Artwork

The How NOT To Make A Movie Podcast에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 The How NOT To Make A Movie Podcast 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Player FM -팟 캐스트 앱
Player FM 앱으로 오프라인으로 전환하세요!

S3E14: When Crypt Went To London

1:12:28
 
공유
 

Manage episode 442049411 series 3587939
The How NOT To Make A Movie Podcast에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 The How NOT To Make A Movie Podcast 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
When Crypt went to London…

It sounded like a GREAT IDEA! In many ways, it was a great idea: take HBO’s iconic “TALES FROM THE CRYPT” to LONDON for its very last season! The great? We got to hire actors like EWAN MCGREGOR and DANIEL CRAIG and STEVE COOGAN and ELIZABETH MCGOVERN. And we got to shoot in the coolest locations – actual CASTLES and other CREEPY PLACES. But, there were big-assed problems in taking our LA-produced show to ENGLAND – where, frankly, they do things differently!

For starters, they drive on the other side of the road!

In LA, Crypt was a nomad, moving from warehouse space to warehouse space each season. In London, we planted ourselves at EALING STUDIOS – one of London’s oldest movie studios, a place with incredible history. There are plenty of wonderful GHOSTS walking around the Ealing sound stages!

Building sets in LA is relatively cheap. Not so in England. That’s why – unless we’re talking moves and shows that take place in the future which demand that you build sets and shoot on a studio lot – in England, you shoot on location. It took us a few episodes to learn that.

But, even when you learn that lesson – you still have to understand that Los Angeles and London are completely different cities from a movie-making perspective. Ironically, that’s in part because LA and London grew the same way – by sprawling in every damned direction.

Helping us tell the story of the year Crypt went to London are GREG MELTON and ED TAPIA. Both, of course, also are vets of the “Bordello Of Blood Experience”.

Greg is one of the best production designers working in Hollywood. Or London. In addition to creating Crypt’s look, Greg production designed THE WALKING DEAD. We’ll discuss the joys of working (and living) in London and the difficulties. Our cultures clashed repeatedly.

We’ve even got a few new Joel Silver stories (Joel visited us in London just as he visited us in Vancouver – with equally chaotic results).

So, kick back as we reminisce about the season “Tales From The Crypt” went to London.

Or, as the Crypt Keeper called it – “Scary, Olde England“.

  continue reading

151 에피소드

Artwork
icon공유
 
Manage episode 442049411 series 3587939
The How NOT To Make A Movie Podcast에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 The How NOT To Make A Movie Podcast 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
When Crypt went to London…

It sounded like a GREAT IDEA! In many ways, it was a great idea: take HBO’s iconic “TALES FROM THE CRYPT” to LONDON for its very last season! The great? We got to hire actors like EWAN MCGREGOR and DANIEL CRAIG and STEVE COOGAN and ELIZABETH MCGOVERN. And we got to shoot in the coolest locations – actual CASTLES and other CREEPY PLACES. But, there were big-assed problems in taking our LA-produced show to ENGLAND – where, frankly, they do things differently!

For starters, they drive on the other side of the road!

In LA, Crypt was a nomad, moving from warehouse space to warehouse space each season. In London, we planted ourselves at EALING STUDIOS – one of London’s oldest movie studios, a place with incredible history. There are plenty of wonderful GHOSTS walking around the Ealing sound stages!

Building sets in LA is relatively cheap. Not so in England. That’s why – unless we’re talking moves and shows that take place in the future which demand that you build sets and shoot on a studio lot – in England, you shoot on location. It took us a few episodes to learn that.

But, even when you learn that lesson – you still have to understand that Los Angeles and London are completely different cities from a movie-making perspective. Ironically, that’s in part because LA and London grew the same way – by sprawling in every damned direction.

Helping us tell the story of the year Crypt went to London are GREG MELTON and ED TAPIA. Both, of course, also are vets of the “Bordello Of Blood Experience”.

Greg is one of the best production designers working in Hollywood. Or London. In addition to creating Crypt’s look, Greg production designed THE WALKING DEAD. We’ll discuss the joys of working (and living) in London and the difficulties. Our cultures clashed repeatedly.

We’ve even got a few new Joel Silver stories (Joel visited us in London just as he visited us in Vancouver – with equally chaotic results).

So, kick back as we reminisce about the season “Tales From The Crypt” went to London.

Or, as the Crypt Keeper called it – “Scary, Olde England“.

  continue reading

151 에피소드

すべてのエピソード

×
 
Loading …

플레이어 FM에 오신것을 환영합니다!

플레이어 FM은 웹에서 고품질 팟캐스트를 검색하여 지금 바로 즐길 수 있도록 합니다. 최고의 팟캐스트 앱이며 Android, iPhone 및 웹에서도 작동합니다. 장치 간 구독 동기화를 위해 가입하세요.

 

빠른 참조 가이드