Artwork

Sonic Acts에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Sonic Acts 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Dani Admiss – Sunlight Doesn’t Need a Pipeline

30:20
 
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Manage episode 378196712 series 2612610
Sonic Acts에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Sonic Acts 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Sunlight Doesn’t Need a Pipeline by Dani Admiss SONIC ACTS BIENNIAL 2022 15 October 2022 – Likeminds, Amsterdam, The Netherlands Dani Admiss looks at how a collaborative climate justice project Sunlight Doesn’t Need a Pipeline initiates a collective rethink about what forms of repair are needed in the art sector and beyond. The current solutions of climate repair are flawed; carbon accounting and offsetting practices reiterate a narrative where one party repairs for another and scarcity narratives such as the half-Earth ‘solution’ propose a redistribution that imposes violence for many and a feeling of loss for others. In her talk, Admiss talks about commissioned projects by Luiza Prado and Chanelle Adams within the context of the Sunlight project. She also thinks about how repair can be meaningful to people in their own lived experiences and communities, as well as within environments that are shaped by humanity but exist far beyond them. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution’s invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces’ not just as the material act of spreading toxicity, but as art’s potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 https://daniadmiss.com https://sunlightdoesntneedapipeline.com Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/
  continue reading

79 에피소드

Artwork
icon공유
 
Manage episode 378196712 series 2612610
Sonic Acts에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Sonic Acts 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Sunlight Doesn’t Need a Pipeline by Dani Admiss SONIC ACTS BIENNIAL 2022 15 October 2022 – Likeminds, Amsterdam, The Netherlands Dani Admiss looks at how a collaborative climate justice project Sunlight Doesn’t Need a Pipeline initiates a collective rethink about what forms of repair are needed in the art sector and beyond. The current solutions of climate repair are flawed; carbon accounting and offsetting practices reiterate a narrative where one party repairs for another and scarcity narratives such as the half-Earth ‘solution’ propose a redistribution that imposes violence for many and a feeling of loss for others. In her talk, Admiss talks about commissioned projects by Luiza Prado and Chanelle Adams within the context of the Sunlight project. She also thinks about how repair can be meaningful to people in their own lived experiences and communities, as well as within environments that are shaped by humanity but exist far beyond them. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution’s invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces’ not just as the material act of spreading toxicity, but as art’s potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 https://daniadmiss.com https://sunlightdoesntneedapipeline.com Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/
  continue reading

79 에피소드

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