Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Dave Holley and James Hall에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Dave Holley and James Hall 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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#3 The first propaganda record
Manage episode 259696566 series 2658950
Dave Holley and James Hall에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Dave Holley and James Hall 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In the early days of recorded sound, no one can quite figure out the purpose of gramophones. Are they serious bits of kit for replicating music or are they toys? Should gramophone discs play music or comedy or something else entirely? One man trying to work out this conundrum is an American actor called Russell Hunting. An eccentric hustler, Hunting invents an Irish comedy character called Michael Casey. He also puts out a series of lewd and obscene records populated by characters telling titillating stories, which become big in coin-slot booths in amusement arcades. But Hunting’s most meaningful contribution to the history of recorded sound comes when he travels to London in 1899 and makes a ‘descriptive record’ about the Boer War with Fred. The record, called The Departure of the Troopship, is a serious mini-drama and ranks as the first piece of recorded propaganda which, according to reports, “brought tears to the eyes of thousands”. The Departure of the Troopship suggests that despite Hunting’s more outrageous leanings he’s something of an accidental innovator.
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20 에피소드
Manage episode 259696566 series 2658950
Dave Holley and James Hall에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Dave Holley and James Hall 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In the early days of recorded sound, no one can quite figure out the purpose of gramophones. Are they serious bits of kit for replicating music or are they toys? Should gramophone discs play music or comedy or something else entirely? One man trying to work out this conundrum is an American actor called Russell Hunting. An eccentric hustler, Hunting invents an Irish comedy character called Michael Casey. He also puts out a series of lewd and obscene records populated by characters telling titillating stories, which become big in coin-slot booths in amusement arcades. But Hunting’s most meaningful contribution to the history of recorded sound comes when he travels to London in 1899 and makes a ‘descriptive record’ about the Boer War with Fred. The record, called The Departure of the Troopship, is a serious mini-drama and ranks as the first piece of recorded propaganda which, according to reports, “brought tears to the eyes of thousands”. The Departure of the Troopship suggests that despite Hunting’s more outrageous leanings he’s something of an accidental innovator.
…
continue reading
Hosted on Acast. See acast.com/privacy for more information.
20 에피소드
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