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The Backstory: A media freedom podcast, World Association of Newspapers, and News Publishers에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 The Backstory: A media freedom podcast, World Association of Newspapers, and News Publishers 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Show me the money: Censorship + financial independence (The Backstory S1E2)

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Manage episode 199295477 series 1998982
The Backstory: A media freedom podcast, World Association of Newspapers, and News Publishers에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 The Backstory: A media freedom podcast, World Association of Newspapers, and News Publishers 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
How do you run an independent media organisation in a country where the government imposes censorship rules? How do you support a successful media company without folding to pressure from your funders or your sponsors? The internet has exploded traditional media funding models. And yet, in some parts of the world, legacy media - even print! - remain a strong source of independent information. How are these companies surviving? In this episode of The Backstory, WAN-IFRA Press Freedom Director, Andrew Heslop, meets some of them to find out: - Sonny Swe, founder and CEO of Black Knight Media Group and publisher of Frontier Myanmar magazine (https://frontiermyanmar.net/en) - Harlan Mandel, CEO of the Media Development Investment Fund, which invests in independent media organisations around the world (https://www.mdif.org/) - Fatemah Farag, founder and CEO of Welad ElBalad Media, a network of local newspapers in Egypt (https://www.weladelbalad.com) and MENA Director for WAN-IFRA’s Women in News Programme The Backstory production team includes Mariona Sanz, Colette Davidson and Sarah Elzas, who edited and mixed the episode. Music in this episode by Broke for Free (http://freemusicarchive.org/music/Broke_For_Free/Directionless_EP/Broke_For_Free_-_Directionless_EP_-_01_Night_Owl) and Lee Rosevere (http://freemusicarchive.org/music/Lee_Rosevere/Xeno/Lee_Rosevere_-_Xeno_-_05_Vertex)
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30 에피소드

Artwork
icon공유
 
Manage episode 199295477 series 1998982
The Backstory: A media freedom podcast, World Association of Newspapers, and News Publishers에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 The Backstory: A media freedom podcast, World Association of Newspapers, and News Publishers 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
How do you run an independent media organisation in a country where the government imposes censorship rules? How do you support a successful media company without folding to pressure from your funders or your sponsors? The internet has exploded traditional media funding models. And yet, in some parts of the world, legacy media - even print! - remain a strong source of independent information. How are these companies surviving? In this episode of The Backstory, WAN-IFRA Press Freedom Director, Andrew Heslop, meets some of them to find out: - Sonny Swe, founder and CEO of Black Knight Media Group and publisher of Frontier Myanmar magazine (https://frontiermyanmar.net/en) - Harlan Mandel, CEO of the Media Development Investment Fund, which invests in independent media organisations around the world (https://www.mdif.org/) - Fatemah Farag, founder and CEO of Welad ElBalad Media, a network of local newspapers in Egypt (https://www.weladelbalad.com) and MENA Director for WAN-IFRA’s Women in News Programme The Backstory production team includes Mariona Sanz, Colette Davidson and Sarah Elzas, who edited and mixed the episode. Music in this episode by Broke for Free (http://freemusicarchive.org/music/Broke_For_Free/Directionless_EP/Broke_For_Free_-_Directionless_EP_-_01_Night_Owl) and Lee Rosevere (http://freemusicarchive.org/music/Lee_Rosevere/Xeno/Lee_Rosevere_-_Xeno_-_05_Vertex)
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