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Whitney Anne Adams에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Whitney Anne Adams 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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ROBERT STADD - Visual Effects Supervisor & VFX Producer

1:16:10
 
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Manage episode 434567808 series 3563072
Whitney Anne Adams에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Whitney Anne Adams 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Hello everyone! Today’s episode features the Visual Effects Supervisor and Visual Effects Producer Robert Stadd. I was fortunate enough to collaborate with Robert on our Netflix film We Have A Ghost. We get into some fascinating discussions about his work in VFX including the intersection of VFX and Costumes (especially on We Have A Ghost!) as well as covering his extensive film career, and the reasons he turned down Titanic and The Matrix! Also tune in to hear about working on the miniatures for The Crow & Crimson Tide as well how he made a monkey look like he’s smoking for The Hangover. If you head on over to the Patreon, there’s an extended version of the episode with more tales, like working with Michael Mann, designing his favorite shot from Miami Vice and how some Navy Seals accidentally had their hair turn green on Crimson Tide.

---

VFX Supervisor & VFX Producer Robert Stadd

Credits include: War Dogs, The Hangover Part 2 & Part 3, The Laundromat, Ali, Collateral, Miami Vice, and Public Enemies

---

Robert Stadd has supervised and produced the visual effects for We Have a Ghost, A Babysitter’s Guide to Monster Hunting, The Laundromat, Mortal Engines, War Dogs, Hangover Part 2 and Part 3, Public Enemies, Miami Vice, Redline, Collateral, Ali, as well as producing the VFX for Nutty Professor (I & II), Galaxy Quest, Liar Liar, Mighty Joe Young, My Fellow Americans, The Crow, Crimson Tide, The Mask, Hot Shots!, Defending Your Life

Stadd directed Alien Siege for the Sy-Fi Channel, which had their highest viewership in five years when it played. He has directed theater at the Off Main Street theater in Santa Monica as well as the Globe Playhouse in West Hollywood. His webisode, The Ballad of Mary and Ernie has won multiple streaming awards.

---

Robert Stadd Links:

Instagram: @robertstadd

Twitter: @rstadds

IMDb: Robert Stadd

---

TFACD Links:

Patreon: Tales From A Costume Designer

Instagram: @talesfromacostumedesigner

Twitter: @talesfromaCD

TikTok: @talesfromaCD

---

Whitney Anne Adams Links:

Website: whitneyadams.com

IMDb: Whitney Anne Adams

Instagram: @WAACostumeDesign

Twitter: @WhitneyAAdams

TikTok: @waacostumedesign

Ko-Fi: @waacostumedesign

---

Union Links:

#NakedWithoutUs Website

Pay Equity Now IG: @payequitynow

Pay Equity Now TikTok: @payequitynow

Costume Designers Guild IG: @cdglocal892

United Scenic Artists Local 829 IG: @unitedscenicartists

Local USA 829 Pay Equity Task Force IG: @usa829payequity

IATSE IG: @iatse

  continue reading

16 에피소드

Artwork
icon공유
 
Manage episode 434567808 series 3563072
Whitney Anne Adams에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Whitney Anne Adams 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Hello everyone! Today’s episode features the Visual Effects Supervisor and Visual Effects Producer Robert Stadd. I was fortunate enough to collaborate with Robert on our Netflix film We Have A Ghost. We get into some fascinating discussions about his work in VFX including the intersection of VFX and Costumes (especially on We Have A Ghost!) as well as covering his extensive film career, and the reasons he turned down Titanic and The Matrix! Also tune in to hear about working on the miniatures for The Crow & Crimson Tide as well how he made a monkey look like he’s smoking for The Hangover. If you head on over to the Patreon, there’s an extended version of the episode with more tales, like working with Michael Mann, designing his favorite shot from Miami Vice and how some Navy Seals accidentally had their hair turn green on Crimson Tide.

---

VFX Supervisor & VFX Producer Robert Stadd

Credits include: War Dogs, The Hangover Part 2 & Part 3, The Laundromat, Ali, Collateral, Miami Vice, and Public Enemies

---

Robert Stadd has supervised and produced the visual effects for We Have a Ghost, A Babysitter’s Guide to Monster Hunting, The Laundromat, Mortal Engines, War Dogs, Hangover Part 2 and Part 3, Public Enemies, Miami Vice, Redline, Collateral, Ali, as well as producing the VFX for Nutty Professor (I & II), Galaxy Quest, Liar Liar, Mighty Joe Young, My Fellow Americans, The Crow, Crimson Tide, The Mask, Hot Shots!, Defending Your Life

Stadd directed Alien Siege for the Sy-Fi Channel, which had their highest viewership in five years when it played. He has directed theater at the Off Main Street theater in Santa Monica as well as the Globe Playhouse in West Hollywood. His webisode, The Ballad of Mary and Ernie has won multiple streaming awards.

---

Robert Stadd Links:

Instagram: @robertstadd

Twitter: @rstadds

IMDb: Robert Stadd

---

TFACD Links:

Patreon: Tales From A Costume Designer

Instagram: @talesfromacostumedesigner

Twitter: @talesfromaCD

TikTok: @talesfromaCD

---

Whitney Anne Adams Links:

Website: whitneyadams.com

IMDb: Whitney Anne Adams

Instagram: @WAACostumeDesign

Twitter: @WhitneyAAdams

TikTok: @waacostumedesign

Ko-Fi: @waacostumedesign

---

Union Links:

#NakedWithoutUs Website

Pay Equity Now IG: @payequitynow

Pay Equity Now TikTok: @payequitynow

Costume Designers Guild IG: @cdglocal892

United Scenic Artists Local 829 IG: @unitedscenicartists

Local USA 829 Pay Equity Task Force IG: @usa829payequity

IATSE IG: @iatse

  continue reading

16 에피소드

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