Marvel’s “Wolverine: The Lost Trail” is an epic quest that takes place in the Louisiana bayou. Following the events of Marvel’s “Wolverine: The Long Night,” Logan (Richard Armitage) returns to New Orleans in search of redemption, only to discover that his ex-lover, Maureen is nowhere to be found. And she's not the only one. Dozens of humans and mutants have gone missing, including the mother of a teenage boy, Marcus Baptiste. With Weapon X in close pursuit, Logan and Marcus must team up and ...
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General Effect Media에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 General Effect Media 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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N-BEAM Consortium (Jim Mobley, Alex Shapiro, & Benjamin Taylor)
Manage episode 254535908 series 2598504
General Effect Media에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 General Effect Media 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
N-BEAM Consortium Every day we hear and experience music that has incorporated music technology, through electronic components and instruments, to positively contribute to the listener's overall musical experience. Electro-Acoustic (EA) music is now widely accepted in music - in both production and performance - from scores created for screen and stage, to popular music, and even the professional classical orchestra stage. As technology becomes a more important part of the daily life of our students and can create new palates of sound in our music, educators must embrace technology as part of our sound and our curriculum - much the same way as it already has been in most other areas of music. The New Band Electro-Acoustic Music (N-BEAM) consortium aims to add three new pieces of EA music to the school concert band repertoire. In 2018, N-BEAM v1.0 released it's first composition to its members - TECHNO BLADE, by Benjamin Taylor. This was followed in 2019 with Daniel Montoya Jr.'s composition AXE TO GRIND. In 2020, the N-BEAM consortium met the goal of introducing three new pieces of EA music to the school concert band repertoire by the addition of Alex Shapiro's OFF THE EDGE. With N-BEAM v2.0, the New Band Electro-Acoustic Music consortium project looks to build on this success with the addition of three more EA pieces to the wind band repertoire. Beginning in early 2021, N-BEAM v2.0 consortium members will receive the first of three new pieces of concert band literature, graded between 2 and 2.5, each including an audio component. Those components may be live or interactive, using an electronic instrument or computer/tablet to create sounds; or may be fixed, like an accompaniment audio track that is played throughout the composition. Each of these compositions will be created in a way that will allow any school (and their director), the "plug and play" ability to perform each composition easily and effectively, regardless of their experience with technology, their level of access to sound reinforcement equipment or their technology/instrument budget. At least 30 schools will have an opportunity to join a consortium that funds the creation of those three pieces. And each consortium member will receive performance benefits for being part of this project. --- Support this podcast: https://podcasters.spotify.com/pod/show/sketchbookpodcast/support
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49 에피소드
Manage episode 254535908 series 2598504
General Effect Media에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 General Effect Media 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
N-BEAM Consortium Every day we hear and experience music that has incorporated music technology, through electronic components and instruments, to positively contribute to the listener's overall musical experience. Electro-Acoustic (EA) music is now widely accepted in music - in both production and performance - from scores created for screen and stage, to popular music, and even the professional classical orchestra stage. As technology becomes a more important part of the daily life of our students and can create new palates of sound in our music, educators must embrace technology as part of our sound and our curriculum - much the same way as it already has been in most other areas of music. The New Band Electro-Acoustic Music (N-BEAM) consortium aims to add three new pieces of EA music to the school concert band repertoire. In 2018, N-BEAM v1.0 released it's first composition to its members - TECHNO BLADE, by Benjamin Taylor. This was followed in 2019 with Daniel Montoya Jr.'s composition AXE TO GRIND. In 2020, the N-BEAM consortium met the goal of introducing three new pieces of EA music to the school concert band repertoire by the addition of Alex Shapiro's OFF THE EDGE. With N-BEAM v2.0, the New Band Electro-Acoustic Music consortium project looks to build on this success with the addition of three more EA pieces to the wind band repertoire. Beginning in early 2021, N-BEAM v2.0 consortium members will receive the first of three new pieces of concert band literature, graded between 2 and 2.5, each including an audio component. Those components may be live or interactive, using an electronic instrument or computer/tablet to create sounds; or may be fixed, like an accompaniment audio track that is played throughout the composition. Each of these compositions will be created in a way that will allow any school (and their director), the "plug and play" ability to perform each composition easily and effectively, regardless of their experience with technology, their level of access to sound reinforcement equipment or their technology/instrument budget. At least 30 schools will have an opportunity to join a consortium that funds the creation of those three pieces. And each consortium member will receive performance benefits for being part of this project. --- Support this podcast: https://podcasters.spotify.com/pod/show/sketchbookpodcast/support
…
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49 에피소드
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