Festival, where it played as part of the Directors’ Debut Competition. Then, a week before RaMell’s masterpiece (yes, you read that right) releases in a limited number of theaters, we connected with the two leads, Ethan Herisse and Brandon Wilson, who portray Elwood and Turner in the acclaimed film. Our conversations with the three of them cover the crucial topic of the film’s visual language, both behind and in front of the camera, along with the unexpected challenges and the weight of the responsibility that comes with striving for authenticity. (Photo credits: L. Kasimu Harris / Orion Pictures / Amazon Studios)…
Our coverage of Sing Sing is far from over! Why would it be? Awards season has just begun! This week, we’re joined by the film’s co-writer and producer, Clint Bentley. After his feature directorial debut, Jockey , Clint passed the director’s chair to his longtime collaborator, Greg Kwedar. In our conversation with Clint, we explored his and Greg’s working relationship, its dynamics, the delicacy and profound impact of Sing Sing , and the many ways art can help us heal and survive.…
After lensing one of last year’s most unexpected yet remarkable double-feature pairings - Barbie and Killers of the Flower Moon - Rodrigo Prieto, widely regarded as one of his generation’s finest cinematographers, brings us his feature directorial debut, Pedro Páramo . This time around on the show, we had the privilege of sitting down with Rodrigo at Camerimage, the world’s No1 festival dedicated to the art of cinematography. During our conversation, we talk about the experience of adapting one's favorite book into a feature-length project, navigating the fears and pressures that come with it, and the power images hold. (Photo credit: Juan Rosas / Netflix)…
Following the widely successful stage production of August Wilson’s The Piano Lesson , Malcolm Washington has chosen the story as his feature directorial debut, with the film produced by his father, Denzel Washington, and Netflix. Three actors reprise their roles from the stage production, bringing their immense talent to the screen: Samuel L. Jackson, John David Washington, and, last but not least, today’s guest, Ray Fisher! Ray was kind enough to join us on the show to discuss the evolution of his relationship with the character of Lymon, the importance of the collaborators and peers who surround him, and his journey through the ever-changing waves of the entertainment industry. (Photo credit: David Lee / Netflix)…
Without a doubt one of 2024’s biggest cinematic events is The Substance . Coralie Fargeat’s body horror premiered at this year’s Cannes Film Festival to great critical acclaim and has been gathering more and more attention ever since. We managed to sit down with the film’s cinematographer Benjamin Kračun for an interview. If you’ve seen the film, you surely know just how gripping it looks and feels. The Substance has a very distinct visual style, and Ben was kind enough to share some behind the scenes looks on prepping, shooting, and working with Coralie. During our discussion we go through how they planned to differentiate the two main characters with lighting and colors, how the story set in LA was actually shot in France, and of course, the extreme body horror elements.…
Despite Sean Baker’s impressive track record, his seventh feature, Anora , might be what brings him the next level of critical- and, more importantly, commercial- success. Baker, who shoots his projects on film, reteamed with DoP Drew Daniels for the second time after Red Rocket . Drew, whose work you might know from projects such as Waves or It Comes at Night (both directed by Trey Edward Shults), was kind enough to join us for an extensive conversation and gave a detailed rundown of the challenges posed by circumstances and other factors while filming Anora , as well as the synergy between him and Sean.…
If you're wondering what legendary director Sam Raimi is up to these days (besides prepping his next project Send Help , rumored to star Rachel McAdams), he’s busy producing films. His latest project is Don’t Move , directed by Brian Netto and Adam Schindler, and headlined by Kelsey Asbille. In our conversation with Type AB, we touch on the duo's directing history, the production set in Bulgaria, and the thematic exploration of distances within the story and its characters. (Photo credit: Vladislav Lepoev / Netflix)…
Spending too much time within the confines of your home, in front of your computer, might lead some to tell you to “touch some grass”. But what do you do when that’s not an option? You touch others’ hearts in the world of World of Warcraft and make a difference in the digital world that translates into the real one. That’s exactly what Mats 'Ibelin' Steen did during his short yet impactful life. His story came to life in director Benjamin Ree's genre-bending documentary The Remarkable Life of Ibelin . In our interview with Benjamin, we dive deep into both the emotional and technological sides of crafting this touching story, which reveals the unexpected surprises a physically and temporally limited life can hold. (Photos: Courtesy of Benjamin Ree & Netflix)…
No story is easy to tell, and you can always complicate it for yourself, but that might be beneficial for your purpose. Taking on the conflicting institution of fraternities presented a similar challenge for first-time director Ethan Berger, who remained committed to his vision and wasn’t afraid to make changes to his script as time passed and life evolved. Ethan’s film, along with our conversation with him, explores feelings of responsibility, the limits we push within ourselves and each other, and what the future might hold. (Photo credit: Courtesy of Empirical)…
A directorial debut is always a significant event, not just for the director, but for everyone involved in the project. And no film can truly succeed without a strong script, which is the case for Woman of the Hour , starring and directed by Anna Kendrick, and written by our next guest, Ian McDonald. In this episode, we explore the film, based on the true story of serial killer Rodney Alcala and his appearance on a televised dating show. Ian shares insights into his script's journey from page to screen, discusses the similarities shared between relationships in the '70s and today, and outlines the necessary changes made to the characters' personalities. (Photo credit: Courtesy of Julia Max)…
플레이어 FM에 오신것을 환영합니다!
플레이어 FM은 웹에서 고품질 팟캐스트를 검색하여 지금 바로 즐길 수 있도록 합니다. 최고의 팟캐스트 앱이며 Android, iPhone 및 웹에서도 작동합니다. 장치 간 구독 동기화를 위해 가입하세요.