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Terra Nova Collective에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Terra Nova Collective 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Hébert Leemans 5. Ambition

6:53
 
공유
 

Manage episode 417721826 series 3573705
Terra Nova Collective에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Terra Nova Collective 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

A man from Bruges in Paris
The remarkable career of Hébert Leemans.
Episode 5: Ambition
There was no shortage of Flemish migrants in Paris in the first half of the 18th century.
They were often skilled craftsmen, attracted by the largest market for luxury goods in Europe in what had been an era of peace, stability and economic development since the death of Louis XIV in 1715.

The Flemish migrants followed an age-old pattern, as they tended to live in the same neighbourhoods and to seek out each other’s company in various cafés and associations. Some of these were artists: Joseph Suvée (1743-1807), a painter from Bruges, won the prestigious Prix de Rome in 1771, defeating Jacques-Louis David at that time.

What was true for painters was also true for musicians.
Hébert Leemans, was originally a citizen of Bruges, as was his con- temporary Suvée; they both moved to the French capital at approximately the same time. Leemans was then to play a significant role in the development of the early French symphonic style.

www.terranovacollective.com

  continue reading

10 에피소드

Artwork
icon공유
 
Manage episode 417721826 series 3573705
Terra Nova Collective에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Terra Nova Collective 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

A man from Bruges in Paris
The remarkable career of Hébert Leemans.
Episode 5: Ambition
There was no shortage of Flemish migrants in Paris in the first half of the 18th century.
They were often skilled craftsmen, attracted by the largest market for luxury goods in Europe in what had been an era of peace, stability and economic development since the death of Louis XIV in 1715.

The Flemish migrants followed an age-old pattern, as they tended to live in the same neighbourhoods and to seek out each other’s company in various cafés and associations. Some of these were artists: Joseph Suvée (1743-1807), a painter from Bruges, won the prestigious Prix de Rome in 1771, defeating Jacques-Louis David at that time.

What was true for painters was also true for musicians.
Hébert Leemans, was originally a citizen of Bruges, as was his con- temporary Suvée; they both moved to the French capital at approximately the same time. Leemans was then to play a significant role in the development of the early French symphonic style.

www.terranovacollective.com

  continue reading

10 에피소드

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