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thetrueterminus에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 thetrueterminus 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Terminus Episode 134 - Paimon Gate, Bretwaldas of Heathen Doom, Nithing

2:03:29
 
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Manage episode 375549991 series 2830639
thetrueterminus에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 thetrueterminus 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

WE HAVE ARRIVED. Terminus is back from a lingering summer break with even more white-knuckle, pulse-pounding aktion as TDMG and TBMG once again plumb the depths of the underground, emerging with hands full of cursed jewels from the mines below. This time, it's a 2020 episode: weird records straight from the collective bowels of the metal scene, but all of them profoundly excellent in their own rights. And what would the return from break be without TDMG presenting more unlistenable brutal death? This time, it's courtesy of Nithing, whose debut full length scars the ear drums with channel-switching noise rock riffs and an attacking, undulating drum performance.

Our first full review hails the return of Paimon Gate, whose 2022 demo was highly lauded by both hosts. The full length followup is no sophomore slump, instead elevating Paimon Gate's already ferocious and rigorous presentation with further structural complexity and new, distinct riffing styles. TDMG really schizes out on this one, drawing comparisons to the eastern mysticism of the silent horror film era while announcing that The Riff Was Sick repeatedly. His enthusiasm, though, is not misplaced- Paimon Gate's opening salvo is a triumph within its beloved style of primitive US black/death.

The other side of the coin is abruptly flipped by TBMG, who presents Bretwaldas of Heathen Doom, a distinctly English band whose wide-reaching but naturalistic blend of doom, crust, black metal, and hard rock has the power to win over just about anyone. Bretwaldas play with the countours of time in genre, abutting 70s psych rock with Gravelandian warmongering with none of the sense of frivolity that such a description suggests. Without restraint but similarly without compromise, Bretwaldas weave together the seemingly disparate into a resolute and stoic whole.

0:00:00 - Intro/Nithing - Agonal Hymns (New Standard Elite)

0:25:30 - Paimon Gate - Butcher to The Devil’s Court (Nuclear War Now)

1:05:29 - Interlude - Bestial Raids - “Ceremonial Bloodshed” fr. Prime Evil Damnation (Nuclear War Now!, 2011)

1:09:35 - Bretwaldas of Heathen Doom - Summoning the Gatekeepers (Old Man’s Mettle)

1:55:34 - The Gates of Slumber - “Castle of The Devil” fr. The Wretch (Rise Above Records, 2011)

Terminus links:
Terminus on Youtube
Terminus on Patreon
Terminus on Instagram
Terminus on Facebook
[email protected]

  continue reading

101 에피소드

Artwork
icon공유
 
Manage episode 375549991 series 2830639
thetrueterminus에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 thetrueterminus 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

WE HAVE ARRIVED. Terminus is back from a lingering summer break with even more white-knuckle, pulse-pounding aktion as TDMG and TBMG once again plumb the depths of the underground, emerging with hands full of cursed jewels from the mines below. This time, it's a 2020 episode: weird records straight from the collective bowels of the metal scene, but all of them profoundly excellent in their own rights. And what would the return from break be without TDMG presenting more unlistenable brutal death? This time, it's courtesy of Nithing, whose debut full length scars the ear drums with channel-switching noise rock riffs and an attacking, undulating drum performance.

Our first full review hails the return of Paimon Gate, whose 2022 demo was highly lauded by both hosts. The full length followup is no sophomore slump, instead elevating Paimon Gate's already ferocious and rigorous presentation with further structural complexity and new, distinct riffing styles. TDMG really schizes out on this one, drawing comparisons to the eastern mysticism of the silent horror film era while announcing that The Riff Was Sick repeatedly. His enthusiasm, though, is not misplaced- Paimon Gate's opening salvo is a triumph within its beloved style of primitive US black/death.

The other side of the coin is abruptly flipped by TBMG, who presents Bretwaldas of Heathen Doom, a distinctly English band whose wide-reaching but naturalistic blend of doom, crust, black metal, and hard rock has the power to win over just about anyone. Bretwaldas play with the countours of time in genre, abutting 70s psych rock with Gravelandian warmongering with none of the sense of frivolity that such a description suggests. Without restraint but similarly without compromise, Bretwaldas weave together the seemingly disparate into a resolute and stoic whole.

0:00:00 - Intro/Nithing - Agonal Hymns (New Standard Elite)

0:25:30 - Paimon Gate - Butcher to The Devil’s Court (Nuclear War Now)

1:05:29 - Interlude - Bestial Raids - “Ceremonial Bloodshed” fr. Prime Evil Damnation (Nuclear War Now!, 2011)

1:09:35 - Bretwaldas of Heathen Doom - Summoning the Gatekeepers (Old Man’s Mettle)

1:55:34 - The Gates of Slumber - “Castle of The Devil” fr. The Wretch (Rise Above Records, 2011)

Terminus links:
Terminus on Youtube
Terminus on Patreon
Terminus on Instagram
Terminus on Facebook
[email protected]

  continue reading

101 에피소드

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