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Maureen Holloway and Wendy Mesley, Maureen Holloway, and Wendy Mesley에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Maureen Holloway and Wendy Mesley, Maureen Holloway, and Wendy Mesley 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Tassie Cameron: Law and Order Toronto

29:59
 
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Manage episode 407720509 series 3425756
Maureen Holloway and Wendy Mesley, Maureen Holloway, and Wendy Mesley에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Maureen Holloway and Wendy Mesley, Maureen Holloway, and Wendy Mesley 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

When Tassie Cameron first saw the opening credits for Law and Order Toronto: Criminal Intent, complete with the iconic DUN DUN sound effect, she felt a shiver up her spine. It was Cameron who was entrusted with the legendary series’ first foray beyond American borders, serving as show runner and head writer for the Canadian franchise. Tassie says Toronto is a natural fit, with its diverse population, distinct neighbourhoods and yes, rampant crime scene. There are differences, however, in our criminal justice system, and those can pose a challenge, along with the demanding responsibility to get the show right.

Tassie Cameron has a shiny resume, having written and produced a slew of award winning TV series such as Pretty Hard Cases, Flashpoint, Rookie Blue and Degrassi: The Next Generation. The daughter of crime reporter Stevie Cameron, Tassie grew up with the need to know whydunit as much as who. We talk about crime and corruption, using a Canadian cast and crew, and how Toronto is finally ready for its close-up.

You Can watch this episode on YouTube.

A Transcription of this episode is located on our episode page.

We love writing and would love for you to read what we write. Sign Up for our Substack Newsletter.

If you would like to support the show, we do have partner opportunities available. Please email Wendy and Maureen at womenofir@gmail.com

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

98 에피소드

Artwork
icon공유
 
Manage episode 407720509 series 3425756
Maureen Holloway and Wendy Mesley, Maureen Holloway, and Wendy Mesley에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Maureen Holloway and Wendy Mesley, Maureen Holloway, and Wendy Mesley 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

When Tassie Cameron first saw the opening credits for Law and Order Toronto: Criminal Intent, complete with the iconic DUN DUN sound effect, she felt a shiver up her spine. It was Cameron who was entrusted with the legendary series’ first foray beyond American borders, serving as show runner and head writer for the Canadian franchise. Tassie says Toronto is a natural fit, with its diverse population, distinct neighbourhoods and yes, rampant crime scene. There are differences, however, in our criminal justice system, and those can pose a challenge, along with the demanding responsibility to get the show right.

Tassie Cameron has a shiny resume, having written and produced a slew of award winning TV series such as Pretty Hard Cases, Flashpoint, Rookie Blue and Degrassi: The Next Generation. The daughter of crime reporter Stevie Cameron, Tassie grew up with the need to know whydunit as much as who. We talk about crime and corruption, using a Canadian cast and crew, and how Toronto is finally ready for its close-up.

You Can watch this episode on YouTube.

A Transcription of this episode is located on our episode page.

We love writing and would love for you to read what we write. Sign Up for our Substack Newsletter.

If you would like to support the show, we do have partner opportunities available. Please email Wendy and Maureen at womenofir@gmail.com

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

98 에피소드

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