CindiBeth에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 CindiBeth 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Hilde Mosse comes from one of the wealthiest families in Berlin and stands to inherit an enormous fortune. But she longs for something more meaningful than the luxurious lifestyle her family provides. So Hilde decides to pursue her dream of becoming a doctor. As the Nazis take power in Germany and the Mosse family is forced to flee, Dr. Hilde Mosse lands in New York having nearly lost everything.. She finds her calling treating the mental health of Black youth – and the symptoms of a racist system. In addition to photographs, school records, and correspondence spanning Hilde Mosse’s entire lifetime, the Mosse Family Collection in the LBI Archives includes the diaries she kept between 1928 and 1934, from the ages of 16-22. Hilde’s papers are just part of the extensive holdings related to the Mosse Family at LBI. Learn more at lbi.org/hilde . Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It’s narrated by Mandy Patinkin. This episode was written by Lauren Armstrong-Carter. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Hannah Gelman. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Please consider supporting the work of the Leo Baeck Institute with a tax-deductible contribution by visiting lbi.org/exile2025 . The entire team at Antica Productions and Leo Baeck Institute is deeply saddened by the passing of our Executive Producer, Bernie Blum. We would not have been able to tell these stories without Bernie's generous support. Bernie was also President Emeritus of LBI and Exile would not exist without his energetic and visionary leadership. We extend our condolences to his entire family. May his memory be a blessing. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.…
CindiBeth에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 CindiBeth 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
A podcast for people interested in the intersections between art, theology and spirituality.
CindiBeth에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 CindiBeth 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
A podcast for people interested in the intersections between art, theology and spirituality.
SARTS, the Society for the Arts in Religious and Theological Studies, has created three podcasts that offer “Conversations on Religion and the Arts”. This is one of the three “Conversations” with theologians and historians of art Robin Jensen, William Dyrness, and Charles Pickstone: all figures who helped develop this modern dialogue. With moderator Wilson Yates, the discussion with Robin Jensen begins with broad strokes on her work as an art historian and historian of early Christian art. She then moves in light of that work to a criticism of those who interpret the meaning of art for the people without—as a good historian must—asking what the people say that meaning actually is for them. In the discussion she considers the experiences people have with art that moves them onto sacred ground and she explores the range of meanings that major religious symbols, such as the Cross—the subject of one of her books—have had down through history. It is a discussion of delightful repartee and a profound exploration of the interactions of art and the religious life. wy…
SARTS, the Society for the Arts in Religious and Theological Studies, has created three podcasts that offer the reader “Conversations on Religion and the Arts”. These “Conversations” are with theologians and historians of art Robin Jensen, William Dyrness, and Charles Pickstone: all figures who helped create this modern dialogue within the churches and schools of theology. With moderator Wilson Yates, the discussion with The Reverend Canon Charles Pickstone, Vicar of St. Laurance Parish, London, begins with his relationship to ACE, the British religion and arts organization that he helped develop while serving on its Board of Trustees and as an art critic for its publication The AaC Bulletin. The discussion considers the future of the conversation on religion and art in Great Britain, and it focuses on certain of his own critical writings including an article on The Cuban culture’s positive view of the body as expressed in art and as an expression of both artistic and personal freedom. He considers the renewed interest in the work of the British sculptor Barbara Hepworth, and he explores the amazing and enigmatic work of art, Malevich’s icon Black Square. It is a lively and challenging conversation that is touched by laughter and by seriousness as he explores the spiritual power of modern and contemporary art to engage the religious life. And he remembers a colleague, Graham Howes, who was also central to the “Conversation” and missed by so many of us. Graham Howes died in November of 2020. wy…
SARTS, the Society for the Arts in Religious and Theological Studies, has created three podcasts that explore “Conversations on Religion and the Arts”. This is one of those “Conversations” from three of the figures who helped create this modern dialogue. With moderator Wilson Yates, Professor Emeritus of United Theological Seminary, Dr. William Dyrness, Professor of Fuller Theological Seminary, begins with comments on his now classic work on Rouault— including delightful commentary on the European settings where the book was written. And from there he moves down through a host of ideas and events in the life of the “Conversation” that considers the importance of Hans Rookkmaaker to the earlier academic consideration of religion and art, the importance of John Calvin to modern aesthetics, and a discussion of his work, Modern Art and The Life of a Culture-- co-written with Jonathan Anderson, where Dyrness own approach to the interpretation of art is made alive and vital to anyone interested in the interaction of the arts and the religious life. His conversation is filled with stories that speak to the larger narrative within theology, history, and the arts and with a special interest in the arts and Reformed Protestantism. wy…
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