Artwork

The Bristol Cable에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 The Bristol Cable 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Player FM -팟 캐스트 앱
Player FM 앱으로 오프라인으로 전환하세요!

Bristol Unpacked - Watershed CEO Clare Reddington on cinema, class and council cuts

55:04
 
공유
 

Manage episode 433305333 series 3592144
The Bristol Cable에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 The Bristol Cable 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Listen: Bristol Unpacked with Watershed CEO Clare Reddington on cinema, class and council cuts


As Bristol City Council slashes spending on venues including arthouse cinema Watershed, Neil asks its boss Clare why funding the arts matters, and whether the sector's reputation as catering mainly to the well-heeled is justified.


Over the past year Clare Reddington, the chief executive of Bristol's flagship arthouse cinema Watershed, has not been shy about fighting her corner in the midst of a tough financial environment.

Back in the summer Clare, who has been at the venue for 20 years and in charge for four, sounded a warning that indie cinemas' business model was under threat from soaring inflation and the big streaming operators gobbling their market share. This month she blasted Bristol City Council bosses for lacking a "clear cultural strategy" after they cut funding from Watershed as well as other renowned arts centres including the Old Vic theatre.

With the cash-strapped local authority struggling to keep crucial services such as social care afloat, is this simply entitled moaning from a venue – and sector – seen by some as catering mainly to well-heeled cinephiles still able to afford £6 pints alongside their culture fix? Or does that viewpoint itself represent a bad case of inverted snobbery by suggesting that only the middle classes enjoy a bit of high art?

Why does it matter that the arts get funded, even while public services are getting sliced left, right and centre? Is the picture in Bristol really bleaker than in other provincial cities? And do the market pressures facing the wider cinema industry – which have seen big operators closing their doors here recently – present an opportunity for canny independents to grow their business and boost their inclusivity?

As 2023 draws to a close, join Neil and Clare for a wide-ranging chat over these issues in the final Bristol Unpacked of the year. We'll be returning right after the Christmas break for the rest of the season, so stay tuned.


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

44 에피소드

Artwork
icon공유
 
Manage episode 433305333 series 3592144
The Bristol Cable에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 The Bristol Cable 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Listen: Bristol Unpacked with Watershed CEO Clare Reddington on cinema, class and council cuts


As Bristol City Council slashes spending on venues including arthouse cinema Watershed, Neil asks its boss Clare why funding the arts matters, and whether the sector's reputation as catering mainly to the well-heeled is justified.


Over the past year Clare Reddington, the chief executive of Bristol's flagship arthouse cinema Watershed, has not been shy about fighting her corner in the midst of a tough financial environment.

Back in the summer Clare, who has been at the venue for 20 years and in charge for four, sounded a warning that indie cinemas' business model was under threat from soaring inflation and the big streaming operators gobbling their market share. This month she blasted Bristol City Council bosses for lacking a "clear cultural strategy" after they cut funding from Watershed as well as other renowned arts centres including the Old Vic theatre.

With the cash-strapped local authority struggling to keep crucial services such as social care afloat, is this simply entitled moaning from a venue – and sector – seen by some as catering mainly to well-heeled cinephiles still able to afford £6 pints alongside their culture fix? Or does that viewpoint itself represent a bad case of inverted snobbery by suggesting that only the middle classes enjoy a bit of high art?

Why does it matter that the arts get funded, even while public services are getting sliced left, right and centre? Is the picture in Bristol really bleaker than in other provincial cities? And do the market pressures facing the wider cinema industry – which have seen big operators closing their doors here recently – present an opportunity for canny independents to grow their business and boost their inclusivity?

As 2023 draws to a close, join Neil and Clare for a wide-ranging chat over these issues in the final Bristol Unpacked of the year. We'll be returning right after the Christmas break for the rest of the season, so stay tuned.


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

44 에피소드

همه قسمت ها

×
 
Loading …

플레이어 FM에 오신것을 환영합니다!

플레이어 FM은 웹에서 고품질 팟캐스트를 검색하여 지금 바로 즐길 수 있도록 합니다. 최고의 팟캐스트 앱이며 Android, iPhone 및 웹에서도 작동합니다. 장치 간 구독 동기화를 위해 가입하세요.

 

빠른 참조 가이드