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Trylove에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Trylove 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Episode 291: SAILOR SUIT AND MACHINE GUN (1981) with Blake Hester

1:15:29
 
공유
 

Manage episode 434037616 series 2996288
Trylove에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Trylove 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

With special guest Blake Hester!

When a secretive businessman passes away before he can be crowned chairman of a local yakuza family, his daughter — a precocious, disaffected schoolgirl — is suddenly thrust into the role. Surprised by her coronation but determined to restore the group’s good name, Izumi (Hiroko Yakushimaru) reluctantly assumes control of the once-great Medaka Family to close the power vacuum and fend off power plays from other local gangs with one thing in their sights: A missing bindle of heroin worth millions last held by Izumi’s father.

At first blush, Shinji Sōmai’s debut feature has all the makings of a fun, charismatic, compelling spin on yakuza stories. So why did it leave us wanting? It has a lot to do with the movie’s marketing, sure, but something tells us that our expectations weren’t the worst of its issues.

Find Blake…

References:

OtherProgramming #DCP

Follow us on Twitter at @trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Sailor Suit and Machine Gun (セーラー服と機関銃)" performed by Hiroko Yakushimaru from the SAILOR SUIT AND MACHINE GUN soundtrack.

Timestamps

0:00 - Episode 291: SAILOR SUIT AND MACHINE GUN (1981) with Blake Hester

6:16 - The episode actually starts

7:52 - The Patented Aaron Grossman Summary

9:29 - Whatever you’re expecting this movie to be, it’s not quite

22:31 - vs. pinku and other, more successful forms of Japanese exploitation cinema

26:53 - Hiroko Yakushimaru as Izumi

30:49 - The disconnect at the heart of this movie, focusing on futile masculinity, etc.

37:17 - The final act and where the movie really baffles

39:28 - What a “more successful” version of this movie might look like

52:09 - Why does this movie have such a cult following?

58:53 - To All the Loves We’ve Tried Before: 1981

1:01:29 - The Junk Drawer

  continue reading

301 에피소드

Artwork
icon공유
 
Manage episode 434037616 series 2996288
Trylove에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Trylove 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

With special guest Blake Hester!

When a secretive businessman passes away before he can be crowned chairman of a local yakuza family, his daughter — a precocious, disaffected schoolgirl — is suddenly thrust into the role. Surprised by her coronation but determined to restore the group’s good name, Izumi (Hiroko Yakushimaru) reluctantly assumes control of the once-great Medaka Family to close the power vacuum and fend off power plays from other local gangs with one thing in their sights: A missing bindle of heroin worth millions last held by Izumi’s father.

At first blush, Shinji Sōmai’s debut feature has all the makings of a fun, charismatic, compelling spin on yakuza stories. So why did it leave us wanting? It has a lot to do with the movie’s marketing, sure, but something tells us that our expectations weren’t the worst of its issues.

Find Blake…

References:

OtherProgramming #DCP

Follow us on Twitter at @trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Sailor Suit and Machine Gun (セーラー服と機関銃)" performed by Hiroko Yakushimaru from the SAILOR SUIT AND MACHINE GUN soundtrack.

Timestamps

0:00 - Episode 291: SAILOR SUIT AND MACHINE GUN (1981) with Blake Hester

6:16 - The episode actually starts

7:52 - The Patented Aaron Grossman Summary

9:29 - Whatever you’re expecting this movie to be, it’s not quite

22:31 - vs. pinku and other, more successful forms of Japanese exploitation cinema

26:53 - Hiroko Yakushimaru as Izumi

30:49 - The disconnect at the heart of this movie, focusing on futile masculinity, etc.

37:17 - The final act and where the movie really baffles

39:28 - What a “more successful” version of this movie might look like

52:09 - Why does this movie have such a cult following?

58:53 - To All the Loves We’ve Tried Before: 1981

1:01:29 - The Junk Drawer

  continue reading

301 에피소드

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