012. Devon Osamu Tipp and Chatori Shimizu
Manage episode 312824524 series 3247537
TAK Editions Podcast에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 TAK Editions Podcast 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Shaped by sonic sensitivity from a young age, Pittsburgh based composer/performer/artist Devon Osamu Tipp creates unorthodox musical environments from ostensibly incompatible realms. Tipp’s music draws influence from his Japanese and Eastern European roots, his experiences as a jeweler and painter, improvisations with plants, and his studies of gagaku and hogaku in Japan and the US. TAK had the pleasure of working with Devon earlier this year when we were in residence at the University of Pittsburgh, where he’s currently pursuing a doctorate in composition. On today's episode, Devon speaks with Dresden based composer, shō performer, and sound artist Chatori Shimizu. As the First Prize Winner of the 2016 Malta International Composition Competition, Shimizu's works have been performed and exhibited throughout Australia, Canada, China, France, Germany, Japan, South Korea, the Netherlands, Poland, Serbia, Thailand, United Kingdom, and the United States. For more information about today's guests, find them online at the links below. Devon's website: https://www.greengiraffemusic.info/ ... and his bandcamp: https://devonosamutipp.bandcamp.com/ Chatori's website: https://www.chatorishimizu.com/ Score follower of Mimi Spelunking (2019), by Chatori Shimizu, performed by Naoyuki Manabe (Shō), Tai Chihiro (Vla.) https://www.youtube.com/watch?v=uNpv7vCkzgM Today's episode was produced by Devon Osamu Tipp in collaboration with TAK ensemble, and edited by Marina Kifferstein.
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