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This Cultural Life
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Manage series 2997761
BBC and BBC Radio 4에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 BBC and BBC Radio 4 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In-depth conversations with some of the world's leading artists and creatives across theatre, visual arts, music, dance, film and more. Hosted by John Wilson.
119 에피소드
모두 재생(하지 않음)으로 표시
Manage series 2997761
BBC and BBC Radio 4에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 BBC and BBC Radio 4 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In-depth conversations with some of the world's leading artists and creatives across theatre, visual arts, music, dance, film and more. Hosted by John Wilson.
119 에피소드
모든 에피소드
×The internationally acclaimed and hugely influential artist Theaster Gates was born, raised and works in Chicago. He trained as a ceramicist, and still makes pottery, but it’s just one part of a diverse artistic output that also includes painting, sculpture and vast installations, in works which often explore the black experience in contemporary America. He is best known for redeveloping derelict buildings for community projects, using art to transform run-down neighbourhoods of his city. A recipient of the prestigious Artes Mundi Prize, Gates is a professor at the University of Chicago and received the French government’s prestigious Légion d’Honneur. Theaster Gates is part of the creative team behind the Barack Obama Presidential Centre currently under construction in Chicago. In 2022 he created the annual Serpentine Pavilion in London, a piece called Black Chapel which was conceived as a monument to his father. His most recent exhibition is 1965: Malcolm in Winter: A Translation Exercise at White Cube gallery. Theaster Gates tells John Wilson about the influence of his family upbringing. The youngest of nine siblings, and the only boy, he recalls assisting his father as he worked as a roofer. Later, when he was an established artist, and having inherited his father's tools and tar kettle, Theaster began to make paintings using hot bitumen in tribute to his father's labour. He also explains how, as a high achieving pupil, he was 'bussed' to a predominantly white school far from his home neighbourhood, and benefited from cultural opportunities that he may not have received otherwise. He also chooses the experience of spending a year in Japan learning ancient pottery techniques, and beginning his practise as a ceramicist. Producer Edwina Pitman…
The premiere of David Hare’s play Plenty at the National Theatre in 1978 marked him out as one of the UK’s most skilled and socially conscious playwrights. Plenty transferred to Broadway, Hare adapted it into a film starring Meryl Streep, and in the following years he became known as a writer for whom the political and the personal are deeply entwined. Often referred to as Britain’s pre-eminent ‘state of the nation playwright’, his plays in the 1980s examined a wide range of social and political issues, including the Church of England in Racing Demon, the judiciary in Murmuring Judges and party politics in The Absence of War. He tackled international geopolitics in Via Dolorosa - about the Israeli-Palestinian conflict - and the invasion of Iraq with Stuff Happens and the Vertical Hour. Equally skilled as a screenwriter, his film screenplays for The Hours and The Reader saw him twice nominated for Academy Awards. David Hare was knighted in 1998 for ‘services to theatre’. He talks to John Wilson about how his lower-middle class background and family life in Bexhill-on-Sea stimulated his imagination. He pays tribute to some of the most formative people in his life: his Cambridge university tutor, the Welsh writer and academic Raymond Williams, whose maxim that ‘culture is ordinary’ had a profound effect on his life as a writer; the actress Kate Nelligan, who starred in several of Hare's plays, including Plenty; and his wife Nicole Farhi who, he says, transformed his idea of himself and who inadvertently helped inspire one of his best loved plays, Skylight. Producer: Edwina Pitman…
Born and raised in south London, Cynthia Erivo made her name with musical theatre in London, starring in shows including The Umbrellas Of Cherbourg and Sister Act. In 2015 she became a Broadway star and won Tony, Emmy and Grammy awards for her role in The Color Purple, the musical adaptation of the Alice Walker novel which had transferred from London. Her screen acting credits include the title role in Harriet, about the 19th century abolitionist and campaigner Harriet Tubman, a film which earned her two Academy Award nominations, including for Best Actress. Oscar nominated again for her lead role in the musical film Wicked, she became the first black British woman to receive multiple Academy award nominations for acting. An acclaimed singer, she performed a solo show of songs made famous by female artists including Aretha Franklin, Etta James and Barbra Streisand at the 2022 BBC Proms. Cynthia Erivo tells John Wilson about the influence of her Nigerian born mother, who raised her as a single mum. She remembers two mentors who encouraged her to perform at at young age; school music teacher Helen Rycroft, and Rae McKen who ran a local drama club. Cynthia recalls winning a place at the prestigious drama school RADA, and returning to become Vice President of the institution last year. She talks about the emotional pressures she underwent on playing Celie in The Color Purple, a story of abuse and survival, and how the themes of prejudice and acceptance explored in the musical Wicked, resonated so strongly with her. Cynthia also chooses the 2015 Alexander McQueen exhibition Savage Beauty at the V&A as a inspiring creative moment, and discusses her love of glamorous fashion. Producer: Edwina Pitman…
American conductor Marin Alsop was the first woman to lead major orchestras in the UK, South America and in the United States, becoming principal conductor of the Baltimore Symphony Orchestra in 2007. Nominated for Grammy Awards five times, in 2013 she became the first ever woman to lead the Last Night Of The Proms, and is now regarded as one of the greatest conductors in the world. She talks to John Wilson about her professional musician parents who nurtured her love of music and supported her career choice from the age of 9 when she first revealed she wanted to be a conductor. Marin also talks about Leonard Bernstein, the great American composer and conductor, who inspired her ambitions and later became a mentor to her. She also chooses Carl Jung's work The Archetypes and the Collective Unconscious, and explains how his theories have helped her in leading orchestras around the world. Producer: Edwina Pitman Music and archive used: Serenade in C major for String Orchestra, Op. 48; Valse, Pyotr Ilyich Tchaikovsky, New York City Ballet Orchestra, 1986 Irish Spring commercial: "Clean as a Whistle" 1980 Leonard Bernstein, Young People's Concerts: "What is Classical Music?", CBS Television, 24 January 1959 Omnibus: Leonard Bernstein's West Side Story, BBC2, 10 May 1985 Archive of Leonard Bernstein and Marin Alsop at the Schleswig-Holstein Musik Festival, 1987 Leonard Bernstein, Young People's Concerts: "What Does Music Mean?", CBS Television, 18 January 1958 Archive of OrchKids concert, Baltimore Symphony Orchestra Woman's Hour, BBC Radio 4, 26 July, 2005 Rhapsody in Blue, George Gershwin, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop Last Night of the Proms, BBC1, 7 September 2013 Symphony No. 2 in C Minor, "Resurrection", Gustav Mahler, Polish National Radio Symphony Orchestra, Marin Alsop…
Having worked as a BBC television journalist, and as political editor for the Observer newspaper, Robert Harris published his debut novel Fatherland in 1992. A counterfactual story set in the 1960s that imagines Nazi Germany had won the Second World War, the book was a global bestseller. Since then Robert Harris has written 15 novels, mainly historical fiction which ranges from the ancient Roman politics of Pompeii and his Cicero trilogy, to the Restoration era manhunt of Act Of Oblivion, and Papal thriller Conclave. His most recent novel Precipice is about the romantic relationship between prime minister Herbert Asquith young socialite Venetia Stanley during the First World War. Robert Harris tells John Wilson about how reading The Origins of the Second World War by the historian A. J. P. Taylor, as a teenager ignited his interest in looking at history from perspectives that challenge the accepted narratives. Later, reading both the fiction and non-fiction of George Orwell inspired him to attempt to make writing about politics into an art form, as Orwell had done in works including 1984. Producer: Edwina Pitman Archive used: Did Hitler Cause The War?, BBC1, 9 July 1961 The Hitler Diaries, Newsnight, BBC2, 8 July 1985 Reading from Fatherland, Robert Harris Reading from 1984, George Orwell, BBC Radio 4, 2 January 1984 Reading from The Ghost, Robert Harris…
James Ivory formed the filmmaking company Merchant Ivory with producer Ismail Merchant and the writer Ruth Prawer Jhabvala in 1961. The company went on to produce over 40 films and became synonymous with a particular sumptuous movie genre in the 80s and 90s, often adapted from literary classics. Merchant Ivory won awards and acclaim for A Room With A View, Howard’s End, The Remains Of The Day and many more. In 2018, at the age of 89, James Ivory became the oldest ever winner of an Academy Award. Having been nominated three times previously for best director, he won the best adapted screenplay Oscar for the coming-of-age drama Call Me By Your Name. Now 96 years old, James Ivory recalls his upbringing in Oregon, the son of a timber merchant. He says that seeing Gone With the Wind soon after the film had first been released in 1939 was a formative moment in his love of cinema. Having initially studied architecture, he enrolled at the University of California to study cinema and began making short films. It was during a trip to India that he first became fascinated with the country and was introduced to the great Indian filmmaker Satyajit Ray, who was a hugely influential figure. James Ivory also talks about the unique relationship he had with Ismail Merchant and Ruth Jhabvala whom he describes as his "life's partners". Producer: Edwina Pitman…
Chilean author Isabel Allende became an international literary star after the publication of her 1982 debut novel The House Of the Spirits, an epic family saga set amidst violent political upheavals. Since then she has written 21 novels and five works of non-fiction, and has sold over 80 million copies worldwide. Isabel Allende tells John Wilson about her upbringing in Santiago and how, after her parents split, her grandfather became a hugely influential figure in her life, encouraging her love of storytelling. She recalls reading the classic Middle Eastern folktales the Thousand and One Nights aged 14 and explains how the themes of love, magic and fantasy, inspired her own fiction later in life. Isabel also discusses her relationship with Salvador Allende, her father’s cousin, who served as President of Chile for three years until he died during the coup of 1973. Having worked as a journalist and broadcaster, she felt increasingly unsafe under the rule of the military junta led by General Pinochet and fought refuge with her family in Venezuela. It was during a 13 year exile from her homeland that she began writing The House Of The Spirits, initially as a series of letters to her elderly grandfather in Chile. In 1992 Isabel Allende’s daughter Paula tragically died aged 29 having fallen ill and been in a coma for a year. Isabel recalls how she channel her grief, and celebrated her daughter’s life, in the bestselling memoir Paula. Producer: Edwina Pitman…
Thelma Schoonmaker has, for over five decades, been Martin Scorsese’s cutting room collaborator. Having edited his first feature film in 1967, she has worked on every Scorsese movie since Raging Bull, including Goodfellas, Casino, The Departed, Wolf Of Wall Street, right up to his most recent features The Irishman and Killers Of The Flower Moon. As the widow of the legendary British filmmaker Michael Powell, she has also played a key role in the restoration of classic Powell and Pressburger films including The Red Shoes, Black Narcissus and A Matter Of Life And Death. Thelma Schoonmaker has won three Academy Awards, more than any other film editor. Thelma tells John Wilson how enrolling on a six week film making course as a young graduate in New York led to her meeting and helping Martin Scorsese edit a short film he was making. He then asked her to edit his 1967 feature film debut, Who's That Knocking at My Door and their partnership began in earnest. She recalls how she and Scorsese were part of the editing team on Michael Wadleigh's music festival documentary, Woodstock for which she received her first an Oscar nomination for Best Film Editing - the first documentary ever to be nominated in that category. Thelma reveals the process of working with Scorsese in the cutting room and how, through him, she met her late husband Michael Powell, whose films with Emeric Pressburger, both she and Scorsese had so admired from childhood. Producer: Edwina Pitman Archive and music used: The Red Shoes, Powell & Pressburger, 1948 Who's That Knocking at My Door, Martin Scorsese, 1967 I Can't Explain, The Who, Live at Woodstock, 1969 See Me. Feel Me, The Who, Live at Woodstock, 1969 Star Spangled Banner, Jimi Hendrix, Live at Woodstock, 1969 Raging Bull, Martin Scorsese, 1980 Cutting Edge: The Magic of Movie-editing, BBC4, 30 August 2005 Passion: Music for The Last Temptation of Christ, Peter Gabriel Sunshine of Your Love, Cream Intermezzo from Cavalleria Rusticana, Pietro Mascagni Love Is Strange, Mickey & Sylvia Layla, Derek & The Dominos A Matter of Life and Death, Powell & Pressburger, 1946 Michael and Martin, BBC Radio 4, 30 June 2005…
A star of stage and screen, Bill Nighy has enjoyed a fifty year career and is now among Britain’s most prolific and much loved actors. Acclaimed for National Theatre roles in plays by David Hare and Tom Stoppard, his popular appeal lies with scene-stealing appearances in films including Pirates Of The Caribbean, Harry Potter and, most famously, Love Actually. Bill Nighy has won Bafta and Golden Globe awards and was Oscar nominated for his starring role in the 2022 historical drama Living. His most recent film is Joy in which he plays obstetrician Patrick Steptoe, one of the pioneers of fertility treatment. Bill Nighy talks to John Wilson about some of the earliest influences on his career including a school drama teacher. He also recalls joining the Liverpool Everyman rep company in the 1970s and the influence of playwright David Hare who cast him in many of his works including Pravda, The Vertical Hour and Skylight. Producer: Edwina Pitman…
Theatre, opera and film director Julie Taymor is regarded as one of the most imaginative directors and designers working today. Her stage version of the Lion King is the highest grossing show in Broadway history, having made nearly $2 billion, and it recently marked its 25th year in London. The Lion King Julie two Tony Awards, including for best director of a musical in 1997, making her the first woman to do so. Julie Taymor has told Shakespearean stories on stage and the big screen including Titus, starring Anthony Hopkins and The Tempest with Helen Mirren. Her film credits also include Frida, a biopic of painter Frida Kahlo, and the Beatles jukebox musical movie Across The Universe. She tells John Wilson how seeing Rashomon, Akira Kurosawa's 1950 film, as a teenager, was a formative cultural experience. Kurosawa's ingenious approach to narrative opened her eyes for the first time about the possibilities of innovative storytelling. She also recalls how her travels around Indonesia and Bali after graduation, and in particular, witnessing a ceremony in the isolated Balinese village of Trunyan have had a profound impact on her work as a designer and director. Julie reveals how she came up with the ground-breaking concept and some of the designs for the stage version of Disney's The Lion King. She also gives her opinion on some of the difficulties faced by the ill-fated Broadway musical Spider Man: Turn Off The Dark, on which she was co-writer and director until being replaced during its previews. The production, which featured music and lyrics by Bono and The Edge of U2, was ridden with technical and financial problems, and resulted in several legal disputes. Producer: Edwina Pitman…
Novelist, playwright and screenwriter Hanif Kureishi's first screenplay, My Beautiful Launderette brought him Oscar and BAFTA nominations in 1985. Five years later his debut novel The Buddha Of Suburbia, set amidst the social divisions of mid 70’s Britain, became a bestseller and was adapted as a BBC television series. After eleven screenplays including My Son The Fanatic, Venus and The Mother, and nine novels, including Intimacy and the Black Album, his latest book is a memoir called Shattered. It records the year he spent in hospital after a fall on Boxing Day 2022 which has left him paralysed. Hanif talks to John Wilson about the influence of his father, also a writer, who in part inspired his debut novel The Buddha Of Suburbia. He also talks about the influence of Freudian analysis on his writing and how he is coping with the effects of his life-changing accident. Producer: Edwina Pitman…
Nile Rodgers is one of the most successful and influential figures in popular music. As a songwriter, producer and arranger he has enjoyed a 50 year career with his bands Chic and Sister Sledge, and collaborations with artists including Diana Ross, David Bowie, Duran Duran, Madonna, Daft Punk and Beyoncé. Bringing his 1959 Fender Stratocaster guitar to the This Cultural Life studio, Nile tells John Wilson how the instrument has been the bedrock of almost every record that he worked on, and acquiring the nickname 'The Hitmaker'. He discusses his bohemian upbringing in 1950s New York with his mother and stepfather who were both drug users. He chooses as one of his most important influences his jazz guitar tutor Ted Dunbar who taught him not only about musical technique but also how to appreciate the artistry of a hit tune. “It speaks to the souls of a million strangers” he was told. Nile Rodgers reminisces about his musical partner Bernard Edwards, with whom he set up the Chic Organisation after the pair first met on the club circuit playing with cover bands. He discusses their song writing techniques and the importance of what they called ‘deep hidden meaning’ in lyrics. He also reflects on the untimely death of Bernard Edwards in 1996 shortly after he played a gig with Nile in Tokyo, and why he continues to pay musical tribute to his friend in his globally-touring stage show which includes the songs of Chic and other artists they worked with. Producer: Edwina Pitman…
The novelist, biographer and critic Dame Margaret Drabble published her debut novel in 1963. She quickly went on to become a bestselling and critically acclaimed chronicler of the lives of modern women in a series of contemporary realist stories, often based on her own life and experiences. Her 19 novels include The Millstone, The Waterfall, The Ice Age and The Radiant Way, and her non-fiction includes books on Thomas Hardy, William Wordsworth and Arnold Bennett. She has also edited the Oxford Companion to English Literature. Dame Margaret tells John Wilson about her upbringing in Sheffield and how winning a scholarship to Newnham College, Cambridge, shaped her literary tastes. It was there that she heard the lectures of the academic F R Leavis and first discovered contemporary novels by Angus Wilson and Saul Bellow. She became an actress and worked for the Royal Shakespeare Company before her first novel, A Summer Birdcage, the story of the relationship between two sisters, was published in 1963. She recalls how her literary career began in the wings of the RSC and talks candidly about her often strained relationship with her older sister, the late novelist A S Byatt. Dame Margaret also discusses the influence of her friend, the Nobel Prize-winning author Doris Lessing. Producer: Edwina Pitman…
For over more than five decades the Serbian conceptual and performance artist Marina Abramović has used her own body as her artistic medium, exploring the human condition in works that are often feats of endurance, exhaustion and pain. From her earliest works such as Rhythm 0, in which Abramović invited audiences to freely interact with her however they chose, to her long-durational work The Artist is Present, she has put herself in danger at the mercy of audiences all in the name of art. Abramović talks to John Wilson about her unhappy childhood in the former Yugoslavia with strict parents who had both been war heroes. She recalls how at age 14, a dangerous game of Russian roulette led her to Dostoevsky's novel The Idiot and how the book and its author's life sparked her creative imagination. She also reveals how two films, Alain Resnais' enigmatic 1961 French New Wave classic Last Year at Marienbad, and Pier Paolo Pasolini's 1968 movie Teorema, starring Terence Stamp, have inspired aspects of her work. Producer: Edwina Pitman…
Having started out as a current affairs journalist, Peter Kosminsky made his name by telling contemporary social and political stories in the form of television drama. Warriors was about British soldiers in the peace-keeping force in Bosnia; The Government Inspector dramatised the events surrounding the death of Dr David Kelly; The State explored the radicalisation of British Islamists. Kosminsky is also acclaimed for his television adaptations of Hilary Mantel’s Wolf Hall trilogy. He has won six BAFTA Awards, including one for his outstanding contribution to British television. Peter talks to John Wilson about the huge influence of his parents. He recalls how his left wing father and his mother who had been a kindertransport child, shaped his interest social justice from the perspective of the outsider, the refugee and the disenfranchised. Seeing Ken Loach's 1975 BBC television drama Days of Hope was a another turning point, and revealed to the 18 year old Kosminsky, the huge emotional power of the medium of television drama. He also explains how a letter from a British soldier in response to his 1999 drama Warriors led to his acclaimed and controversial Channel 4 series The Promise, 11 years later. Producer: Edwina Pitman…
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