Charly Tate에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Charly Tate 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Ep. 47 – Ticketing Chaos Explained: Bots, Brokers & Bold Claims with Joel Schwartz What do Donald Trump, Kid Rock, and a 200% ticket guarantee have in common? They’re all part of the chaotic, misunderstood world of live event ticketing—and veteran ticket broker, founding member of the National Association of Ticket Brokers (NATB) and attorney, Joel Schwartz is here to discuss the current executive order and how it affects ticket brokers and fans. In this high-impact episode, we sit down with one of the original voices in ticket resale to break down what’s really driving the headlines. From political theater to pricing transparency, Schwartz shares insider stories from decades in the game—starting with Lions games in the '70s and stretching all the way to Super Bowl holdbacks, Taylor Swift meltdowns, and FTC policy shifts. In this episode, you'll learn: Why bots aren’t the real problem—and who actually is How “dynamic pricing” impact fans, travel planners, and the entire resale market What the new executive orders and pricing laws could mean for concerts, sports, and festivals How fans, brokers, and platforms can navigate an increasingly complex and competitive marketplace Whether you're a travel professional, ticketing insider, or just a fan tired of hidden fees and vanishing inventory, this episode delivers clarity, context, and a dose of hard truth. Follow us at @Tix2TravelPod on all platforms and subscribe wherever you get your podcasts. www.tttpod.com www.xpotravel.com…
Charly Tate에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Charly Tate 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
A musician, singer, songwriter and dreamer obsessed with soundscapes, deeper stuff and bright and shiny things. We're talking Queen, music in general and the human psyche.
Charly Tate에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Charly Tate 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
A musician, singer, songwriter and dreamer obsessed with soundscapes, deeper stuff and bright and shiny things. We're talking Queen, music in general and the human psyche.
When was the last time you allowed yourself to be yourself; and gave it away? I had a moment at my recent hair refresh appointment that both terrified and lifted me. And it gave me a new perspective on my previous podcast episode (which I'd contemplated deleting or editing).
In 2020, I embarked on a 30-day challenge to choose a favorite Queen song in various categories (favorite ballad, favorite album opener, etc.). I hadn't revisited that list in some time, and I thought it would be a blast to see if my selections still ring true. Bonus: I'd love to hear from you and find out some of your favorites! Drop me a line.…
Possibly one of the first Queen songs conceived, " My Fairy King " is Freddie's first epic song on their debut, and it's the first time we hear his expansive piano skills. As we explore various versions of this song (including the precious Sessions take ) we'll break down what makes this such a stunning display of intention, talent and storytelling.…
Heard for the first time in 1991, the long-lost "Mad The Swine" finally landed in its rightful place on Queen's debut album when it was remixed and re-released in 2024 as Queen I. We'll go through three different versions of this soothing gem and talk a supposed live performance; plus a sneaky spoken lyric hidden in the second chorus that I still can't figure out.…
Throwback. Nostalgia. 2000s. It was an easier time and a breezier time. As I navigate through the challenges of life, I'm recapturing brighter feelings and dreaminess by escaping into some of my favorite chill tunes of yesteryear. Cruise through my curated playlist with me to (re)discover some of the best of the chillout genre (and other genres like it, including trip hop, dark wave, etc.). BONUS: Here's a link to my playlist , with an extra-chill song I impulsively added at the end. I'll probably talk about that one later...…
"Great King Rat" is still one of my favorites on Queen's debut, and diving into various versions of the song has made me appreciate it's complexity all the more. We're talking one of the earliest guide takes , the De Lane Lea cut, live performances and of course we'll compare the original Queen and Queen I mixes. You might be surprised which one wowed me the most this go round...…
Brian's (and Tim Staffell's) "Doing All Right" gives us a contrast of ballad tones and heavier prog rock, seamlessly blended in this reflective number. We'll compare various recordings; including the original Smile take , the Acoustic Session , and the difference between Queen and Queen I versions. I also included a BBC take for one special reason. Plus, I'm beginning to notice a trend with the Queen I mixes. And I elaborate more on frequency ranges and their importance within a song.…
To acknowledge the freshness of Queen's debut, now titled Queen I, I'm finally diving deeper into each of the album's prog-rock songs. And as we get into Queen's first single we'll talk the De Lane Lea demo , the Sessions cut , the comparison of the Queen and Queen I versions, live performances, my favorite iteration and another take that'll really keep you alive. Bonus, I get into promo video fun facts; including the boys' first try and raw reel footage .…
Has something ever happened to you that you couldn't explain? Something instantaneous, and obviously outside of your control. Something miraculous and life-changing. It sweeps in and changes you and brings you back. It lifts a weight off of you. Yeah, that happened to me. And before I talk more Queen on my podcast, I have to tell you my little story.…
How many times can one say the word 'brilliant' in a podcast episode? Someone count and tell me, because I was totally unaware as I went through my list of artists and bands I love; who happen to have reinvented themselves a fair number of times. Through this episode, I explore the motivation of reinvention, whether it's innate or subconscious or extremely strategic (or all of the above). And yes, we'll talk Queen.…
I am going to throw so many facts and names at you in this episode, your head will be spinning; in the best, most royal and regal way, of course. But a Queen album kickoff must be done in style, and as I revisit this remarkable debut from this unforgettable and powerful band, I'm proud and excited to share some of the coolest facts I've discovered about our favorite boys. Come with me, and let's once again visit my favorite Queen era...…
I indulged in Queen's newly remixed and remastered debut and I want to share my thoughts with you. In addition, as I obsessively listen to Queen I and fall madly in love with the sessions disc and can't get over the fresh sound, etc., I've realized...I can do something fun with this...
ICYMI, Queen unveiled the re-release of their debut, now called Queen I; with entirely remixed songs (that sound like they always wanted), a plethora of alternate takes, early takes, a photo book, and more. To celebrate this announcement, the guys teased with the remixed cut of deep track " The Night Comes Down ", one of my favorites. They also shared the official video for the newly mixed song. All of the newness is exciting. But it hasn't gone unnoticed that new technology has been used to modernize this latest material. Dive in with me, and let's remember to celebrate the newness! Plus, I mention Wings of Pegasus , don't forget to check it out.…
It's okay. I must have said that ten or more times in this episode. Because no matter what age we are, we have boxes to check. Things we want to do and see and be. And when we fall short, and we fail, we wonder what's wrong with us; when so many around us live seemingly perfect lives. Nothing is wrong! And their lives aren't perfect, either. We're all just trying to get by. I talked about a lot of things here, got pretty passionate and obstinate, and there are moments where I (nearly) contradict myself. But the point is, no matter what your life is right now, it's okay, and so are you.…
I always name the man who stole my attention the most on the most recent album I've finished diving through. With Queen's 12th album, I struggled. I actually considered naming giving two men the equal honor of stealing my ears away. But while on a recent road trip I had plenty of time to ponder, and given the pop inclinations of this album, it's soulfulness and bouncy vibes, I realized...I kept noticing one Queen much more than the others. P.S. Plenty of tangents in this short and sweet episode.…
The closing number of Queen's 12th album and Freddie's only contribution as sole composer, " Princes of the Universe " captures earlier rockin' Queen and features many fast-paced moments and thrills. Freddie sings aggressively throughout, Brian's solo is epic, Roger plays live drums with bombast and John pounds his bass like no other. The Townhouse early master showcases the brilliant instrumentation. But for all its loudness and impressive chord changes, I'm left wanting more.…
One of the danciest rock things Queen ever did (and really, it sometimes feels nothing like Queen), Roger's " Don't Lose Your Head " is driven by bombastic percussion that never gets a break, Brian's echoing gritty guitars and Freddie's crystal clear vocals (lead and all backing). But I don't know if I believe Freddie as he implores us to chill out. The instrumental version " A Dozen Red Roses For My Darling " amps the dance elements, almost taking us into early techno territory.…
Brian brings the heat, the roar and a guitar bagpipe solo in " Gimme the Prize (Kurgan's Theme ", an aggressive and demanding metal-tinged anthem inspired by Highlander's villain. Distorted guitar layers and Freddie's sharply delivered full chest vocals make this one of Queen's heaviest songs. It was never performed live but several " eYe Versions " exist (Queen: The eYe Soundtrack), omitting the impressive intro and all film sounds. Some fans dig the aggression, Brian's bagpipe solo and Freddie's screams and cackles. But me? Well...…
Life has a way of reminding us we're seldom in control. Life comes at us, things happen, and we're pushed to the ground. When we go through turmoil and tragedy, it changes us; forever, and sometimes deeply. But as we decide to fight and we rise, something remarkable happens, and we suddenly realize... this is what I've been missing.…
Brian's grandiose " Who Wants to Live Forever " was ignored when Queen's twelfth album was released. Nevertheless, the song has become a fan favorite. Inspired by Highlander's love story, Brian wrote it quickly in the car, laid down the entire track and its impressive chords in the " Skips Demo " versions, and worked with a full orchestra to create one of Queen's absolute best. Brian and Freddie contribute lead vocals, Roger busts out strategic and impactful percussion, and Brian's guitar is soulful. This is one of my favorites: A powerful live number and an evocative piano piece .…
Another gorgeous Freddie/John co-write and one of Queen's last piano-driven songs, " Friends Will Be Friends " is an impactful power rock ballad that emphasizes the importance of relationships. Freddie performs his lyrics with impressive dynamics, tackling massive intervals effortlessly. Brian's guitar is soulful as ever, complimenting Freddie's brilliance. John provides rhythm guitar alongside his immaculate bass, and Roger's delicate percussion is perfection. Live, this was a moving number tucked between two longstanding setlist closers; and fans loved it.…
There comes a time when we realize...we're doing way too many things in this attempt to do everything. Sometimes, life demands compromise, and we have to set aside our aspirations simply to function. But when we're given the opportunity to love life, and not just live it, we should be absolutely intentional only with what matters most. Don't spread yourself too thin.…
Freddie and John's collab, " Pain Is So Close to Pleasure ", is such a well-executed motown pop rock number. Brian embellishes with soulful guitar and Roger may or may not appear on accented percussion. It's a lively contrast of lighthearted vocals and dreamy chords against heavier concepts, and key changes aplenty. The remixed single version (and its extended mix ) provides a bit more energy. But I admit, I often forget about this song...…
Nearly a John and Freddie collaboration, the ballad " One Year of Love " is unapologetically romantic. Brian (and perhaps Roger) is absent, and a saxophone fills the solo space, along with sweeping strings. John's hands on nearly all instruments create a lush and relaxed atmosphere, with Freddie crooning in controlled expressions of sensitivity and confession. It's a heartfelt performance and incredibly pretty, but something about it occasionally takes me out of the magic...…
I wanted to talk about something fun and music related, so we're going through my top songs by play count, on my old iPod Nano. We're covering a lot of genres here! From industrial experimentation to funk rock to hard rock to hip hop pop...you might discover something new and fall in love. Bonus: A link to the live version of one of my favorites; and you can see my left hand go up at 3:08.…
One of Queen's best pop singles, " A Kind of Magic " started life as a mashup in " A Kind of Vision " and was elevated to grand energy in Roger's original version (featured in the Highlander film credits); before Freddie injected a commercialized streak, creating the final take that would be released as a single. This lively song features everyone at their best, whether restrained or unleashed. Isolated vocals showcase the brilliance of subtle and effective production. And the boy's live performances have brought my love and affection for this song to a ridiculous level.…
Arguably one of Queen's best album (and concert) openers, " One Vision " kicks off album twelve with heavy rock and brighter pop elements. It's credited to the entire band and perfectly blends Roger's (original) lyrics, Freddie's powerful playfulness, Brian's rock hooks and John's bopping bass. There's even a documentary of their energetic collaboration. This song began as a combined demo with another great Queen number, and does in fact close with a request for food . Live, it was a powerhouse performance , and one of Queen's finest.…
After Queen's The Works in 1984, the band wanted a break. But the success of Live Aid led to fresh developments, and an opportunity to contribute songs for the film Highlander . Those invigorating and energized songs shaped the boys' 12th album, the pop rock celebration A Kind of Magic . The first digitally produced Queen album, its plethora of synthesizers didn't impress some critics. But fans' affection reigns supreme, and it resulted in Queen's final (and in some ways, most memorable) tour with Freddie.…
Voted the greatest live performance in the history of rock. The Note Heard Round the World. Queen at Live Aid was an incredible moment that unified and encouraged and roused us. To this day, it's heralded as one of the best, if not the absolute best, rock moments ever. And we have four fabulously talented men to thank.…
Whether or not we realize, we are resilient beings. Our spirits retain a resilience even our miraculous bodies cannot touch. Despite the fear and doubt we sometimes feel, we have the ability to rise. It's almost supernatural, and otherworldly. But when we're challenged and we're facing the toughest struggles, something compels and encourages us to hope harder, and rise above it.…
When it came time to name the man who stole my ears the most on this dynamic and accessible album, I hesitated. I couldn't decide. And then a recent interview drove me to reassess and revisit the songs. The expression. The emotion. Throughout every genre tackled in these compositions, one thing suddenly pulled it all together more than anything else. And there was only one man who could take the crown.…
Pensive isn't often a word used to describe Queen's music. But Brian and Freddie's co-written " Is This the World We Created...? " is a perfect example of urgent restraint and seriousness, created with a sparse arrangement of 12-string guitar and tugging vocals. Moved by visions of disturbing living conditions in Africa, our co-writers took a unique approach to write this song, resulting in one of the band's most moving and beautiful compositions; notably performed at Live Aid , but perhaps even more stunning at Wembley .…
A sturdy rock number from Brian, " Hammer to Fall " is about death; which seems to be one of Brian's favorite subjects. Nevertheless, the energy of this song is rousing, impressive and electric, an almost empowering take. Freddie is in fine vocal form, busting out some impressive high notes. And Roger's bombastic drums are back (as are his aggressive harmonies). No shortage of Brian's riveting guitars and rounded backing vocals. And John particularly impresses with interesting basslines. This was a live favorite for good reason, and Brian gave it his own soft twist in '98.…
Have you always detested current artists and musical trends? Hey, I see you. I was, and to an extent, still am that person. For various reasons, I wouldn't listen to music everyone else loved; partially because I thought it to be boring and surface and lifeless. What I failed to notice at the time was just how genius many of those songs were, and the talent and intentions of the artists who made them. They did and continue to do things I never could as a singer. So I'm diving in and I encourage you to explore the world of music you once hated.…
Freddie's brilliantly stirring " Keep Passing the Open Windows " is a remnant of a film production project. His piano is melodic and sustained, sweeping and epic; along with his lead vocal performance. Roger, Brian and John provide impressive instrumental performances full of bombastic enthusiasm, ostinato, grit and soaring melodies. There's even a moment of throwback Queen choral vocals! It was never played live but two demos were preserved. A rare and unique treat, this song means an awful lot to me for one important reason.…
A beloved declaration, John's sole contribution to The Works " I Want to Break Free " is breezy pop rock at its best. Freddie's expressive vocal (and video) performance often lead listeners to assume this is his number, but John's work on acoustic guitar and synthesizer (as well as bass) in the sparse arrangement leave no doubt. Brian and Roger appear briefly to round out this addicting radio-ready confection that rocks harder and louder on stage . It's become an anthem and continues to win more fans, but upon its initial release as a single, it didn't fair well everywhere...…
A rare Roger-Brian collab, " Machines (or Back to Humans) " features blipping Fairlight synths, programmed drums and a vocoded Roger bounced against Brian's rocking guitars, John's jiving bass and Roger's energized live percussion. Freddie's lead vocal is magnificently aggressive and commanding. Fans forget about this, but it's a ridiculously relevant topic of the moment, as the boys create a lively battle between man and machine. And about that instrumental remix ...…
A lively rockabilly tune, Freddie's " Man on the Prowl " bops and jives like another tune before it. Though its familiar vibe feels less original and is certainly less complex, Freddie provides dynamic and impressive stylized vocals and piano, Roger and John hold it down with snappy live drums and a boogie woogie bass, and Brian rocks out on a Fender Telecaster. Bonus: The ending features some impressive piano glissandos, courtesy of guest musician Fred Mandel.…
I intended to talk about this weeks ago, and since then, so much has happened in the world of artificial intelligence. Copyright concerns. Regulations. Experiments. In many ways, AI isn't new. In the music world, it's been around in various forms for decades. But thanks to recent technology advancements, we're all hyper-focused on AI, and whether you're inspired or terrified, it's good to be aware.…
Freddie delivers a powerhouse vocal performance in his touching and dramatic declaration " It's a Hard Life ". Incorporating operatic and ballad elements, this song echoes several earlier Freddie compositions and continues his journey of love. It's also a welcome return to Queen's no-synths approach, with all the boys returning full force to their respective instruments and wall of sound choral harmonies. As impactful and powerful as the album version is, I'm surprisingly torn about the live performances . And the flashy video polarized the band.…
The heaviest tune on The Works, " Tear It Up " comes at us hard and fast, courtesy of Brian's composition genius and Freddie's aggressive vocals. It echoes many previous Queen tracks (and not all of them are Brian numbers) but we welcome its unabashed sexiness and rousing, gritty rock 'n' roll vibe. It even mentions a previous well-known Queen song. Not a lot is said about this by critic or fan, and it's not the most impressive live Queen performance . But something about it keeps me coming back for more.…
Roger's first big hit with Queen, " Radio Ga Ga " kicks off The Works with invigorated, celebratory energy; and of course, nostalgia. Inspired by a phrase blurted by Roger's young son Felix, this song has become an anthem that features classic Queen enthusiasm and heart, with a healthy dose of synthesizers. It's the most atmospheric we've heard the boys, and despite the indifference from many (including fans), I think people really like this...and it's not just because of the Live Aid performance . Or the imaginative video (or its outtakes ).…
After the lackluster response to funk-infused Hot Space , Queen took a break and came back fresh, uniting with enthusiasm to create their 11th album, The Works . For the first time, the boys made a conscious decision to rely on their tried and true rock 'n' roll style while retaining some of their recent and more minimal pop and dance vibes. They "played it safe" to reaffirm their presence and reconnect with fans. Press and the public lauded this as the boys' return to form. Its tracklist is short, and some find the fusion of rock and pop uneven. But it packs a joyous punch that's fresh and invigorating.…
In the ever-changing rapidly shifting digital world, social media is one element that never sits still. And as sentiments change and concerns arise and questions are asked, I had to ask myself...how do I feel about the social media platforms I use? When I'm on them, how does that affect me? And when you're on social media, how do you feel? The good news is...if something's not working for you, there's always another option. It's possible to find your social happy place.…
The synth bass. The dynamic compositions. The attitude. The vocals. When I listen to Queen's tenth album and its many funky and danceable twists and turns, one man stands out to me more than the rest. We're reminded that his ability to perform in every genre ever is innate, and his confidence and swagger are through the roof. From his impressive falsetto to his album art concept, this man epitomizes Hot Space.…
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